In a period of almost continuous upheaval, society was transformed by two world wars, the Russian Revolution, the Holocaust, and the rise and fall of the Third Reich. Combining a powerful narrative with profound analysis, acclaimed historian Robert Gellately argues that these tragedies are inextricably linked and that to consider them as discrete events is to misunderstand their genesis and character. Central to the catastrophe, of course, were Lenin, Stalin, and Hitler, and this book makes use of recently opened Russian and German sources to explain how these dictatorsâ�� pursuit of utopianâ��and dreadfully flawedâ��ideals led only to dystopian nightmare. In a groundbreaking work, Gellately makes clear that most comparative studies of the Soviet and Nazi dictatorships are undermined by neglecting the key importance of Lenin in the unfolding drama. Rejecting the myth of the â��goodâ�� Lenin, the book provides a convincing social-historical account of all three dictatorships and carefully documents their similarities and differences. It traces the escalation of conflicts between Communism and Nazism, and particularly of the role of Hitlerâ��s anathema against what he called â��Jewish Bolshevism.â�� The book shows how the vicious rivalry between Stalin and Hitler led inescapably to a war of annihilation and genocide. The reverberations of this gargantuan struggle are felt everywhere to this day.

    Up until now it has been recorded from the attackers’ point of view whereas the defenders’ angle has been largely ignored.While the Germans knew an invasion was inevitable, no-one knew where or when it would fall. Those manning Hitler’s mighty Atlantic Wall may have felt secure in their bunkers but they had no conception of the fury and fire that was about to break.After the initial assaults of June established an Allied bridgehead, a state of stale-mate prevailed. The Germans fought with great courage hindered by lack of supplies and overwhelming Allied control of the air.When the Allies finally broke out the collapse was catastrophic with Patton’s army in the East sweeping round and Monty’s in the West putting remorseless pressure on the hard pressed defenders. The Falaise Gap became a graveyard of German men and equipment.To read the war from the losing side is a sobering and informative experience."

    Tracing the interaction between food and strategy, on both the military and home fronts, this title demonstrates how the issue of access to food was a driving force within Nazi policy and contributed to the decision to murder hundreds of thousands of 'useless eaters' in Europe.

    To many people, she is still 'la reine méchante', whose extravagance and frivolity helped to bring down the French monarchy; her indifference to popular suffering epitomised by the (apocryphal) words: 'let them eat cake'. Others are equally passionate in her defence: to them, she is a victim of misogyny.Antonia Fraser examines her influence over the king, Louis XVI, the accusations and sexual slurs made against her, her patronage of the arts which enhanced French cultural life, her imprisonment, the death threats made against her, rumours of lesbian affairs, her trial (during which her young son was forced to testify to sexual abuse by his mother) and her eventual execution by guillotine in 1793.

    They have the physicists. They have the will. What they don’t have is enough “heavy water," an essential ingredient for their nuclear designs. For two years, the Nazis have occupied Norway, and with it the Vemork hydroelectric plant, a massive industrial complex nestled on a precipice of a gorge. Vemork is the world’s sole supplier of heavy water, and under the threat of death, its engineers pushed production into overtime. For the Allies, Vemork must be destroyed. But how would they reach the castle fortress high in a mountainous valley? The answer became the most dramatic commando raid of the war. The British Special Operations Executive together a brilliant scientist and eleven refugee Norwegian commandos, who, with little more than parachutes, skis, and Tommy Guns, would destroy Hitler’s nuclear ambitions and help end the reign of the Third Reich. Based on exhaustive research and never-before-seen diaries and letters of the saboteurs, The Winter Fortress is a compulsively readable narrative about a group of young men who endured soul-crushing setbacks and Gestapo hunts and survived in one of the coldest, most inhospitable places on earth to save the world from destruction.

    The plight of Anna (a lively and charismatic woman) and her much younger second husband Waldemar (an immigrant from the Dutch colony of Suriname), and the fate of their only child, Waldy, after his parents are murdered in the Nazi concentration camp for the crime of harboring Jews in their boarding house is unforgettable.Waldemar is unique as a biracial young man in post WWII Netherlands—and his search for his own path in life is sure to engage even the hardest hearts.

    For her, learning to fly is freedom. When German tanks roll across the border and into Paris, this woman with an adorable dog and a generous heart joins the resistance. Known as the Postmistress because she delivers information to those in hiding, Naneé uses her charms and skill to house the hunted and deliver them to safety.Photographer Edouard Moss has escaped Germany with his young daughter only to be interned in a French labor camp. His life collides with Nanée’s in this sweeping tale of romance and danger set in a world aflame with personal and political passion.Inspired by the real life Chicago heiress Mary Jayne Gold, who worked with American journalist Varian Fry to smuggle artists and intellectuals out of France, The Postmistress of Paris is the haunting story of an indomitable woman whose strength, bravery, and love is a beacon of hope in a time of terror.

    In the aftermath of the Second Word War, the first British War Crimes Investigation Team is assembled to hunt down the senior Nazi officials responsible for the greatest atrocities the world has ever seen. One of the lead investigators is Lieutenant Hanns Alexander, a German Jew who is now serving in the British Army. Rudolf Höss is his most elusive target. As Kommandant of Auschwitz, Höss not only oversaw the murder of more than one million men, women, and children; he was the man who perfected Hitler’s program of mass extermination. Höss is on the run across a continent in ruins, the one man whose testimony can ensure justice at Nuremberg. Hanns and Rudolf reveals for the very first time the full, exhilarating account of Höss’s capture, an encounter with repercussions that echo to this day. Moving from the Middle Eastern campaigns of the First World War to bohemian Berlin in the 1920s to the horror of the concentration camps and the trials in Belsen and Nuremberg, it tells the story of two German men- one Jewish, one Catholic- whose lives diverged, and intersected, in an astonishing way.

    Roth, a twenty-one-year-old German soldier, has spent most of his time in occupied Paris working in the army's back offices. But when his superiors learn of his ability to speak accent-free French, he is abruptly transferred to Gestapo headquarters to work as an interpreter during the interrogation of Resistance fighters. Rather than question his role in the Nazi regime, Roth translates with impeccable accuracy as the torture proceeds.But when his duty ends, Roth slips away from his fellow officers, changes into civilian clothes, and wanders aimlessly through Paris disguised as his alter ego "Antoine." One day he is drawn into an antiquarian bookshop and becomes enchanted with the bookseller's beautiful daughter, Chantal. The two begin to meet and fall in love, before Roth has the courage to reveal his true identity, nor to discover Chantal's. When a bomb placed in a popular nightclub by the Resistance kills several high-ranking German officers, Roth finds himself not in his role as translator but as the suspect of the SS's interrogation. April in Paris is one of those rare books in which the emotional force of the love story is matched by page-turning suspense. Written in an elegant and arresting style, it is a thrilling novel by a promising new writer, who has brought the reality of a war-torn past very much to the present.

    The entire continent was overshadowed by four rulers, all born within a ten-year period:King Francis I of France, the most interesting of the quartet, bursting with energy and swagger, was a great patron of the arts and the personification of the Renaissance.King Henry VIII of England—who was not born to be king but embraced the role with gusto—broke with the Roman Catholic Church, and made himself head of the Church of England.Charles V, Holy Roman Emperor, the most powerful man in the civilized world, obsessed with the religious disputes of Europe, was leader of the Spanish and then Roman Empire.Suleiman the Magnificent, the richest of them all, stands apart as a Muslim, who brought the Ottoman Empire to its apogee of political, military, and economic power, as well as to the golden age of its artistic and architectural prowess.Never before had humankind seen such giants coexisting. Against the rich background of the Renaissance, they laid the foundation for modern Europe. Individually, each man could hardly have been more different. Their mutual relations shifted constantly: often they were actively hostile and occasionally they were friendly. There was a healthy respect between them; never did one make the mistake of underestimating another. And together, they dominated the world stage.

    For all the literature about Adolf Hitler there have been just four seminal biographies; this is the fifth, a landmark work that sheds important new light on Hitler himself. Drawing on previously unseen papers and a wealth of recent scholarly research, Volker Ullrich reveals the man behind the public persona, from Hitler's childhood to his failures as a young man in Vienna to his experiences during the First World War to his rise as a far-right party leader. Ullrich deftly captures Hitler's intelligence, instinctive grasp of politics, and gift for oratory as well as his megalomania, deep insecurity, and repulsive worldview. Many previous biographies have focused on the larger social conditions that explain the rise of the Third Reich. Ullrich gives us a comprehensive portrait of a postwar Germany humiliated by defeat, wracked by political crisis, and starved by an economic depression, but his real gift is to show vividly how Hitler used his ruthlessness and political talent to shape the Nazi party and lead it to power. For decades the world has tried to grasp how Hitler was possible. By focusing on the man at the center of it all, on how he experienced his world, formed his political beliefs, and wielded power, this riveting biography brings us closer than ever to the answer. Translated from the German by Jefferson Chase.

    The Third Reich restores a broad perspective and intellectual unity to issues that have become academic subspecialties and offers a brilliant new interpretation of Hitler's evil rule.Filled with human and moral considerations that are missing from theoretical accounts, Michael Burleigh's book gives full weight to the experience of ordinary people who were swept up in, or repelled by, Hitler's movement and emphasizes international themes-for Nazi Germany appealed to many European nations, and its wartime conduct included efforts to dominate the Continental economy and involved gigantic population transfers and exterminations, recruitment of foreign labor, and multinational armies.

    I Will Bear Witness is a work of literature as well as a revelation of the day-by-day horror of the Nazi years.                           A Dresden Jew, a veteran of World War I, a man of letters and historian of great sophistication, Klemperer recognized the danger of Hitler as early as 1933. His diaries, written in secrecy, provide a vivid account of everyday life in Hitler's Germany.                          What makes this book so remarkable, aside from its literary distinction, is Klemperer's preoccupation with the thoughts and actions of ordinary Germans: Berger the greengrocer, who was given Klemperer's house ("anti-Hitlerist, but of course pleased at the good exchange"), the fishmonger, the baker, the much-visited dentist. All offer their thoughts and theories on the progress of the war: Will England hold out? Who listens to Goebbels? How much longer will it last?                          This symphony of voices is ordered by the brilliant, grumbling Klemperer, struggling to complete his work on eighteenth-century France while documenting the ever- tightening Nazi grip. He loses first his professorship and then his car, his phone, his house, even his typewriter, and is forced to move into a Jews' House (the last step before the camps), put his cat to death (Jews may not own pets), and suffer countless other indignities.                           Despite the danger his diaries would pose if discovered, Klemperer sees it as his duty to record events. "I continue to write," he notes in 1941 after a terrifying run-in with the police. "This is my heroics. I want to bear witness, precise witness, until the very end."   When a neighbor remarks that, in his isolation, Klemperer will not be able to cover the main events of the war, he writes: "It's not the big things that are important, but the everyday life of  tyranny, which may be forgotten. A thousand mosquito bites are worse than a blow on the head. I observe, I note, the mosquito bites."

    So was the priceless cultural heritage of thousands of years.In the midst of the conflict, the Allied Forces appointed the monuments officers—a motley group of art historians, curators, architects, and artists—to ensure that the great masterworks of European art and architecture were not looted or bombed into oblivion. The journalist Ilaria Dagnini Brey focuses her spellbinding account on the monuments officers of Italy, quickly dubbed “the Venus Fixers” by bemused troops.Working on the front lines in conditions of great deprivation and danger, these unlikely soldiers stripped the great galleries of their incomparable holdings and sent them into safety by any means they could; when trucks could not be requisitioned or “borrowed,” a Tiepolo altarpiece might make its midnight journey across the countryside balanced in the front basket of a bicycle. They blocked a Nazi convoy of two hundred stolen paintings—including Danae, Titian’s voluptuous masterpiece, an intended birthday present for Hermann Göring.They worked with skeptical army strategists to make sure air raids didn’t take out the heart of an ancient city, and patched up Renaissance palazzi and ancient churches whose lead roofs were sometimes melted away by the savagery of the attacks, exposing their frescoed interiors to the harsh Tuscan winters and blistering summers. Sometimes they failed. But to an astonishing degree, they succeeded, and anyone who marvels at Italy’s artistic riches today is witnessing their handiwork.In the course of her research, Brey gained unprecedented access to private archives and primary sources, and the result is a book at once thorough and grandly entertaining—a revelatory take on a little-known chapter of World War II history. The Venus Fixers is an adventure story with the gorgeous tints of a Botticelli landscape as its backdrop.

    With their exotic accents, smart uniforms, and aura of Hollywood glamour, the G.I.s easily conquered their hearts, leaving British boys fighting abroad green with envy. But for girls like Sylvia, Margaret, Gwendolyn, and even the skeptical Rae, American soldiers offered something even more tantalizing than chocolate, chewing gum, and nylon stockings: an escape route from Blitz-ravaged Britain, an opportunity for a new life in affluent, modern America.Through the stories of these four women, G.I. Brides illuminates the experiences of war brides who found themselves in a foreign culture thousands of miles away from family and friends, with men they hardly knew. Some struggled with the isolation of life in rural America, or found their soldier less than heroic in civilian life. But most persevered, determined to turn their wartime romance into a lifelong love affair, and prove to those back home that a Hollywood ending of their own was possible.G.I. Brides includes an eight-pages insert that features 45-black-and-white photos.