and ultimately walk the streets of Hollywood as an alcoholic prostitute. But, as she says throughout, she is not ashamed of her life. She achieved rare success in the Hollywood system and went down in an archconservative era, when McCarthy threatened the country's free speech and Hollywood producers ran terrified of even a whiff of scandal. When Payton's boyfriend, actor Tom Neal, pounded a concussion into his effete romantic rival Franchot Tone, the whole incident went public and made Payton the Hollywood bad girl - too bad, as it turned out, for Warner Brothers to handle. Describing her downfall, Payton also talks about her relationships with Cagney, Sinatra, Peck and other big names. Lost for decades after its original 1963 release, I Am Not Ashamed leapt back into the limelight when Jack Nicholson lent it to Jessica Lange to help her prepare for her part in The Postman Always Rings Twice. Now Holloway House Publications has finally released this classic Hollywood tell-all.

    The intangibility of sound is uncanny – a phenomenal presence in the head, at its point of source and all around. The close listener is like a medium who draws out substance from that which is not entirely there.The history of listening must be constructed from the narratives of myth and fiction, ‘silent’ arts such as painting, the resonance of architecture, auditory artefacts and nature. In such contexts, sound often functions as a metaphor for mystical revelation, forbidden desires, formlessness, the unknown, and the unconscious. As if reading a map of hitherto unexplored territory, Sinister Resonance deciphers sounds and silences buried within the ghostly horrors of Arthur Machen, Shirley Jackson, Charles Dickens, M.R. James and Edgar Allen Poe, Dutch genre painting from Rembrandt to Vermeer, artists as diverse as Francis Bacon and Juan Munoz, and the writing of many modernist authors including Virginia Woolf, Samuel Beckett, and James Joyce.

    Her burning desire is to return to the now desolate town of her childhood, against the inexorability of change and the refuge of memory. Foote earned an Oscar nomination for Best Adapted Screenplay in 1985 for his work on Bountiful.

    And, above all, here is the story of the minstrel whose life was linked with that of the King - the story of Blondel - the Lute Player.

    She has a terrific best friend, she's dating the best-looking guy in school, and she just made the varsity swim team. So when her widowed dad says it's time for them to move, she's not exactly thrilled. And when he tells her that he intends to move to Communist Poland to help with a radical underground movement . . . Well, it's all downhill from there. Soon Eva has been transplanted from her comfortable Chicago suburb to a land that doesn't even have meat in its stores, let alone Peter Frampton records. And everywhere she goes, the government is watching. But Eva begins to warm to her new life. Sometime between eating lard on bread and dodging the militia, she makes a handsome new friend, Tomek. And soon she is wondering if maybe she's found home in the most unlikely of places.

    HOLIDAYMAKER FIGHTS OFF AFRICAN LION IN WELSH HOTEL ROOMMAN SWALLOWS MOUSE AND DIESWIFE DRIVEN MAD BY HUSBAND TICKLING FEETPALLBEARER KILLED BY COFFIN IN GRAVEYARDLIBERALS EAT DOGFrom the newspaper archives of the British Library, Jeremy Clay has unearthed the long-lost stories that enthralled and appalled Victorian Britain.Within these pages are the riotous farces and tragedies of 19th-century life, a time when life was hard, pleasures short-lived, and gloating over other people’s misfortune a thoroughly acceptable form of entertainment.Deliciously appalling and deliriously funny, The Burglar Caught by a Skeleton will have you, one way or another, in tears …

    They have an appetite for adventure and a gift for driving men wild with desire. Marrying them off may seem an easy task, but it's only going to prove that when it comes to these girls, trouble follows in threes. Join New York Times bestselling author Bertrice Small for a delicious new tale of proud, passionate sisters who live and love according to their own rules. . .The Dragon Lord's DaughtersAverilShe may be the Lord's eldest--and illegitimate--daughter, but Averil knows her dazzling beauty can buy her what she wants most: marriage to a great and powerful lord. But fate has other plans in the rugged form of Rhys FitzHugh. Thinking her the sole heiress, the penniless bailiff kidnaps the beauty. Now, to salvage his honor, he must marry the openly hostile Averil and accept his greatest challenge--winning her love, her loyalty, and her trust. . .MaiaAs the legitimate heiress with a hefty dowery, Maia can have any man she chooses, namely Emrys Llyn, a descendant of Lancelot and the Lady of the Lake. But strange, dangerous rumors surround the handsome Emrys. . .his name means "immortal," and two of his wives have died suddenly under mysterious circumstances. Can her unwavering love prove his innocence. . .or will Maia suffer the same fate as Emrys's previous wives?JuniaAs charming as she is irrepressible, Junia is the Lord's youngest daughter. Her father has long since given up trying to control her whims. Junia is content to roam the countryside where she can be alone with the golden-haired Richard de Bohun who she meets and loves in secret. But he is the son of her father's sworn enemy, and loving him may cost more than she could ever imagine. . .Bertrice Small is the author of over thirty-two novels of historical romance. She is a New York Times bestselling author, and the recipient of numerous awards. In keeping with her profession, Bertrice Small lives in the oldest English-speaking town in the state of New York, which was founded in 1640. And because she believes in happy endings, she's been married to the same man, her hero, George, for forty years.

    “Who is she?” was a question posed in the first fan magazine article published about her in 1925. This first ever biography of the wry and sophisticated actress best known for her role as Nora Charles, wife to dapper detective William Powell in The Thin Man, offers an unprecedented picture of her life and an extraordinary movie career that spanned six decades. Opening with Loy’s rough-and-tumble upbringing in Montana, the book takes us to Los Angeles in the 1920s, where Loy’s striking looks caught the eye of Valentino, through the silent and early sound era to her films of the thirties, when Loy became a top box office draw, and to her robust post–World War II career. Throughout, Emily W. Leider illuminates the actress’s friendships with luminaries such as Cary Grant, Clark Gable, and Joan Crawford and her collaborations with the likes of John Barrymore, David O. Selznick, Sam Goldwyn, and William Wyler, among many others. This highly engaging biography offers a fascinating slice of studio era history and gives us the first full picture of a very private woman who has often been overlooked despite her tremendous star power.

    A multi-threat entertainer and a world-class eccentric, Kay Thompson was the mentor/best friend of Judy Garland, the vocal guru for Frank Sinatra and Lena Horne, and the godmother/Svengali of Liza Minnelli (who recreated Thompson’s nightclub act in her 2009 Tony Award–winning event, Liza’s at the Palace). She went to school with Tennessee Williams, auditioned for Henry Ford, got her first big break from Bing Crosby, trained Marilyn Monroe, channeled Elvis Presley, rejected Andy Warhol, rebuffed Federico Fellini, got fired by Howard Hughes, and snubbed Donald Trump. She coached Bette Davis and Eleanor Roosevelt; she created nightclub acts for Marlene Dietrich and Ginger Rogers; and when Lucille Ball had to sing on Broadway, Kay was the wind beneath her wings, too. Kay’s legion of fans included Queen Elizabeth of England, King Juan Carlos of Spain, and Princess Grace (Kelly) of Monaco. Danny Kaye masqueraded in drag as her; Noël Coward and Cole Porter wrote musicals for her; and The Beatles wanted to hold her hand. She was a charter member of the Rat Pack, costarred in a whodunit with Ronald Reagan, and directed John F. Kennedy’s Inaugural Gala. The dame cut a wide swath through the arts. After conquering radio in the 1930s she commandeered MGM’s vocal department in the 1940s, where she revolutionized the studio’s greatest musicals with her audacious arrangements, from The Harvey Girls to Ziegfeld Follies. In the 1950s she became the highest-paid cabaret attraction in the world with her groundbreaking act "Kay Thompson and the Williams Brothers," featuring her young protégé—and secret lover—Andy Williams. In a stunning feat of reinvention, Thompson next became the bestselling author of Eloise (first published by Simon & Schuster in 1955), chronicling the mischievous adventures of the six-year-old mascot of The Plaza, spawning an industry that is still going strong today. Then Kay took the silver screen by storm as the "Think Pink!" fashion magazine editor in Funny Face, stealing the film right out from under Audrey Hepburn and Fred Astaire. The Thompson saga swells from small town wannabe to international headliner, dissolving into self-destruction and madness—the storyline usually reserved for a rags-to-riches potboiler—yet with unexpected twists, outlandish turns, and a last-minute happy ending that, even by Hollywood’s standards, is nothing short of preposterous. But that is Kay Thompson. Fascinating. Frustrating. Fabulous!

    Five secrets. No refuge. No turning back.In the aftermath of 1066, a Norman army marches through the North of England: burning, killing and laying waste to everything in its path. The Harrowing has begun. As towns and villages fall to the invaders, five travellers fleeing the slaughter are forced to band together for survival. Refugees in their own country, they journey through the wasteland, hoping to find sanctuary with the last stand of the Saxon rebellion. But are they fleeing the Normans or their own troubles?Priest, Lady, Servant, Warrior, Minstrel: each has their own story; each their own sin. As enemies past and present close in, their prior deeds catch up with them and they discover there is no sanctuary from fate.

    He was chiefly responsible for the final act of Judy’s meteoric comeback after she was unceremoniously booted off the MGM lot: he produced her iconic, Oscar-nominated vehicle A Star Is Born and expertly shaped her concert career. Previously unpublished, Sid Luft’s intimate autobiography tells his and Judy’s story in hard-boiled yet elegant prose. It begins on a fateful night in New York City when the not quite divorced Judy Garland and the not quite divorced Sid Luft meet at Billy Reed’s Little Club and fall for each other. The romance lasted Judy’s lifetime, despite the separations, the reconciliations, and the divorce. Under Luft’s management, Judy came back bigger than ever, building a singing career that rivaled Sinatra’s. However, her drug dependencies and suicidal tendencies put a tremendous strain on the relationship. Sid did not complete his memoir; it ended in 1960 after Judy hired David Begelman and Freddie Fields to manage her career. But Randy L. Schmidt, acclaimed editor of Judy Garland on Judy Garland and author of Little Girl Blue: The Life of Karen Carpenter, seamlessly pieced together the final section of the book from extensive interviews with Sid, most previously unpublished. Despite everything, Sid never stopped loving Judy and never forgave himself for not being able to ultimately save her from the demons that drove her to an early death at age forty-seven in 1969. Sid served as chief conservator of the Garland legacy until his death at the age of eighty-nine in 2005. This is his testament to the love of his life.

    The subsequent “Companion Species Manifesto,” which further questions the human–nonhuman disjunction, is no less urgently needed in our time of environmental crisis and profound polarization.Manifestly Haraway brings together these momentous manifestos to expose the continuity and ramifying force of Haraway’s thought, whose significance emerges with engaging immediacy in a sustained conversation between the author and her long-term friend and colleague Cary Wolfe. Reading cyborgs and companion species through and with each other, Haraway and Wolfe join in a wide-ranging exchange on the history and meaning of the manifestos in the context of biopolitics, feminism, Marxism, human–nonhuman relationships, making kin, literary tropes, material semiotics, the negative way of knowing, secular Catholicism, and more.The conversation ends by revealing the early stages of Haraway’s “Chthulucene Manifesto,” in tension with the teleologies of the doleful Anthropocene and the exterminationist Capitalocene. Deeply dedicated to a diverse and robust earthly flourishing, Manifestly Haraway promises to reignite needed discussion in and out of the academy about biologies, technologies, histories, and still possible futures.

    Drawing on an extensive range of sources, Wood takes us back into the staterooms and back alleys of Elizabethan England. Marked by murderous plots and government-sponsored terror, religious divisions and rebellious movements, the Spanish Armada and the colonization of the Americas, the dramatic world in which Shakespeare moved is here conjured up like never before. We enter the lodgings where he wrote his greatest plays and meet the real-life characters who inspired his work: doctors, landladies, musicians, foreigners, and members of London's contemporary black population. With 130 illustrations, full-color and black-and-white, Shakespeare is a book to enjoy on many levels-as both a world-class work of historical investigation and a fascinating yet informative visual feast. Filled with fresh discoveries, Michael Wood's pathbreaking work gloriously reinstates the image of William Shakespeare as a thinking artist, a man who held up a mirror to his age, but who was also, as his friend Ben Jonson said, "not of an age, but for all time."

    As she is swept up into the game of international struggle and politics, she makes a long journey, finds real love, and discovers her own strengths.

    A magnificent independent ruler in her own right, she lost her power when she married Louis VII of France. She received neither influence nor fame by her second marriage to King Henry II, who jailed her for fifteen years for conspiring and supporting their son s claim to the throne. Her husband was succeeded by their son, King Richard the Lionheart, who immediately released his mother from prison. Eleanor then acted as Regent while Richard launched the Third Crusade.Her loveliness and glamour, her throwing-off of the constraints that shackled women of the twelve century, and her very real gifts as a politician and ruler make Eleanor s story one of the most colorful of the High Middle Ages."