Thammavongsa is a master at homing in on moments like this -- moments of exposure, dislocation, and messy feeling that push us right up against the limits of language.The stories that make up How to Pronounce Knife focus on characters struggling to find their bearings in unfamiliar territory, or shuttling between idioms, cultures, and values. A failed boxer discovers what it truly means to be a champion when he starts painting nails at his sister's salon. A young woman tries to discern the invisible but immutable social hierarchies at a chicken processing plant. A mother coaches her daughter in the challenging art of worm harvesting.In a taut, visceral prose style that establishes her as one of the most striking and assured voices of her generation, Thammavongsa interrogates what it means to make a living, to work, and to create meaning.How to pronounce knife --Paris --Slingshot --Randy Travis --Mani pedi --Chick-a-chee! --The universe would be so cruel --Edge of the world --The school bus driver --You are so embarassing --Ewwrrkk --The gas station --A far distant thing --Picking worms

    When their marriage goes into meltdown, Barrington has big choices to make.Mr Loverman is a groundbreaking exploration of Britain's older Caribbean community, which explodes cultural myths and fallacies, and shows how deep and far-reaching the consequences of prejudice and fear can be. It is also a warm-hearted, funny and life-affirming story about a character as mischievous, cheeky and downright lovable as any you'll ever meet.

    A classic coming-of-age tale doubled across two vividly individual brothers, who struggle to navigate a complex tangle of relationships and coercive forces, cinematically interwoven with the yearnings and fears of an ensemble of mothers, fathers, cousins, friends and lovers both false and true. This wide-ranging debut beautifully presents the resonances and the ghosts of lost possibilities, as well as a gripping story of hope and betrayal.Praise:"I very much enjoyed A Certain Exposure. An immense achievement, with absolutely beautiful passages of description."— Sarah Howe, T.S. Eliot Prize-winning author of Loop of Jade"A Certain Exposure is a quiet, powerful tale about the dangers of unthinking conformity…[It is rare] in Singapore that we are made to face recognisable portraits of our society and acknowledge the distortions.”—Akshita Nanda, The Straits Times  “One of the best debuts of 2014, this sometimes strident but largely effective novel begins with the suicide of a government scholar and proceeds to dissect elitism, racism, homophobia and other taboo topics in Singapore.”—Helmi Yusof,  The Business Times “One of the best novels I’ve read recently…a haunting story about elitism and prejudice in a society which recites daily pledges to maintain equality for all.”—Balli Kaur Jaswal, author of Inheritance“A Certain Exposure is an intimately layered story about twin brothers forging different paths through the intricacies and prejudices of Singapore society, but will strike a chord wherever the struggle between personal values and social pressures is experienced.”—Ovidia Yu, author of Aunty Lee’s Delights“[A]n exciting debut novel that delves beneath the surface of Singapore society, questioning the dominant value systems and asking if there’s a better way for us to live.”—Jeremy Tiang, writer and translator of  Durians Are Not the Only Fruit: Notes from the Tropics , in “My Book of the Year”,  Singapore Poetry About the Author:Jolene Tan is a writer and activist who lives in Singapore. She has also lived in the UK, the US and Germany. A Certain Exposure is her first novel.

    In the forest there is not a big gap between the two."A Datin recalls her romance with an orang bunian. A teenage pontianak struggles to balance homework, bossy aunties, first love, and eating people. An earth spirit gets entangled in protracted negotiations with an annoying landlord, and Chang E spins off into outer space, the ultimate metaphor for the Chinese diaspora.Straddling the worlds of the mundane and the magical, Spirits Abroad collects ten science fiction and fantasy stories with a distinctively Malaysian sensibility.

    Narayan. Whether his people are young or adult, female or male, gay or straight, there is always a struggle and a revelation. Sometimes there is no resolution. Cyril writes with insight and sympathy about people in a Singapore spectrum that readers can identify with.” —Robert Yeo, playwright and author of The Adventures of Holden HengA woman learns of a friend’s illness and wonders if she ever truly knew him. A boy who sees ghosts heeds the advice of a fortune-teller, with surprising consequences. A girl wakes up and realises everybody in her Bedok neighbourhood has vanished. This collection brings together, for the first time, both new and previously published stories by Cyril Wong, the award-winning author of The Last Lesson of Mrs de Souza. Ranging from the commonplace to the surreal, these short narratives feature characters in crisis, with two stories crossing intriguingly into creative autobiography.

    Instead she threw herself into building a culinary empire from her restaurant, Aunty Lee's Delights, where spicy Singaporean home cooking is graciously served to locals and tourists alike. But when a body is found in one of Singapore's beautiful tourist havens, and when one of her wealthy guests fails to show at a dinner party, Aunty Lee knows that the two are likely connected.The murder and disappearance throws together Aunty Lee's henpecked stepson Mark, his social-climbing wife Selina, a gay couple whose love is still illegal in Singapore, and an elderly Australian tourist couple whose visit-billed at first as a pleasure cruise-may mask a deeper purpose. Investigating the murder is rookie Police Commissioner Raja, who quickly discovers that the savvy and well-connected Aunty Lee can track down clues even better than local law enforcement.Wise, witty and unusually charming, Aunty Lee's Delights is a spicy mystery about love, friendship and home cooking in Singapore, where money flows freely and people of many religions and ethnicities co-exist peacefully, but where tensions lurk just below the surface, sometimes with deadly results.

    All signs being auspicious, the villagers triumphantly assured Sampath's proud parents that their son was destined for greatness. Twenty years of failure later, that unfortunately does not appear to be the case. A sullen government worker, Sampath is inspired only when in search of a quiet place to take his nap. "But the world is round," his grandmother says. "Wait and see Even if it appears he is going downhill, he will come up the other side. Yes, on top of the world. He is just taking a longer route." No one believes her until, one day, Sampath climbs into a guava tree and becomes unintentionally famous as a holy man, setting off a series of events that spin increasingly out of control. A delightfully sweet comic novel that ends in a raucous bang, Hullabaloo in the Guava Orchard is as surprising and entertaining as it is beautifully wrought.

    At its heart is Yuki Oyama, a Japanese girl fighting to make it as an artist, and her struggle with her decision to leave her two-year-old son, Jay. As an adult, Jay sets out to find his mother and confront her abandonment.

    And in the sleepy port town of Malacca, ghosts and superstitions abound.Li Lan, the daughter of a genteel but bankrupt family, has few prospects. But fate intervenes when she receives an unusual proposal from the wealthy and powerful Lim family. They want her to become a ghost bride for the family's only son, who recently died under mysterious circumstances. Rarely practiced, traditional ghost marriages are used to placate restless spirits. Such a union would guarantee Li Lan a home for the rest of her days, but at a terrible price.After an ominous visit to the opulent Lim mansion, Li Lan finds herself haunted not only by her ghostly would-be suitor, but also by her desire for the Lims' handsome new heir, Tian Bai. Night after night, she is drawn into the shadowy parallel world of the Chinese afterlife, with its ghost cities, paper funeral offerings, vengeful spirits, and monstrous bureaucracy—including the mysterious Er Lang, a charming but unpredictable guardian spirit. Li Lan must uncover the Lim family's darkest secrets—and the truth about her own family—before she is trapped in this ghostly world forever.

    So it comes to Mei, a twenty-something Singaporean lawyer about to face the greatest trial of her life. Her English boyfriend Andy, working in Singapore as a teacher, has been arrested, accused of masterminding an international betting ring. Under Singapore's draconian system of justice, he has but nine short days to prove his innocence or face life in prison. With time running out, Singapore native Eugene, Andys best friend and Mei's childhood playmate, flies in from Holland to help uncover the truth, a search that will unearth long-hidden secrets and forever challenge the moral, ethical, and spiritual framework of their lives. Exploring the chasm between Singapore's pop culture and traditional values, the friends' Gen-X cynicism and their gnawing hunger for direction and meaning, Hwee Hwee Tan delivers a powerful novel of clashing cultures and swirling spiritual quests, in which the wit is as sharp and unafraid as the insight it offers.

    The beautiful Indo prostitute Dewi Ayu and her four daughters are beset by incest, murder, bestiality, rape, insanity, monstrosity, and the often vengeful undead. Kurniawan's gleefully grotesque hyperbole functions as a scathing critique of his young nation's troubled past: the rapacious offhand greed of colonialism; the chaotic struggle for independence; the 1965 mass murders of perhaps a million "Communists," followed by three decades of Suharto's despotic rule.Beauty Is a Wound astonishes from its opening line: "One afternoon on a weekend in May, Dewi Ayu rose from her grave after being dead for twenty-one years…" Drawing on local sources—folk tales and the all-night shadow puppet plays, with their bawdy wit and epic scope—and inspired by Melville and Gogol, Kurniawan's distinctive voice brings something luscious yet astringent to contemporary literature.

    Travelling to the past, parallel planets, and the future, it tells a story of stories that explores the universal themes of love and loss, time and transience, and travel and wanderlust.Enchanting and evocative, the tales of Agnes Chew transport you to places that run on lost time, missed opportunities, and deep-rooted aspirations. These are voyages fuelled by a sense of nostalgia, possibility, and hope. Ultimately, this debut collection raises fundamental questions on the ways in which we live our lives.

    In the state of Kerala, on the southernmost tip of India, a skyblue Plymouth with chrome tailfins is stranded on the highway amid a Marxist workers' demonstration. Inside the car sit two-egg twins Rahel and Esthappen, and so begins their tale. . . .Armed only with the invincible innocence of children, they fashion a childhood for themselves in the shade of the wreck that is their family—their lonely, lovely mother, Ammu (who loves by night the man her children love by day), their blind grandmother, Mammachi (who plays Handel on her violin), their beloved uncle Chacko (Rhodes scholar, pickle baron, radical Marxist, bottom-pincher), their enemy, Baby Kochamma (ex-nun and incumbent grandaunt), and the ghost of an imperial entomologist's moth (with unusually dense dorsal tufts).When their English cousin, Sophie Mol, and her mother, Margaret Kochamma, arrive on a Christmas visit, Esthappen and Rahel learn that Things Can Change in a Day. That lives can twist into new, ugly shapes, even cease forever, beside their river "graygreen." With fish in it. With the sky and trees in it. And at night, the broken yellow moon in it.The brilliantly plotted story uncoils with an agonizing sense of foreboding and inevitability. Yet nothing prepares you for what lies at the heart of it.The God of Small Things takes on the Big Themes—Love. Madness. Hope. Infinite Joy. Here is a writer who dares to break the rules. To dislocate received rhythms and create the language she requires, a language that is at once classical and unprecedented. Arundhati Roy has given us a book that is anchored to anguish, but fueled by wit and magic.

    I do what is necessary to get what I want.”Born on the night of the nation’s independence, Gimme Lao is cheated of the honour of being Singapore’s firstborn son by a vindictive nurse. This forms the first of three things Gimme never knows about himself, the second being the circumstances surrounding his parents’ marriage, and the third being the profound (but often unintentional) impact he has on other people’s lives.Talented, determined and focused, young Gimme is confident he can sail the seven seas, but he does not anticipate his vessel would have to carry his mother’s ambition, his wife’s guilt and his son’s secret. Tracing social, economic and political issues over the past 50 years, this humorous novel uses Gimme as a hapless centre to expose all of Singapore’s ambitions, dirty linen and secret moments of tender humanity.

    It’s 28-year-old Ayami’s final day at her box-office job in Seoul’s audio theater. Her night is spent walking the sweltering streets of the city with her former boss in search of Yeoni, their missing elderly friend, and her day is spent looking after a mysterious, visiting poet. Their conversations take in art, love, food, and the inaccessible country to the north. Almost immediately, in the heat of Seoul at the height of the summer, order gives way to chaos as the edges of reality start to fray, with Ayami becoming an unwitting escort into a fever-dream of increasingly tangled threads, all the while images of the characters’ overlapping realities repeat, collide, change, and reassert themselves in this masterful work that upends the very structure of fiction and narrative storytelling and burns itself upon the soul of the reader. By one of the boldest and most innovative voices in contemporary Korean literature, and brilliantly realized in English by International Man Booker­–winning translator Deborah Smith, Bae Suah’s hypnotic and wholly original novel asks whether more than one version of ourselves can exist at once, demonstrating the malleable nature of reality as we know it.