Like first-rate poetry, they are endlessly readable. Those who have not read them have something to look forward to, and an assortment of Dunsany is the foundation stone of any fantasy collection.” —L. Sprague de CampThirty short and short-short stories by the 18th Baron of Dunsany. Edited by, and with introduction, notes and afterword by, Lin Carter.Contents: Introduction: The dreams of MĀNA-YOOD-SUSHĀI / Lin Carter — The cave of Kal — Of the gods of Averon — Mlideen — The King that was not — The men of Yarnith — In the land of Time — Time and the gods — The opulence of Yahn — The fortress unvanquishable, save for Sacnoth — Poltarnees, beholder of Ocean — The idle city — Bethmoora — Idle days on the Yann — The hashish man — Carcassonne — In Zaccarath — The dream of King Karna-Vootra — How the enemy came to Thlūnrāna — The distressing tale of Thangobrind the jeweller, and of the doom that befell him — A shop in Go-by Street — The avenger of Perdóndaris — How the dwarfs rose up in war — The probable adventure of the three literary men — The loot of Bombasharna — The injudicious prayers of Pombo the idolater — The bride of the man-horse — The quest of the Queen’s Tears — How one came, as was foretold, to the City of Never — A day at the Edge of the World — Erlathdronion — Epilogue — Afterword / Lin Carter(Cover Illustration: Ray Cruz)

    - H.P. LovecraftTable of Contents: "The Magic of Atlantis: An Introduction" (Editor)Poseidonis * Editor's Note * "The Muse of Atlantis" (prose poem) * "The Last Incantation" * "The Death of Malygris" * "Tolometh" (poem) * "The Double Shadow" * "A Voyage to Sfanomoë" * "A Vintage from Atlantis" * "Atlantis: a poem" (poem)Lemuria * Editor's Note * In Lemuria (poem) * An Offering to the Moon * The Uncharted Isle * Lemurienne (poem)Ptolemides * Editor's Note * The Epiphany of DeathOther Realms * Editor's Note * In Cocaigne (prose poem) * Symposium of the Gorgon * The Venus of Azombeii * The Isle of Saturn (poem) * The Root of Ampoi * The Invisible City * Amithaine (poem) * The Willow Landscape * The Shadows (prose poem)Cover art by Gervasio Gallardo

    Embedded in English legend and English association, they were set in the narratve frame of a great westward voyage over the Ocean by a mariner named Eriol (or Ælfwine) to Tol Eressëa, the Lonely Isle, where Elves dwelt; from them he learned their true story, the Lost Tales of Elfinesse. In the Tales are found the earliest accounts and original ideas of Gods and Elves; Dwarves and Orcs; the Silmarils and the Two Trees of Valinor; Nargothrond and Gondolin; and the geography and cosmology of the invented world.

    Lewis said that upon reading this astonishing 19th-century fairy tale he "had crossed a great frontier," and numerous others both before and since have felt similarly.In MacDonald's fairy tales, both those for children and (like this one) those for adults, the "fairy land" clearly represents the spiritual world, or our own world revealed in all of its depth and meaning. At times almost forthrightly allegorical, at other times richly dreamlike (and indeed having a close connection to the symbolic world of dreams), this story of a young man who finds himself on a long journey through a land of fantasy is more truly the story of the spiritual quest that is at the core of his life's work, a quest that must end with the ultimate surrender of the self.The glory of MacDonald's work is that this surrender is both hard won (or lost!) and yet rippling with joy when at last experienced. As the narrator says of a heavenly woman in this tale, "She knew something too good to be told." One senses the same of the author himself.Newly designed and typeset in a modern 6-by-9-inch format by Waking Lion Press.

    This rollicking adventure begins with a shipwreck on an island where notable characters of literature, history, and folklore coexist — Hamlet and Oedipus, Don Quixote and Doctor Faustus, Becky Sharp and Daniel Boone. From carousing with Robin Hood to crossing swords with the Green Knight and stealing a ride on Huck Finn's raft, our traveler, A. Clarence Shandon, undertakes a whirlwind tour of the classics. And just as the truths of great stories ennoble those who take them to heart, a selfish and cynical drifter is transformed into the gallant knight known as Silverlock.

    Amber burns in Corwin's blood. Exiled on Shadow Earth for centuries, the prince is about to return to Amber to make a mad and desperate rush upon the throne. From Arden to the blood-slippery Stairway into the Sea, the air is electrified with the powers of Eric, Random, Bleys, Caine, and all the princes of Amber whom Corwin must overcome. Yet, his savage path is blocked and guarded by eerie structures beyond imagining; impossible realities forged by demonic assassins and staggering horrors to challenge the might of Corwin's superhuman fury.' to 'Awakening in an Earth hospital unable to remember who he is or where he came from, Corwin is amazed to learn that he is one of the sons of Oberon, King of Amber, and is the rightful successor to the crown in a parallel world.

    'The two thieves had themselves been robbed by two youths, who eyed each other suspiciously over the sprawled, senseless bodies. Fafhrd said: 'Our motives for being here seem identical.' 'Surely, they must be!' the Mouser answered curtly, fiercely eyeing his huge, potential foe.Fafhrd glanced down at the belts and money-pouches of the fallen thieves. Then he looked up at the Mouser with an honest, open, ingenuous smile. 'Sixty-sixty?' he suggested. Thus was born the most improbable relationship in the whole history of swords and sorceries.Contains:7 • Induction • [Fafhrd and the Gray Mouser] • (1957) • shortstory by Fritz Leiber11 • The Snow Women • [Fafhrd and the Gray Mouser] • (1970) • novella by Fritz Leiber91 • The Unholy Grail • [Fafhrd and the Gray Mouser] • (1962) • novelette by Fritz Leiber123 • Ill Met in Lankhmar • [Fafhrd and the Gray Mouser] • (1970) • novella by Fritz Leiber

    To be Deryni in a land ruled by the all-powerful Church is to be branded an outcast. But now, young Prince Kelson is about to assume the throne after the mysterious death of his father. He must be told of his magical heritage. For his legacy is being challenged by a woman who does not hesitate to lay full claim to her Deryni powers. And to face her in magical combat, Kelson must learn a lifetime’s worth of magic in a few short days.If he loses, he dies as his father did. And if he wins, he is King—but all the world will know that he is also Deryni…

    Author Michael Moorcock, already a major player in science fiction, cemented his position in the fantasy pantheon with the five-book Elric saga, of which Elric of Melniboné is the first installment. The book's namesake, the brooding albino emperor of the dying nation of Melniboné, is a sort of Superman for Goths, truly an archetype of the genre.The youthful Elric is a cynical and melancholy king, heir to a nation whose 100,000-year rule of the world ended less than 500 years hence. More interested in brooding contemplation than holding the throne, Elric is a reluctant ruler, but he also realizes that no other worthy successor exists and the survival of his once-powerful, decadent nation depends on him alone. Elric's nefarious, brutish cousin Yrkoon has no patience for his physically weak kinsman, and he plots constantly to seize Elric's throne, usually over his dead body. Elric of Melniboné follows Yrkoon's scheming, reaching its climax in a battle between Elric and Yrkoon with the demonic runeblades Stormbringer and Mournblade. In this battle, Elric gains control of the soul-stealing Stormbringer, an event that proves pivotal to the Elric saga. --Paul Hughes

    Sir Gawain is a romance, a fairy-tale for adults, full of life and colour; but it is also much more than this, being at the same time a powerful moral tale which examines religious and social values.Pearl is apparently an elegy on the death of a child, a poem pervaded with a sense of great personal loss: but, like Gawain it is also a sophisticated and moving debate on much less tangible matters.Sir Orfeo is a slighter romance, belonging to an earlier and different tradition. It was a special favourite of Tolkien's. The three translations represent the complete rhyme and alliterative schemes of the originals.

    Jack Vance is one of the most remarkable talents ever to grace the world of science fiction. His unique, stylish voice has been beloved by generations of readers. Some of his enduring classics are the 1950 novel The Dying Earth and its sequels, The Eyes of the Overworld, Cugel's Saga, and Rialto the Marvelous.

    Aphrodite orders him to go to Egypt to seek out the immortal Helen, whom he wooed before marrying Penelope. This book might be called The Further Adventures of Odysseus or The Odyssey, Part 2.

    But chief among those names and perhaps the most dangerous of his personae is that of Nightfall, a man—or perhaps the legendary demon himself—gifted with unique powers which any sorcerer would kill to possess. Yet though Nightfall has always escaped his pursuers by moving on to new realms, new identities, and new enterprises, even the cleverest of beings must occasionally slip. And when this master of the night finally falls prey to a royal trap, he finds the consequences beyond even his ability to evade. Bound by sorcery and oath to guard and guide a young prince on his quest, Nightfall will need every trick and talent at his command to keep both himself and his idealistic young charge from death at the hands of unknown betrayers.

    Valentine's journey is a long one, a tour through a series of magnificent environments. Fields of predatory plants give way to impossibly wide rivers, chalk-cliffed islands and unforgiving deserts. The prose is unrelentingly dreamlike—no accident given that on Majipoor, dreams rule the minds of great and humble alike. Originally serialized in The Magazine of Fantasy & Science Fiction in four parts: November 1979, December 1979, January 1980 and February 1980.

    Tolkien's 'The Hobbit' has become one of the best-loved books of all time. Now Tolkien's fantasy classic has been adapted into a fully painted graphic novel.'The Hobbit' is the story of Bilbo Baggins…a quiet and contented hobbit whose life is turned upside down when he joins the wizard Gandalf and thirteen dwarves on their quest to reclaim the dwarves' stolen treasure. It is a journey fraught with danger – and in the end it is Bilbo alone who must face the guardian of this treasure, the most-dreaded dragon Smaug.Illustrated in full colour throughout, and accompanied by the carefully abridged text of the original novel, this handsome authorised edition will introduce new generations to a magical masterpiece – and be treasured by Hobbit fans of all ages, everywhere.