The colors are delicately applied, a visual feast. In short, not only is this tome exemplary of the cartoonist's art, it is similarly an exemplar of the printer's. A well-made book." - Comics Buyer's Guide, on MUTTS' first Sunday treasury, MUTTS SundaysMUTTS is known for its straight-forward, delightful artwork, its positive messages, and, of course, the antics of its charming furry protagonists, Earl the dog and Mooch the cat. But MUTTS has also garnered praise for its creative and colorful Sunday strips.Sunday Mornings is a collection of MUTTS Sunday strips hand-picked by creator Patrick McDonnell. Monday through Saturday, readers of every generation have wide-ranging reasons why they love MUTTS. But Sunday is a special visual adventure. The logo panel is almost a strip unto itself, often paying homage to cartooning of yesteryear, with Mooch and Earl in a comic book cover tribute or parodying a strip from decades gone by. Some readers may have never seen the logo panel, since they are sometimes dropped for space. Those cheated readers, as well as those who have come to love MUTTS' special Sunday full-color strips, will cherish this vibrant collection.

    The haunting tales of the Headless Horseman entranced Ichabod Crane. During the day, he found the stories exciting. But at night he was afraid. His fear reached new heights the night he was chased by the mysterious ghost! The terrifying ride is brought to life in this striking graphic novel adaptation of Washington Irving's short story. A creator biography and glossary help reluctant readers take the first step on the road to classic literature.

    And for the last of the line of Eld there may be no way out. Meanwhile, on Mid-World, Alain and Cuthbert desperately struggle to protect Roland's unconscious form, and themselves, against a pack of ravening wolves.

    Laugh at the antics of Riverdale’s teens as they seek the perfect Christmas tree, go on a sleigh ride, help those less fortunate, give one another cherished holiday gifts and more as they enjoy the magic of the season!

    Married to Ashokasundari, the beautiful daughter of Shiva and Parvati, he was elected to be the king of heaven and then his mortal mind succumbed to the sin of pride. The stories of Nahusha are taken from the Padma Purana and the Mahabharata.

    But he and his fellow vampires Joy, Cynthia, and Ian have agreed to blend into human society. Inspired by superhero movies, one of few passions in his un-life, Alex decides to don a cape and start fighting bad guys. But his decision will have bigger consequences than he realizes—for himself and for everyone he wants to protect.From CHIP ZDARSKY and JASON LOO, the Eisner-winning team behind AFTERLIFT, THE ALL-NIGHTER is a story about found family and a new twist on superheroes!Part of the comiXology Originals line of exclusive digital content only available on comiXology and Kindle. Read for free as part of your subscription to comiXology Unlimited, Kindle Unlimited or Amazon Prime. Also available for purchase via comiXology and Kindle.

    Try, "I was overcome by the urge to alphabetize my pets," or perhaps a simple "Had ninja trouble." Steve has used both these excuses, and here they are hilariously illustrated. He also has claimed to have become temporarily feral, accidentally sold himself on eBay, and gotten stuck in a romantic montage. An illustration of Steve with Darth Vader accompanies the inarguable excuse "I was seduced by the Dark Side." He also gets lost in his duvet, and discovers he has a rather unusual superpower.

    The 31 stories collected here combine Dragnet with The Twilight Zone with Tales from the Crypt in a world filled with aliens, good-time girls, and cocktail-bar nihilism. The stories are hip and funny, with a good dose of wacky 1950s paranoia and the kind of tongue-in-cheek morality that characterized the old E.C. horror comics. The Lloyd Llewellyn stories also trace the development of Clowes's style as a comic artist, from the angular early pieces that show the influence of 1950s advertising style to the grotesque Robert Crumb-inspired style of the more recent work in Eightball. Clowes is one of the most gifted comic-book artists around, and the retro-chic world of Lloyd Llewellyn deserves to be seen by a new generation of readers.

    Make Bart Simpson Class Clown part of your permanent record.

    A wild and witty compendium comprising the best-selling collections Bury My Heart at Fun-Fun Mountain and Say Hello to Cactus Flats, this colorful saga of the Fox family will inspire laughs and instant recognition.From the endurance test of together-time vacations to the always chaotic goings-on at work, home, and school, the Fox family exhibits the day-to-day lunacy that comes with family life--a life that includes the trials of dad Roger's computer ineptitude and mom Andy's culinary adventures. The Fox siblings--Peter, Paige, and Jason—display a recognizable, albeit quirky, look into the real world of growing up.Cartoonist Bill Amend, who was referred to by the Los Angeles Times as "one of the nation's best young cartoonists," bolsters this realistic portrayal by keeping his characters in the real world of Nintendo and Barney, Super Bowls and tofu casseroles, overdue book reports and overly painful trips to the mall. The personalities and humor of FoxTrot are timeless. We all know these people.FoxTrot reveals the humorous side of family trials and tribulations like no other comic strip in America. With Enormously FoxTrot, readers will be able to enjoy the engaging Fox family more than ever!

    When do you know you're too old to trick-or-treat? What's the best way to effectively dispose of those teenage ode-filled journals? Where do cherished cereal box prizes go when you grow up? JNCO Jeans, mostly told through one-pagers, holds observations, reflections, and breakthroughs from one of the most prolific and inspirational cartoonists of his generation.

    by Evan Dorkin The first-ever collection from the acclaimed humor anthology Dork, "Who's Laughing Now?" features 112 pages of densely-packed comic book craziness from Dork #1-5, all wrapped up in a sweet little package co-designed by Dorkin and his partner-in-crime, Sarah Dyer!

    Their adventures ring alarmingly true to parents of little ones, too. From doing projects in a cloud of glue and glitter to their nonstop chatter to trying to comprehend a completely incomprehensible world, Thompson's characters make Cul de Sac a must-read.

    2: WELCOME TO THE PIZZA DOME, from writers SHOLLY FISCH (THE ALL-NEW BATMAN: THE BRAVE AND THE BOLD), MERRILL HAGAN (THE ASTONISHING SPIDER-MAN), AMY WOLFRAM (TV'S TEEN TITANS GO!) and artists BEN BATES (SCRIBBLENAUTS UNMASKED: A CRISIS OF IMAGINATION), LEA HERNANDEZ (KILLER PRINCESSES) and more!

    In 2002, Fantagraphics embarked on a publishing plan to reintroduce the greatest strip of the first-half of the 20th Century (the Peanuts of its era) to a public that has largely never seen it: this volume is the fourth in a long-term plan to chronologically reprint strips from the prime of Herriman's career, most of which have not seen print since originally running in newspapers 75 years ago. Each volume is edited by the San Francisco Cartoon Art Museum's Bill Blackbeard, the world's foremost authority on early 20th Century American comic strips, and designed by Jimmy Corrigan author Chris Ware, who may well go down as the best cartoonist of the 21st Century. Krazy & Ignatz 1931-1932 is a hot-baked brickbat of a volume, a dance with nearly two full years of the Sunday Krazy Kat (Herriman did not use color until 1935), snug between multiple pages of Herriman extras, including an extensive essay by series editor Bill Blackbeard on pre-Kat Herriman work (with reproductions from rare "Baron Mooch" and "Gooseberry Sprig" strips, and a rarely-seen 1923 full-page drawing of the Kat done for Circulation magazine), and, best of all, a 30-page sequence of over two straight months' worth of 1931 dailies! Plus a new "Debaffler" page decoding Krazy arcana, and a stunning layout front and back and throughout by the inimitable Chris Ware! Krazy Kat is a love story, focusing on the relationships of its three main characters. Krazy Kat adored Ignatz Mouse. Ignatz Mouse just tolerated Krazy Kat, except for recurrent onsets of targeting tumescence, which found expression in the fast delivery of bricks to Krazy's cranium. Offisa Pup loved Krazy and sought to protect "her" (Herriman always maintained that Krazy was gender-less) by throwing Ignatz in jail. Each of the characters was ignorant of the others' true motivations, and this simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth and sweeping his readers up by the looping verbal rhythms of Krazy & Co.'s unique dialogue.