West covers the main events in superstar Kanye West's life while also following the poet on her year spent researching, writing, and pregnant. The book explores how we are drawn to celebrities--to their portrayal in the media--and how we sometimes find great private meaning in another person's public story, even across lines of gender and race. Blake's aesthetics take her work from prose poems to lineated free verse to tightly wound lyrics to improbably successful sestinas. The poems fully engage pop culture as a strange, complicated presence that is revealing of America itself. This is a daring debut collection and a groundbreaking work. An online reader's companion will be available at http: //sarahblake.site.wesleyan.edu.

    One of the extras, who claims to be a dwarf, offers to help. And that’s when things start to get weird. Could the sword really be magic, as the "dwarf" claims? Are dragons really living among us as shapeshifters? And as if things weren’t surreal enough, Sarah’s girlfriend Katie breaks out the dreaded phrase… “I love you.” As her life begins to fall apart, first her relationship with Katie, then her job at the movie studio, and finally her blacksmithing career, Sarah hits rock bottom. It is at this moment, when she has lost everything she has prized, that one of the dragons makes their move.And suddenly what was unthinkable becomes all too real…and Sarah will have to decide if she can reject what is safe and become the heroine who is needed to save her world.

    . .When it comes to her career, Cade Elgin has it all figured out. Only “professional talk” has become her default mode, relationships are nonexistent, and don't even mention the word “orgasm.” All work and no play makes Cade a dull human. But when she inherits a sex toy store, Cade is caught between business and a store filled with every imaginable kind of pleasure—including her infuriatingly irresponsible and deliciously sexy new co-owner.Selena Mathis learned the hard way that she can have too much of a good thing. Which is precisely why she's taken an oath of celibacy and is focusing on how to make Satisfaction Guaranteed a success. She won't mess this up. Not this time. But once again, Selena's emotions are getting in the way, and tempting her with a serious attraction to buttoned-up Cade.But the shop isn't exactly vibe-ing, and Cade and Selena are on the verge of losing both their income and the possibility of love. Can they find a way to work together . . . before Satisfaction Guaranteed runs out of batteries?

    'Darling' brings together many favourite poems from Kay's four collections, 'The Adoption Papers, 'Other Lovers', 'Off Colour' and 'Life Mask', as well as featuring new work, some previously uncollected poems, and some lively poetry for younger readers.

    But can she survive living among them?For Cassandra Leung, bossing around sea monsters is just the family business. She’s been a Reckoner trainer-in-training ever since she could walk, raising the genetically-engineered beasts to defend ships as they cross the pirate-infested NeoPacific. But when the pirate queen Santa Elena swoops in on Cas’s first solo mission and snatches her from the bloodstained decks, Cas’s dream of being a full-time trainer seems dead in the water. There’s no time to mourn. Waiting for her on the pirate ship is an unhatched Reckoner pup. Santa Elena wants to take back the seas with a monster of her own, and she needs a proper trainer to do it. She orders Cas to raise the pup, make sure he imprints on her ship, and, when the time comes, teach him to fight for the pirates. If Cas fails, her blood will be the next to paint the sea.

    . . . No one is writing better or more needed verse than this."--Boston Evening Globe

    I was riveted. Painstakingly researched and pulsing with adrenaline, Carrasco’s debut will leave you thirsty for more.” —Lyndsay Faye, author of The Gods of GothamA vivid, sexy barn burner of a historical crime novel, The Best Bad Things introduces readers to the fiery Alma Rosales—detective, smuggler, spyIt is 1887, and Alma Rosales is on the hunt for stolen opium. Trained in espionage by the Pinkerton Detective Agency—but dismissed for bad behavior and a penchant for going undercover as a man—Alma now works for Delphine Beaumond, the seductive mastermind of a West Coast smuggling ring.When product goes missing at their Washington Territory outpost, Alma is tasked with tracking the thief and recovering the drugs. In disguise as the scrappy dockworker Jack Camp, this should be easy—once she muscles her way into the local organization, wins the trust of the magnetic local boss and his boys, discovers the turncoat, and keeps them all from uncovering her secrets. All this, while sending coded dispatches to the circling Pinkerton agents to keep them from closing in.Alma’s enjoying her dangerous game of shifting identities and double crosses as she fights for a promotion and an invitation back into Delphine’s bed. But it’s getting harder and harder to keep her cover stories straight and to know whom to trust. One wrong move and she could be unmasked: as a woman, as a traitor, or as a spy.A propulsive, sensual tour de force, The Best Bad Things introduces Katrina Carrasco, a bold new voice in crime fiction.

    Its poems are populated by figures both familial and fabular: a prodigal brother and a relentless father; the Hermit, Dowager, and Major General; and, perhaps most strikingly, the Bandleader, embodiment of sexual, capitalistic, and political dominance. Mythic and musical, erogenous yet wide-eyed, this is a dazzling book by a space-age troubadour of American poetry.

    Of words, yes. Of well crafted images ("your name tucked under my tongue, an unraveling string that pulls & pulls".) But more than just that, this book thrills and pulls you in, showing you a history, a lineage, an invitation into Wee’s room, both in its cleanest and messiest moments. This is a stunning work by a powerful writer. The work in this book grabs on to all of the right emotions, and never lets go.”— Hanif Willis-AbdurraqibAuthor of The Crown Ain’t Worth Much*“Natalie Wee’s writing is indicative of a wordsmith-master utilizing all her tools with precision. Wee says the words we think, and then reshapes them, out loud, into beautiful origami-like gifts that hit you like “stray bullets splinter technicolour lovers.” The intricacies of her images walk a fine line that hover closely over genius, and the supernatural. From her well thought-out use of white space, enjambments, and form, Our Bodies and Other Fine Machines tells tales of hurt, pain, lust, love and all that lurks between leaving the “unsayable hung in our mouths.”— Chelene Knight,Managing Editor of Room Magazine*“This debut is breathtaking. Wee’s writing drops you into her world and you do not want to leave. Her portrait of girlhood from an outsider still feels as intimate and relentlessly soft as any old Polaroid plucked from your mother’s scrapbook. The poetry here is raw and refined, bloody and delicate, a whole body of work that turns our elusive moments into fine tuned pieces of machinery. Rarely do I find myself in awe of the beauty of language, both diction and visually. Even the shape of Wee’s words are gorgeous.Though this is Wee’s first collection, she writes with a steady hand and a steadier voice. Wee’s perspective is genuine, honest, and highly crafted. Our Bodies & Other Fine Machines is a bouquet arranged with every blossom and thorn for us to witness.”— Alex Dang!,Author of Are You Proud of Me?*“In Our Bodies & Other Fine Machines, Natalie Wee asks, “What is it like to be made a person / instead of a stranger’s dim shadow?” and reveals, “my bones are heavy with the weight of never having been seen at all.” It is with just such rigor and grace that Wee demands sight throughout this collection. Illuminating myriad ways queer women of color are silenced, dismissed, and unseen, she uses her vibrant voice as a call to attention. At times demure, yet always potent: “Mine was not a magic / of large curses but small misfortunes,” Wee opens a necessary and vulnerable space for the silenced. “My hands have made / some good mistakes,” she confides, but warns, “Do not mistake my silence / for subservience.” These pages are alive with determination to be heard, seen, understood. There is an urgency here one cannot escape, expressed entirely in Wee’s own careful and knowing language. More than remarkable, this book is necessary.”— Jeanann Verlee,Author of Racing Hummingbirds and Said the Manic to the Muse

    While her friends and sister have plunged headfirst into the world of dating and romances, Abby has stayed focused on her plus-size style blog and her dreams of taking the fashion industry by storm. When she lands a prized internship at her favorite local boutique, she’s thrilled to take her first step into her dream career. She doesn't expect to fall for her fellow intern, Jordi Pérez. Abby knows it's a big no-no to fall for a colleague. She also knows that Jordi documents her whole life in photographs, while Abby would prefer to stay behind the scenes. Then again, nothing is going as expected this summer. She's competing against the girl she's kissing to win a paid job at the boutique. She's somehow managed to befriend Jax, a lacrosse-playing bro type who needs help in a project that involves eating burgers across L.A.'s eastside. Suddenly, she doesn't feel like a sidekick. Is it possible Abby's finally in her own story? But when Jordi's photography puts Abby in the spotlight, it feels like a betrayal, rather than a starring role. Can Abby find a way to reconcile her positive yet private sense of self with the image that other people have of her? Is this just Abby’s summer of fashion? Or will it truly be The Summer of Jordi Pérez (and the Best Burger in Los Ángeles)?

    The centuries-old shop is owned by Cleo Braithwaite, a woman with a fierce and frightening reputation. Cleo turns out to be nothing like the rumors but refuses to sit still long enough to be dazzled by the meticulous spreadsheets and slides Marley has prepared to seal the deal. Instead of making her proposal, Marley soon finds herself on an impromptu walking tour of London with the charming Cleo.Even though Marley has a dinner date that night with the woman she’s been chatting with online and was convinced was her soulmate, she can’t ignore the feelings her bewitching guide stirs up inside as they explore the historic city on foot. What’s more, the longer she’s with Cleo, the more Marley begins to question the business deal she’s been sent to make.Should Marley stick with the plan, or is a single life-changing day with Cleo worth blowing up the future Marley was so certain she wanted?

    This new edition—including a new introduction and three new essays—remains a testament of Moraga's coming-of-age as a Chicana and a lesbian at a time when the political merging of those two identities was severely censured.Drawing on the Mexican legacy of Malinche, the symbolic mother of the first mestizo peoples, Moraga examines the collective sexual and cultural wounding suffered by women since the Conquest. Moraga examines her own mestiza parentage and the seemingly inescapable choice of assimilation into a passionless whiteness or uncritical acquiescence to the patriarchal Chicano culture she was raised to reproduce. By finding Chicana feminism and honoring her own sexuality and loyalty to other women of color, Moraga finds a way to claim both her family and her freedom.Moraga's new essays, written with a voice nearly a generation older, continue the project of "loving in the war years," but Moraga's posture is now closer to that of a zen warrior than a street-fighter. In these essays, loving is an extended prayer, where the poet-politica reflects on the relationship between our small individual deaths and the dyings of nations of people (pueblos). Loving is an angry response to the "cultural tyranny" of the mainstream art world and a celebration of the strategic use of "cultural memory" in the creation of an art of resistance.Cherríe Moraga is the co-editor of the classic feminist anthology This Bridge Called My Back and the author of The Last Generation. She is Artist-in-Residence at Stanford University.

    Even though she believes true love will never find her, Jenna vows to help other women find their own true loves by opening a dating service. If she can’t find love for herself, she’s determined to find love for her hopelessly inept clients. Through messy mash-ups and zany adventures, Jenna and her best friend and business partner, Dale, help a Turret’s juggler lose her balls, an Elizabeth Taylor impersonator drop her White Diamonds, and a woman with multiple personalities find a girlfriend that adores all of her. Along the way, Jenna discovers that just because she’s given up on love, that doesn’t mean love has given up on her.

    As war erupts and their families are torn apart, they fear they may disappear into the unwritten pages of history. Using the sword and the pen, the body and the voice, they struggle not just to survive, but to make history.Sofia Samatar is the author of the Crawford, British Fantasy, and World Fantasy award-winning novel A Stranger in Olondria. She also received the John W. Campbell Award. She has written for the Guardian, Strange Horizons, Lightspeed, and many other publications. She lives in California. Her website is sofiasamatar.com.Praise for A Stranger in Olondria:"A book about the love of books. Her sentences are intoxicating and one can easily be lost in their intricacy. . . . Samatar's beautifully written book is one that will be treasured by book lovers everywhere."— Raul M. Chapa, BookPeople, Austin, Texas

    Trying her best to hold it together in Chicago, she is battling both the effects of her mother’s death and the betrayal of her ex-girlfriend. Opting to throw herself into work and the gym, she at first ignores an invitation from her largely absentee father to take some time off at his estate in Texas. He may be the Chairperson of Foster Oil & Gas, but it doesn’t change the fact that he was never part of her life. Besides, she’s up for a big promotion and sees it as the solution away from her one-way track into deep depression. In many ways, Natalie Silva is the complete opposite of London. Where London is pale, Natalie is sun-kissed. In that dark space deep down where London is filled with regrets and bitterness, Natalie radiates warm light. As a Texas native and sort-of Southern belle, Natalie is compassionate, kind and raised with a healthy dose of Southern hospitality. She’s followed her passion for baking throughout her adult life and it’s led her to being a co-owner of Mission Bakery – A popular bakery and food truck she manages with her lesbian aunts and the occasional help from her best friend’s precocious daughter. After a years-old heartbreak, the one lesson she has taken through her life is to never fall for an outsider. You know the type – The mysterious, attractive out-of-towners who offer equal promise of passion and complications. London and Natalie are less than impressed with each other upon their first meeting. But fate and Texas have a very different and much more sensual plan for these two polar opposite women. In the sultry-hot summer heat, they will learn just as much about themselves and their lives as they will about each other…And it might just be everything they want.