He's been in love with his childhood friend for years, though Vincent's never shown an interest in him beyond friendship. Ruggedly handsome, wealthy, and successful, Vincent is everything Oliver is not. And above all, Vincent doesn't prefer men. Then Oliver discovers Vincent hires a man during his visits to a London brothel. Desperate to be with Vincent, Oliver orchestrates a deception, switching places with the brothel's employee. Yet Oliver’s in for another surprise. Restraints and a leather bullwhip? Apparently Vincent isn't as conservative as he appears. Lord Vincent Prescot has a secret of his own. One kept locked away and only indulged once a month. But this month's appointment is different. The mysterious man is so beautiful in his submission, rousing protective instincts Vincent can't deny. Yet Vincent refuses to believe he prefers men, for it could mean the end of his hopes of earning his father's respect. Will betrayal destroy them or will they be bound together by deception? Note: This is a previously published work. This second edition has been edited with minor changes. For readers who purchased the original edition, this second edition is not substantially different.

    How Billy faces up to himself-and his friends-as he discovers the complexities of life, the exuberance of sex, and what it means to be an adult in our imperfect world, makes for a touching, wise, and very moving novel.

    Taking the advice (and financial support) of a wealthy aunt, he decides to "toss the tiara and get a life." Unfortunately, Daniel's only degrees are in "extensive show tune knowledge, advanced lip-synch, and how to cover up a five o'clock shadow." With his best friend beginning to die from AIDS, his ex-boyfriend prowling around, and his ex-boyfriend's new boyfriend making a pass at Daniel, what's a boy to do but throw himself into intensive weeding and planting of his new apartment garden? And if a handsome stranger should smile down at him from a nearby window, so much the better. Timothy James Beck's debut novel is detailed, realistic, and continually interesting. His main character spends so much energy exhaustively "processing" what happens to him, however, that this might as well have been a lesbian novel. With a little editing, It Had to Be You would have been a much stronger book, but patient readers will agree that Beck shows great promise along the lines of Felice Picano and Neal Drinnan. --Regina Marler

    But when the king and Ren’s half-brother, Crown Prince Hellic are brutally murdered, Ren is accused. Now, he is forced to flee the city together with the mysterious prisoner Anik who may know how to survive in the wild, but who seems to have an agenda of his own, one that may spell danger for Ren.Ren’s accuser now sits on his family’s throne, and things are about to get much, much worse. It may be time to seek help in unexpected places.

    Their encounter will go on to alter all of their lives.Ten years later, Frank revisits the tempestuous events of that fateful summer from his deathbed in Manhattan, where he waits anxiously for Tennessee to visit him one final time. Anja, now legendary film icon Anja Bloom, lives as a recluse in the present-day U.S., until a young man connected to the events of 1953 lures her reluctantly back into the spotlight after he discovers she possesses the only surviving copy of Williams's final play.What keeps two people together and what breaks them apart? Can we save someone else if we can't save ourselves? Like The Master and The Hours, Leading Men seamlessly weaves fact and fiction to navigate the tensions between public figures and their private lives. In an ultimately heartbreaking story about the burdens of fame and the complex negotiations of life in the shadows of greatness, Castellani creates an unforgettable leading lady in Anja Bloom and reveals the hidden machinery of one of the great literary love stories of the twentieth-century.

    But within six short years, AIDS would claim his lover, his friends, and his future. With nothing left in New York but memories of death, Brian decides to write his mother a letter asking to come back to the place, and family, he was once so desperate to escape.Set in 1986, a year after Rock Hudson’s death shifted the public consciousness of the epidemic and brought the news of AIDS into living rooms and kitchens across America, it is a novel that speaks to the question of what home and family means when we try to forge a life for ourselves in a world that can be harsh and unpredictable. It is written at the far reaches of love and understanding, and zeroes in on the moments where those two forces reach for each other, and sometimes touch.