But, of course, Lady Masters got things simply by always having had them and by taking it for granted that she always would have them. In Bramton Wick, the setting of Elizabeth Fair’s cheerful debut novel, tensions and resentments—not to mention romance—roil beneath the polite interactions of its charming and eccentric residents.There’s upper crust Lady Masters, taking the good things for granted but thoroughly cowed by her gardener. There’s Gillian Cole, a war widow, and her sister Laura, for whom romance may (or may not) be in the offing. There’s Miss Selbourne and “Tiger” Garrett, who met driving ambulances during the war (the first one, though Miss Garrett does get them confused). There’s Major Worthy, who is quite energetic for an invalid. And there’s the three Misses Cleeve, who are “all remarkably like toads” and who have a casual relationship with the truth.Furrowed Middlebrow is delighted to make available, for the first time in over half a century, all six of Elizabeth Fair’s irresistible comedies of domestic life. These new editions all feature an introduction by Elizabeth Crawford.“Miss Fair’s understanding is deeper than Mrs. Thirkell’s and her humour is untouched by snobbishness; she is much nearer to Trollope, grand master in these matters.”--Stevie Smith“Miss Fair’s first novel is not one of promise but of accomplishment. Good luck to her!”--John Betjeman“Deliciously malicious humour abounds.”--Vanity Fair

    The novel has a delicate tangle of schemes and unfulfilled dreams, hidden secrets and a castle or two. Told wonderfully in the deadpan honesty that has become a Pym hallmark, this book is a delight.

    Left penniless, the young widow is forced to live with her late husband's family in a joyless old house. There's Mr Wither, a tyrannical old miser, Mrs Wither, who thinks Viola is just a common shop girl, and two unlovely sisters-in-law, one of whom is in love with the chauffeur.

    She also introduces us to specific characters as well as 'types' who will appear and reappear in changing relationships as the years go by. There is the middle-aged woman centrally involved in the events and activities around her; here, Laura Morland, a happily widowed author of very successful 'good bad books' (Thirkell herself?). A disappointed suitor and/or a brief, ill-conceived infatuation of younger man with older woman. At least two romances to work out—an older couple and a younger one—with mild crises along the way. A closing of ranks among the women vs the intruder nicknamed 'the Incubus' resolves both affairs to the satisfaction of all. Especially delightful are the children, servants and other retainers; well defined characters in their own right; from motor-mouthed young Tony Morland and his model railways to housekeeper Stoker and her grapevine among the servants of the neighbourhood.

    She knows she is different, that she is destined to become a feted authoress, owner of great riches and of Paradise House . . .After reading The Lady Irania, publishers Brace and Gilchrist are certain the novel will be a success, in spite of - and perhaps because of - its overblown style. But they are curious as to who could have written such a book: 'Some old lady, romanticising behind lace-curtains' . . . 'Angelica Deverell is too good a name to be true . . . she might be an old man. It would be an amusing variation. You are expecting to meet Mary Anne Evans and in Walks George Eliot twirling his moustache.' So nothing can prepare them for the pale young woman who sits before them, with not a seed of irony or a grain of humour in her soul.

    Times are harsh, and Barbara's bank account has seen better days. Stumped for ideas, Barbara draws inspiration from fellow residents of her quaint English village, writing a revealing novel that features the townsfolk as characters. The smashing bestseller is published under the pseudonym John Smith, which is a good thing because villagers recognize the truth. But what really turns her world around is when events in real life start mimicking events in the book. Funny, charming, and insightful, this novel reveals what happens when people see themselves through someone else's eyes.

    Set on the fictional African island of Azania, the novel chronicles the efforts of Emperor Seth, assisted by the Englishman Basil Seal, to modernize his kingdom. Profound hilarity ensues from the issuance of homemade currency, the staging of a "Birth Control Gala, " the rightful ruler's demise at his own rather long and tiring coronation ceremonies, and a good deal more mischief.

    Lorimer's quiet content. ... Both wrote; each admired the other's work. Lucy possessed what Gray knew she herself would never have, a quality which for want of a better name she called "saleability."In what is surely Molly Clavering's most autobiographical novel, two middle-aged women writers, close friends and neighbours, offer one another advice and support while navigating life in a lively Border village. Lucy Lorimer, the more successful author, with her four children, in-laws, and grandchildren gathered for a summer reunion, must try to avert disaster in one daughter's marriage, help a daughter-in-law restless with mundane married life after flying planes in the war, and deal with the awkward reappearance of an old flame. Unmarried Grace ('Gray') Douglas, meanwhile, has struggles of her own, but is drawn delightfully into her friend's difficulties.In real life, Molly Clavering was herself for many years a neighbour and close friend of bestselling author D.E. Stevenson. First published in 1953, Mrs. Lorimer's Quiet Summer is not only an irresistible family story, but undoubtedly provides some indication of the inspiring friendship between these two brilliantly talented women. This new edition includes an introduction by Elizabeth Crawford.

    She lives with her husband Brace and her two children in a very new, very small, very white flat in Knightsbridge. As we follow Edith's fortunes we enter the enchanting world of Edwardian London, bewitched by the courtships, jealousies and love affairs of Edith's coterie - Hyacinth, Eugenia, Charles and Cecil, Vincy, Madame Frabelle and many more.

    When her employment agency sends her to the wrong address, her life takes an unexpected turn. The alluring nightclub singer, Delysia LaFosse, becomes her new employer, and Miss Pettigrew encounters a kind of glamour that she had only met before at the movies. Over the course of a single day, both women are changed forever.

    Nancy Mitford's most famous novel, The Pursuit of Love satirizes British aristocracy in the twenties and thirties through the amorous adventures of the Radletts, an exuberantly unconventional family closely modelled on Mitford's own.The Radletts of Alconleigh occupy the heights of genteel eccentricity, from terrifying Lord Alconleigh (who, like Mitford's father, used to hunt his children with bloodhounds when foxes were not available), to his gentle wife, Sadie, their wayward daughter Linda, and the other six lively Radlett children. Mitford's wickedly funny prose follows these characters through misguided marriages and dramatic love affairs, as the shadow of World War II begins to close in on their rapidly vanishing world.

    They find each other—and the castle of their dreams—through a classified ad in a London newspaper one rainy February afternoon. The ladies expect a pleasant holiday, but they don’t anticipate that the month they spend in Portofino will reintroduce them to their true natures and reacquaint them with joy. Now, if the same transformation can be worked on their husbands and lovers, the enchantment will be complete.The Enchanted April was a best-seller in both England and the United States, where it was a Book-of-the-Month Club selection, and set off a craze for tourism to Portofino. More recently, the novel has been the inspiration for a major film and a Broadway play.

    She no longer lives in her family home, but remains at the very centre of village life, surrounded by friends including carefree, irresponsible Catha, Lady Rollo, just back from India and setting up lavish housekeeping nearby with her husband and children—socialist Tony, perfect Crispin, and Elizabeth who’s preparing to be presented at Court. Then there’s Marcelle, Mary’s widowed sister-in-law, and her challenging daughter Rosemary, who may soon be planting themselves with her to escape London bombs, Miss Rosanna Masquerier, a historical novelist who might just be a wry self-portrait of the author, and an array of other Sirs and Ladies who rely on Mary’s sympathy and practicality. And perhaps there’s just a hint of romance as well . . .Known for her bestselling historical fiction, in Nothing to Report Carola Oman delightfully evokes E.M. Delafield’s Provincial Lady in her portrayal of an English village cheerfully, hilariously, and sometimes bumpily progressing from obliviousness to the war’s approach to pulling together for king and country. Dean Street Press and Furrowed Middlebrow have also reprinted Oman’s Somewhere in England, a sequel to Nothing to Report.

    Happily loitering about London, c. 1949, with intent to gather material for her writing, Fleur finds a job "on the grubby edge of the literary world," as secretary to the peculiar Autobiographical Association. Mad egomaniacs, hilariously writing their memoirs in advance—or poor fools ensnared by a blackmailer? Rich material, in any case. But when its pompous director, Sir Quentin Oliver, steals the manuscript of Fleur's new novel, fiction begins to appropriate life. The association's members begin to act out scenes exactly as Fleur herself has already written them in her missing manuscript. And as they meet darkly funny, pre-visioned fates, where does art start or reality end? "A delicious conundrum," The New Statesman called Loitering with Intent.

    The ‘everything and nothing’ that happens include a controversy swirling around the curate’s pacifist sermon (through which, alas, Camilla napped, making it difficult for her to discuss with outraged parishioners), servant problems, anxieties about Camilla’s son off training with his regiment, the day-to-day worries of friends, and a potential romance in the town … or are there two romances?Readers of Bewildering Cares might well be reminded of the likes of E.M. Delafield or Angela Thirkell, but Peck offers her own distinct take—sometimes hilarious, sometimes touching—on the ironies and heartbreaks (not to mention the storms in teacups) of domestic life, community, faith and life during wartime. This new edition includes an introduction by social historian Elizabeth Crawford.‘(Winifred Peck) deserves our real gratitude for making us laugh in these troublous days’ Times Literary Supplement‘A romantic who was as sharp as a needle’ Penelope Fitzgerald