. . A beautiful, searing book that leaves an indelible presence in the mind." --Patricia Hampl, author of "The Florist's Daughter "Will Kiehn is seemingly destined for life as a humble farmer in the Midwest when, having felt a call from God, he travels to the vast North China Plain in the early twentieth-century. There he is surprised by love and weds a strong and determined fellow missionary, Katherine. They soon find themselves witnesses to the crumbling of a more than two-thousand-year-old dynasty that plunges the country into decades of civil war. As the couple works to improve the lives of the people of Kuang P'ing Ch'eng-- City of Tranquil Light, a place they come to love--and face incredible hardship, will their faith and relationship be enough to sustain them?Told through Will and Katherine's alternating viewpoints--and inspired by the lives of the author's maternal grandparents--"City of Tranquil Light" is a tender and elegiac portrait of a young marriage set against the backdrop of the shifting face of a beautiful but torn nation. A deeply spiritual book, it shows how those who work to teach others often have the most to learn, and is further evidence that Bo Caldwell writes "vividly and with great historical perspective" ("San Jose Mercury News").

    In an old ruined city, emptied of most of its inhabitants, Ustad Ramzi, a famous wrestler past his prime, and Gohar Jan, a well-known courtesan whose kotha once attracted the wealthy and the eminent, contemplate the former splendour of their lives and the ruthless currents of time and history that have swept them into oblivion.

    It is said that truth is stranger than fiction and honestly, NO-ONE could have made this up. There are battles, murders, intrigues, rapes, assassinations, torture, intimidation, and much much more. Along the way Mohammed invented Jihad, the most effective system of conquest ever devised. Mohammed’s life story is also the key which unlocks the complexities and confusion of the Islamic religion itself. By understanding his story we quickly gain a clear insight into the Islamic religion and the incredible importance this holds for our future. This amazing book pulls no punches and brings the subject to life in a way which is both fascinating and informative. Rather than looking at Islam through a prism of Western (and by default, Christian) perspective, it takes Islam apart and explains the Islamic perspective itself. In doing so it illuminates the stark contrasts between Western and Islamic ethics and beliefs in clear and simple language which makes it a delight to read. There are no apologies, no excuses and no pretending. This is not Islam as we want it to be, this is Islam as it really is, warts and all. Every page is packed with important, but little known facts and key passages from Islam’s holy books. These are carefully arranged and then cemented into place with logical and insightful commentary which reveals the true picture, as Islamic scholars have always known it. This is the information which is never reported by the mainstream and this book will have you turning pages right to the very end. The reader is then left with an entirely new understanding of issues such as terrorism, the treatment of women, immigration and poverty. Inexplicable actions suddenly begin to make perfect sense. Seemingly insane or random behaviour fits perfectly into a well thought out and wildly successful strategy. By the end, the reader is hit with a real sense of the vital importance of this information. Millions of people, both Muslims and non Muslims are tragically affected by aspects of Islam. More than 95% of all wars and armed conflict today involve Muslims. Muslims also suffer some of the highest rates of poverty, disease, hunger, illiteracy, environmental degradation and many more crippling disadvantages. Islam is also increasingly affecting the Western World and not just through terrorism. Muslims make up 5% of the population of Denmark and yet they are estimated to absorb 50% of that countries welfare budget. Other Western countries face similar challenges. These problems all have their roots in Islam. The good news is that they can all be fixed. By tackling the subject head on, this book leaves us with the knowledge and understanding to address these problems with logical and well thought out solutions rather than hiding behind fine sounding, politically correct assumptions which have no basis in fact. Pat Fraser described it as follows: “A hard hitting book confronting a world epidemic. Using language for all ages and levels of education, the author has clearly illustrated the history and radical concepts behind one of the world’s largest and most influential religions. Written free from bias or personal agenda, it is a must read book to truly gain an understanding into the darker sides of this belief and the negative effects they have had on countries around the globe. If for greater understanding or just personal interest, this is definitely worth your time”. Ishiro Yamamoto called this “A truly informative and well researched work that should be read by all those who wish to know the real truth”.

    According to custom, she moved to the Forbidden City at the age of seventeen to become one of hundreds of concubines. But her singular beauty and powers of manipulation quickly moved her into the position of Second Consort.Tzu Hsi was feared and hated by many in the court, but adored by the people. The Empress's rise to power (even during her husband's life) parallels the story of China's transition from the ancient to the modern way.

    Their headstrong fifteen-year-old daughter, İrem, resents the attention her brother, Ismail, receives from their parents. For her, there was no such festive observance–only the wrapping of her head in a dark scarf and strict rules that keep her hidden away from boys and her friends. But even before the night of the celebration, İrem has started to change, to the dismay of her Kurdish father. What Sinan doesn’t know is that much of her transformation is due to her secret relationship with their neighbor, Dylan, the seventeen-year-old American son of expatriate teachers.İrem sees Dylan as the gateway to a new life, one that will free her from the confines of conservative Islam. Yet the young man’s presence and Sinan’s growing awareness of their relationship affirms Sinan’s wish to move his family to the safety of his old village, a place where his children would be sheltered from the cosmopolitan temptations of Istanbul, and where, as the civil war in the south wanes, he hopes to raise his children in the Kurdish tradition.But when a massive earthquake hits in the middle of the night, the Basioglu family is faced with greater challenges. Losing everything, they are forced to forage for themselves, living as refugees in their own country. And their survival becomes dependent on their American neighbors, to whom they are unnervingly indebted. As love develops between İrem and Dylan, Sinan makes a series of increasingly dangerous decisions that push him toward a betrayal that will change everyone’s lives forever.The deep bonds among father, son, and daughter; the tension between honoring tradition and embracing personal freedom; the conflict between cultures and faiths; the regrets of age and the passions of youth–these are the timeless themes Alan Drew weaves into a brilliant fiction debut.

    . . Never had mayhem brought more peace. All our lives we had been taught the virtues of behaving, and now we were discovering the importance of misbehaving. Too much fear had tainted our days. Too many afternoons had passed in silence, listening to a fanatic’s diatribes. We were rebelling because we were not evil, we had not sinned, and we knew nothing of the apocalypse. . . . This was 1979, the year that showed us we could make our own destinies. We were rebelling because rebelling was all we could do to quell the rage in our teenage veins. Together as girls we found the courage we had been told was not in us.”In Journey from the Land of No Roya Hakakian recalls her childhood and adolescence in prerevolutionary Iran with candor and verve. The result is a beautifully written coming-of-age story about one deeply intelligent and perceptive girl’s attempt to ï¬?nd an authentic voice of her own at a time of cultural closing and repression. Remarkably, she manages to re-create a time and place dominated by religious fanaticism, violence, and fear with an open heart and often with great humor.Hakakian was twelve years old in 1979 when the revolution swept through Tehran. The daughter of an esteemed poet, she grew up in a household that hummed with intellectual life. Family gatherings were punctuated by witty, satirical exchanges and spontaneous recitations of poetry. But the Hakakians were also part of the very small Jewish population in Iran who witnessed the iron fist of the Islamic fundamentalists increasingly tightening its grip. It is with the innocent confusion of youth that Roya describes her discovery of a swastika—“a plus sign gone awry, a dark reptile with four hungry claws”—painted on the wall near her home. As a schoolgirl she watched as friends accused of reading blasphemous books were escorted from class by Islamic Society guards, never to return. Only much later did Roya learn that she was spared a similar fate because her teacher admired her writing.Hakakian relates in the most poignant, and at times painful, ways what life was like for women after the country fell into the hands of Islamic fundamentalists who had declared an insidious war against them, but we see it all through the eyes of a strong, youthful optimist who somehow came up in the world believing that she was different, knowing she was special. At her loneliest, Roya discovers the consolations of writing while sitting on the rooftop of her house late at night. There, “pen in hand, I led my own chorus of words, with a melody of my own making.” And she discovers the craft that would ultimately enable her to find her own voice and become her own person.A wonderfully evocative story, Journey from the Land of No reveals an Iran most readers have not encountered and marks the debut of a stunning new talent.

    The Russians, who had occupied the country throughout the 1980s, were long gone. The disparate ethnic and religious leaders who had united to eject the invaders - the famous mujaheddin - were at each others' throats. For the rural poor of Kandahar province, life was almost impossible.On 12 October 1994 a small group of religious students decided to take matters into their own hands. Led by an illiterate village mullah with one eye, some 200 of them surrounded and took Spin Boldak, a trucking stop on the border with Pakistan. From this short and unremarkable border skirmish, a legend was born. The students' numbers swelled as news of their triumph spread. The Taliban, as they now called themselves - taliban is the plural of talib, literally 'one who seeks knowledge' - had a simple mission statement: the disarmament of the population, and the establishment of a theocracy based on Sharia law. They fought with a religious zeal that the warring mujaheddin could not match.By February 1995, this people's revolt had become a national movement; 18 months later Kabul fell, and the country was effectively theirs. James Fergusson's fascinating account of this extraordinary story will be required reading for anyone who wishes to understand the situation in Afghanistan, now and for the future...

    Mugezi's hard-won observations form a cri de coeur for a people shaped by untold losses.

    The boxer is fleeing an unhappy love. The father hopes to escape his dull routine. Both know that, eventually, they will have to return to the place each calls 'home'.

    Benazir Bhutto, the country’s former prime minister and the first woman ever to lead a Muslim country, had been assassinated at a political rally just outside Islamabad. Back in Karachi—Bhutto’s birthplace and Pakistan’s other great metropolis—Rafia Zakaria’s family was suffering through a crisis of its own: her Uncle Sohail, the man who had brought shame upon the family, was near death. In that moment these twin catastrophes—one political and public, the other secret and intensely personal—briefly converged.    Zakaria uses that moment to begin her intimate exploration of the country of her birth. Her Muslim-Indian family immigrated to Pakistan from Bombay in 1962, escaping the precarious state in which the Muslim population in India found itself following the Partition. For them, Pakistan represented enormous promise. And for some time, Zakaria’s family prospered and the city prospered. But in the 1980s, Pakistan’s military dictators began an Islamization campaign designed to legitimate their rule—a campaign that particularly affected women’s freedom and safety. The political became personal when her aunt Amina’s husband, Sohail, did the unthinkable and took a second wife, a humiliating and painful betrayal of kin and custom that shook the foundation of Zakaria’s family but was permitted under the country’s new laws. The young Rafia grows up in the shadow of Amina’s shame and fury, while the world outside her home turns ever more chaotic and violent as the opportunities available to post-Partition immigrants are dramatically curtailed and terrorism sows its seeds in Karachi.   Telling the parallel stories of Amina’s polygamous marriage and Pakistan’s hopes and betrayals, The Upstairs Wife is an intimate exploration of the disjunction between exalted dreams and complicated realities.

    A shipboard wager leads to an unlikely friendship that spans seven decades as Hong Kong endures the savagery of the Japanese occupation, emerging as a crossroads of international finance and the nexus of a world of warlords, drug runners, and Chinese triads.

    Xu Xi explores her tumultuous relationship with Hong Kong, her personal frustrations with how the city has developed in the recent past, and how these changes have informed her decision not to spend her later years there—a farewell address to the place that has shaped so much of her own identity.

    Despite all the tortures and cruelties, this is a moving testimony of a woman who started from the very bottom of society but who is aiming for the very top.

    In this powerful and beautiful story, we follow a group of people in a small town during this dramatic and harrowing time, the era that was a forebear of the Tiananmen Square uprising.Morning dawns on the provincial city of Muddy River. A young woman, Gu Shan, a bold spirit and a follower of Chairman Mao, has renounced her faith in Communism. Now a political prisoner, she is to be executed for her dissent. Her distraught mother, determined to follow the custom of burning her only child’s clothing to ease her journey into the next world, is about to make another bold decision. Shan’s father, Teacher Gu, who has already, in his heart and mind, buried his rebellious daughter, begins to retreat into memories. Neither of them imagines that their daughter’s death will have profound and far-reaching effects, in Muddy River and beyond.In luminous prose, Yiyun Li weaves together the lives of these and other unforgettable characters, including a serious seven-year-old boy, Tong; a crippled girl named Nini; the sinister idler Bashi; and Kai, a beautiful radio news announcer who is married to a man from a powerful family. Life in a world of oppression and pain is portrayed through stories of resilience, sacrifice, perversion, courage, and belief. We read of delicate moments and acts of violence by mothers, sons, husbands, neighbors, wives, lovers, and more, as Gu Shan’s execution spurs a brutal government reaction.Writing with profound emotion, and in the superb tradition of fiction by such writers as Orhan Pamuk and J. M. Coetzee, Yiyun Li gives us a stunning novel that is at once a picture of life in a special part of the world during a historic period, a universal portrait of human frailty and courage, and a mesmerizing work of art.

    Following years of lonely political exile in Western Europe, Ka, a middle-aged poet, returns to Istanbul to attend his mother's funeral. Only partly recognizing this place of his cultured, middle-class youth, he is even more disoriented by news of strange events in the wider country: a wave of suicides among girls forbidden to wear their head scarves at school. An apparent thaw of his writer's curiosity–a frozen sea these many years–leads him to Kars, a far-off town near the Russian border and the epicenter of the suicides. No sooner has he arrived, however, than we discover that Ka's motivations are not purely journalistic; for in Kars, once a province of Ottoman and then Russian glory, now a cultural gray-zone of poverty and paralysis, there is also Ipek, a radiant friend of Ka's youth, lately divorced, whom he has never forgotten. As a snowstorm, the fiercest in memory, descends on the town and seals it off from the modern, westernized world that has always been Ka's frame of reference, he finds himself drawn in unexpected directions: not only headlong toward the unknowable Ipek and the desperate hope for love–or at least a wife–that she embodies, but also into the maelstrom of a military coup staged to restrain the local Islamist radicals, and even toward God, whose existence Ka has never before allowed himself to contemplate. In this surreal confluence of emotion and spectacle, Ka begins to tap his dormant creative powers, producing poem after poem in untimely, irresistible bursts of inspiration. But not until the snows have melted and the political violence has run its bloody course will Ka discover the fate of his bid to seize a last chance for happiness. Blending profound sympathy and mischievous wit, Snow illuminates the contradictions gripping the individual and collective heart in many parts of the Muslim world. But even more, by its narrative brilliance and comprehension of the needs and duties