And he can’t even ask them why — not because of his Astonishing Stutter, but because asking questions is against the newly instated rules. (Rule Number Two: Don’t talk about serious things indoors, because Rule Number One: They will always be listening). As Noah—now "Jonah Brown"—and his parents head behind the Iron Curtain into East Berlin, the rules and secrets begin to pile up so quickly that he can hardly keep track of the questions bubbling up inside him: Who, exactly, is listening — and why? When did his mother become fluent in so many languages? And what really happened to the parents of his only friend, Cloud-Claudia, the lonely girl who lives downstairs?

    She misses her Grandma; she has run-ins with Cree girls; at her “white” school, everyone just stares; and everything she brought has been taken from her, including her name—she is now just a number. But worst of all, she has a fear. A fear of forgetting the things she treasures most: her Anishnabe language; the names of those she knew before; and her traditional customs. A fear of forgetting who she was.Her notebook is the one place she can record all of her worries, and heartbreaks, and memories. And maybe, just maybe there will be hope at the end of the tunnel.Drawing from her own experiences at Residential School, Ruby Slipperjack creates a brave, yet heartbreaking heroine in Violet, and lets young readers glimpse into an all-too important chapter in our nation’s history.

    But when influenza strikes down her missionary parents, she is left vulnerable prey to her family's wicked neighbors. Surrounded by greed and lies, Rachel is entangled in a criminal scheme and sent to England, where she is forced into a life of deception. Like the lion, she must be patient and strong, awaiting the moment when she can take control of her own fate—and find her way home again at last.

    Left in the care of the cruel Miss Slighcarp, the girls can hardly believe what is happening to their once happy home. The servants are dismissed, the furniture is sold, and Bonnie and Sylvia are sent to a prison-like orphan school. It seems as if the endless hours of drudgery will never cease.With the help of Simon the gooseboy and his flock, they escape. But how will they ever get Willoughby Chase free from the clutches of the evil Miss Slighcarp?

    Darker than her previous novels, Susin peoples this novel about the ultimate cost of bullying with a cast of fabulous characters, dark humour, and a lovable, difficult protagonist struggling to come to terms with the horrible crime his brother has committed.

    Worth has come to Nebraska from New York City on the Orphan Train, which brings homeless children west to find new lives. Nathaniel feels increasingly jealous of the boy who has taken over not only his work but the attention of his father, who has barely spoken to him since his injury. In school for the first time he is far behind even his youngest classmates, and he feels as useless there as he does at home. Meanwhile, Worth is still grieving for his family and his old life. As the farm chores prevent him from going to school, he also resents losing his dream of an education and a good job. And for all the work he does, he knows he will never inherit the farm that he's helping to save. But a battle between ranchers and farmers -- and a book of Greek mythology that Nathaniel reads aloud each evening -- forges a connection between the two boys, who begin to discover that maybe there is enough room on the farm, and in the family, for both of them. A. LaFaye's dynamic portrayal of two boys longing for something they no longer have -- and finding the resources to face the future -- offers a fresh perspective on the thousands of children who moved west via the Orphan Trains in the late nineteenth century.

    Mama is ill. Father has taken a job abroad. Nanny Jane is too busy to pay any attention to Henrietta and the things she sees -- or thinks she sees -- in the shadows of their new home, Hope House.All alone, with only stories for company, Henry discovers that Hope House is full of strange secrets: a forgotten attic, ghostly figures, mysterious firelight that flickers in the trees beyond the garden.One night she ventures into the darkness of Nightingale Wood. What she finds there will change her whole world...

    Locked away in separate rooms as punishment by their ruthless grandmother, the Linnets feel at once that their new life is unbearable—and decide to make their escape—out of the house, out of the garden and into the village. Commandeering a pony and trap, the children and their dog are led away as the pony makes his way nonchalantly home. The pony’s destination happens to be a house that belongs to their gruff but loveable uncle Ambrose. The kindly uncle Ambrose agrees to take them under his wing, he educates them and encourages them to explore Dartmoor, letting the children have free rein in his sprawling manor house and surrounding countryside.Befriending the collection of house guests, including an owl, a giant cat, and a gardener, Ezra, who converses with bees, and getting to know the miscellaneous inhabitants of the village, the four siblings discover a life in which magic and reality are curiously intermingled and evil and tragedy lurk never far away. Then stumble upon the eccentric Lady Alicia Valerian, who seems to have lost her family. And then the real fun begins! The Linnets start their search for the missing Valerians. But the village is under a spell of the witch Emma Cobley. Can the children lift the spell and restore happiness to the villagers? Or will they be thwarted by evil Emma Cobley and her magic cat?This charming story beautifully depicts early twentieth century English country life while conjuring an air of magical adventure. It is full of vivid characters, battles between good and evil and wonderful spell-binding moments.

    With an emerging Canadian nation as its backdrop, Esther's story encompasses the quest for gender equality and the larger quest for freedom—as real to a teenager in 1735 as it is today.

    Even waffles! Eleven-year-old Primrose Squarp loves this homey place, especially its owner, Kate Bowzer, who takes her under her wing, teaches her how to cook, and doesn't patronize or chastise her, even when she puts her guinea pig too close to the oven and it catches fire. Primrose can use a little extra attention. Her parents were lost at sea, and everyone but her thinks they are dead. Her Uncle Jack, who kindly takes her in, is perfectly nice, but doesn't have much time on his hands. Miss Perfidy, her paid babysitter-guardian, smells like mothballs and really doesn't like children, and her school guidance counselor, Miss Honeycut, an uppity British woman of the world, is too caught up in her own long-winded stories to be any kind of confidante. Nobody knows what exactly to think of young Primrose, and Primrose doesn't quite know what to make of her small community, either.

    But plenty of excitement (and shocks) are coming Jack's way once his mom loans him out to help a feisty old neighbor with a most unusual chore—typewriting obituaries filled with stories about the people who founded his Utopian town. As one obituary leads to another, Jack is launched on a strange adventure involving molten wax, Eleanor Roosevelt, twisted promises, a homemade airplane, Girl Scout cookies, a man on a trike, a dancing plague, voices from the past, Hells Angels . . . and possibly murder. Endlessly surprising, this sly, sharp-edged narrative is the author at his very best, making readers laugh out loud at the most unexpected things in a dead-funny depiction of growing up in a slightly off-kilter place where the past is present, the present is confusing, and the future is completely up in the air.

    It's 1788, and six year old Martha lives in a little stone house in Glencraid, Scotland. Martha's father is Laird Glencaraid, and the life of the Laird's daughter is not always easy for a lively girl like Martha. She would rather be running barefoot through the fields of heather and listening to magical tales of fairies and other Wee Folk than learning to sew like a proper young lady. But between her dreaded sewing lessons, Martha still finds time to play on the rolling Scottish hills.

    Carrie and Nick are billeted in Wales with old Mr Evans, who is so mean and cold, and his timid mouse of a sister, Lou, who suddenly starts having secrets. Their friend Albert is luckier, living in Druid's Bottom with warm-hearted Hepzibah Green and the strange Mister Johnny, who can talk to animals but not to human beings. Carrie and Nick visit him there whenever they can for Hepzibah makes life exciting and enticing with her stories and delicious cooking. Gradually they begin to feel more at ease in their war-time home, but then, in trying to heal the rift between Mr Evans and his estranged sister, and save Druid's Bottom, Carrie does a terrible thing which is to haunt her for years to come. Carrie revisits Wales as an adult and tells the story to her own children.

    Barred from attending school, shopping at the market, or even playing in the streets of Kabul, the heroine of Deborah Ellis's engrossing children's novel The Breadwinner is trapped inside her family's one-room home. That is, until the Taliban hauls away her father and Parvana realizes that it's up to her to become the "breadwinner" and disguise herself as a boy to support her mother, two sisters, and baby brother. Set in the early years of the Taliban regime, this topical novel for middle readers explores the harsh realities of life for girls and women in modern-day Afghanistan. A political activist whose first book for children, Looking for X, dealt with poverty in Toronto, Ellis based The Breadwinner on the true-life stories of women in Afghan refugee camps. In the wily Parvana, Ellis creates a character to whom North American children will have no difficulty relating. The daughter of university-educated parents, Parvana is thoroughly westernized in her outlook and responses. A pint-sized version of Offred from Margaret Atwood's The Handmaid's Tale, Parvana conceals her critique of the repressive Muslim state behind the veil of her chador. Although the dialogue is occasionally stilted and the ending disappointingly sketchy, The Breadwinner is essential reading for any child curious about ordinary Afghans. Like so many books and movies on the subject, it is also eerily prophetic. "Maybe someone should drop a big bomb on the country and start again," says a friend of Parvana's. "'They've tried that,' Parvana said, 'It only made things worse.'" (Ages 9 to 12) --Lisa Alward

    He knows nothing of the outside world. But when he is given the chance to escape, he seizes it. With his vengeful enemies hot on his heels, David struggles to cope in this strange new world, where his only resources are a compass, a few crusts of bread, his two aching feet, and some vague advice to seek refuge in Denmark. Is that enough to survive? David's extraordinary odyssey is dramatically chronicled in Anne Holm's classic about the meaning of freedom and the power of hope.