Among them are Ghost, who sees what others do not. Ann, longing for love, and Jason, whose real name is Nothing, newly awakened to an ancient, deathless truth about his father, and himself.Others are coming to Missing Mile tonight. Three beautiful, hip vagabonds - Molochai, Twig, and the seductive Zillah (whose eyes are as green as limes) are on their own lost journey; slaking their ancient thirst for blood, looking for supple young flesh.They find it in Nothing and Ann, leading them on a mad, illicit road trip south to New Orleans. Over miles of dark highway, Ghost pursues, his powers guiding him on a journey to reach his destiny, to save Ann from her new companions, to save Nothing from himself...

    Avalon seems perfect, a verdant, livable world still in its prehistoric age. The biologists and engineers who busy themselves planting and building scoff at the warnings of professional soldier Cadmann Weyland until a large, unnaturally fast and cunning predator begins stalking the colony. Learning how to kill the beast is only the first step, for they must then reevaluate their entire understanding of Avalon's ecology.

    Unlucky travelers are frequently ensnared in the town’s sinister web. Some are held captive and tortured while others face even more gruesome fates. And beneath it all is the town’s darkest secret, the curse of the depraved and mutated Kincher clan.

    Her mother and brother had died in the prison where she had been raped and starved for no greater crime than her father’s title. And her father had died in the escape engineered by an utter stranger, who claimed he had come to bring her to England where she would inherit the property and wealth of an uncle. After what had happened to her, did Leonie dare to believe in such altruism?Roger St. Eyre’s life had been destroyed by the girl he fell passionately in love with. Solange did not love him; she was selfish and vicious and extravagant. By the time she died, Roger felt dead himself. Perhaps he was hoping for the peace death brings when he set out to wrest his old friend Henry de Conyers from the murderous grip of the French Revolution.Instead Roger and Leonie both found love and reasons to live—if they could escape exposure to the revolutionary fanatics ... and their favorite toy, the guillotine.

    2120. American has been decimated, wiped out from the second Civil War. In this post-apocalyptic world, survivors are far and few between. And most of those who do survive are members of the violent gangs, predators who live in the big cities. They patrol the countryside looking for slaves, for fresh victims to bring back into the city for their favorite death sport: Arena One. The death stadium where opponents are made to fight to the death, in the most barbaric of ways. There is only one rule to the arena: no one survives. Ever. Deep in the wilderness, high up in the Catskill Mountains, 17 year old Brooke Moore manages to survive, hiding out with her younger sister, Bree. They are careful to avoid the gangs of slaverunners who patrol the countryside. But one day, Brooke is not as careful as she can be, and Bree is captured. The slaverunners take her away, heading to the city, and to what will be a certain death. Brooke, a Marine’s daughter, was raised to be tough, to never back down from a fight. When her sister is taken, Brooke mobilizes, uses everything at her disposal to chase down the slaverunners and get her sister back. Along the way she runs into Ben, 17, another survivor like her, whose brother was taken. Together, they team up on their rescue mission. What follows is a post-apocalyptic, action-packed thriller, as the two of them pursue the slaverunners on the most dangerous ride of their lives, following them deep into the heart of New York. Along the way, if they are to survive, they will have to make some of the hardest choices and sacrifices of their lives, encountering obstacles neither of them had expected—including their unexpected feelings for each other. Will they rescue their siblings? Will they make it back? And will they, themselves, have to fight in the arena?

    Instead of the people who could be there, his mother or his brother, the figure reminds him of his long-gone father, who died mysteriously before his family left the reservation. When he follows it he discovers his house is bigger and deeper than he knew. The house is the kind of wrong place where you can lose yourself and find things you'd rather not have. Over the course of a few nights, the boy tries to map out his house in an effort that puts his little brother in the worst danger, and puts him in the position to save them . . . at terrible cost.

    So begin the adventures of Trevor Bentley: a boy who embarked on an errand of mercy and ended up on a quest for vengeance, a boy who will bring the horrors of the Ripper to the New World.

    She has a good life as a music teacher now, and might rekindle her relationship with her one true love. However, the number 314 haunts her, and threatens to bring her back to the day that her brother disappeared. When a reporter shows up, just days before March 14th, Alma realizes that her past is coming back to haunt her. What happened on March 14th, at 3:14, 16 years ago? No one but The Skeleton Man can remember.

    There they create the album that will make their reputation, but at a terrifying cost: Julian Blake, the group’s lead singer, disappears within the mansion and is never seen or heard from again.Now, years later, the surviving musicians, along with their friends and lovers—including a psychic, a photographer, and the band’s manager—meet with a young documentary filmmaker to tell their own versions of what happened that summer. But whose story is true? And what really happened to Julian Blake?

    There’s Willard Russell, tormented veteran of the carnage in the South Pacific, who can’t save his beautiful wife, Charlotte, from an agonizing death by cancer no matter how much sacrifi­cial blood he pours on his “prayer log.” There’s Carl and Sandy Henderson, a husband-and-wife team of serial kill­ers, who troll America’s highways searching for suitable models to photograph and exterminate. There’s the spider-handling preacher Roy and his crippled virtuoso-guitar-playing sidekick, Theodore, running from the law. And caught in the middle of all this is Arvin Eugene Russell, Willard and Charlotte’s orphaned son, who grows up to be a good but also violent man in his own right.

    Growing up in a household with an overworked father whom he rarely sees, an alcoholic mother who paints wonderful canvases that are never displayed, an older brother who serves as both tormentor and protector, and a younger sister who inhabits her own secret world, the boy takes his amusements where he can find them. Some of his free time is spent in the basement of the family's modest home, where he and his brother, Jim, have created Botch Town, a detailed cardboard replica of their community, complete with clay figurines representing friends and neighbors. And so the time passes with a not-always-reassuring sameness—until the night a prowler is reported stalking the neighborhood.Appointing themselves ad hoc investigators, the brothers set out to aid the police—while their little sister, Mary, smokes cigarettes, speaks in other voices, inhabits alternate personas . . . and, unbeknownst to her older siblings, moves around the inanimate residents of Botch Town. But ensuing events add a shadowy cast to the boys' night games: disappearances, deaths, and spectral sightings capped off by the arrival of a sinister man in a long white car trawling the neighborhood after dark. Strangest of all is the inescapable fact that every one of these troubling occurrences seems to correspond directly to the changes little Mary has made to the miniature town in the basement.Not since Ray Bradbury's classic Dandelion Wine has a novel so richly evoked the dark magic of small-town boyhood. At once a hypnotically compelling mystery, a masterful re-creation of a unique time and place, a celebration of youth, and a poignant and disquieting portrait of home and family—all balancing on a razor's edge separating reality from the unsettlingly remarkable—The Shadow Year is a monumental new work from one of contemporary fiction's most fearless and inventive artists.

    Six students have taken cover in Cortege High but shelter is little comfort when the dead outside won't stop pounding on the doors. One bite is all it takes to kill a person and bring them back as a monstrous version of their former self. To Sloane Price, that doesn't sound so bad. Six months ago, her world collapsed and since then, she's failed to find a reason to keep going. Now seems like the perfect time to give up. As Sloane eagerly waits for the barricades to fall, she's forced to witness the apocalypse through the eyes of five people who actually want to live. But as the days crawl by, the motivations for survival change in startling ways and soon the group's fate is determined less and less by what's happening outside and more and more by the unpredictable and violent bids for life—and death—inside. When everything is gone, what do you hold on to?

    But when her little brother, Henry, begins to act strangely, it's clear that these creatures exist beyond a madwoman's imagination, and Reggie finds out what happens when fears come to life.To save the people she loves, Reggie must learn to survive in a world of nightmares. Can she devour her own fears before they devour her?The Devouring is an engrossing tale of terror that will have you wondering: what if your worst fears became your living nightmare?

    One minute, people are going about their lives, and the next—not. In the wake of the inexplicable purge, only a handful of young misfits remains.When it all went down, “Wizard of Odd” Dev Brinkman was seeking shelter from the taunts of his classmates. Goth girl Lucy Abernathy had lost her best friend and had no clue where to turn. And Twinkie-loving quarterback “Marcus” Haddad was learning why you never discuss politics and religion in polite company—or online.As if life when you’re sixteen isn’t confusing enough, throw in the challenges of postapocalyptic subsistence, a case of survivor’s guilt turned up to seven billion, and the small task of rebuilding humankind…No one said doomsday would be a breeze. But for Dev, Lucy, and Marcus, the greatest hope—and greatest threat—will come when they find each other.

    Rain and Matthew S. Cox! Mina Barrett is the CIA’s best defense against the Dominion. She’s young, charming, intelligent, motivated… and she’s a vampire. Twenty years ago, vampires revealed themselves to the world. Society hadn’t expected them to be real at all, much less a species entirely separate from humans. The government feared hostile foreign powers would also seek to exploit their psychic talents, and put out a call for recruitment. After a childhood spent in isolation, Mina saw a chance for adventure and signed on the dotted line. Unlike the Dominion, she doesn’t feel humans are inferior creatures and works to stop others of her kind from enslaving them. A deep cover asset discovers information that vampires want to keep out of human hands. The CIA sends Mina in to bring him—and his information—out alive. But the Dominion has their sights set on the secrets buried for centuries beneath a Siberian glacier… secrets that could reshape the world.