In his introduction John Ashbery calls the book "the finest work of Surrealist fiction," noting that de Chirico "invented for the occasion a new style and a new kind of novel . . . his long run-on sentences, stitched together with semi-colons, allow a cinematic freedom o f narration . . . his language, like his painting, is invisible: a transparent but dense medium containing objects that are more real than reality." Hebdomeros is accompanied by an appendix of previously untranslated or uncollected writings, including M. Dudron's Adventure, a second, fragmentary novel translated by John Ashbery.

    Set in the steamy monsoon heat of Calcutta, it brings together three suffering characters. There is Anne-Marie Stretter, beautiful wife of the French ambassador, seeking the love of younger men as if desperate for a carefree youth she never had. One of those men who falls for her is the former Vice-Consul of Lahore, an awkward, solitary man prone to irrational, violent rages. And there is a mysterious Cambodian beggar woman whose presence in India intrigues the Europeans, just as the woman herself seems drawn to them. Excerpted from a review at Amazon.com

    . . tells the story of Pedro Archanjo, mestizo, self-taught ethnologist, apostle of miscegenation, laborer, cult priest, and bon vivant. . . . Amado’s joyous, exuberant, almost magical descriptions of festivals, puppet shows, African rituals, local legends, fascinating customs, strange and wonderful characters . . . result in a richness and warmth that are impossible to resist.

    With his train of horses he carried salt and silk across distances incomprehensible to his ancient and static community. He brings ideas as well as gifts that have come, by many short journeys, from market town to market town, and from places as distant as the campfires of the Silk Road. John Turner's death in the 18th century leaves an emotional charge Ian and Sal find affects their relationship in the 21st, challenging the perceptions they have of themselves and of each other. A visionary fable firmly rooted in a verifiable place, this novel is an evocation of the lives and the language of all people who are called to the valley of Thursbitch.

    Extinction, his last novel, takes the form of the autobiographical testimony of Franz-Josef Murau. The intellectual black sheep of a powerful Austrian land-owning family, Murau lives in self-exile in Rome. Obsessed and angry with his identity as an Austrian, he resolves never to return to the family estate of Wolfsegg. But when news comes of his parents' deaths, he finds himself master of Wolfsegg and must decide its fate.Written in Bernhard's seamless style, Extinction is the ultimate proof of his extraordinary literary genius.

    The daily routine of a man in charge of children at a state welfare organization and the demands that are made upon him are depicted in this novel set in present day Hungary.

    His administration has been denounced by the liberal press in Sydney, but he scorns such criticism. How can it harm him when he had governed according to the rules?Flogged and brutalised, some convicts escape to the bush and take refuge with the Aborigines.Logan cannot continue to ignore the reaction to his harsh discipline after the arrival of his wife's younger sister, Frances. She cannot accept the brutality of chained and toiling men, punishment parades and the lash, and it is she who precipitates the crisis from which the final drama springs.

    When Richard Bone sees a picture of conglomerate tycoon J.J. Wolfe in the newspaper, he's struck by how closely he resembles the man Bone saw dumping the body: could this millionaire redneck be the killer? Bone's close friend Cutter, a crippled Vietnam vet, is convinced that Wolfe is the killer. With nothing much more to lose, the reckless Cutter and handsome gigolo Bone hit the road to the Wolfe headquarters in the Ozarks, totally unprepared for what awaits them. Cutter and Bone are two of the most brilliantly drawn characters in modern American fiction. Cutter and Bone is a brilliant look at the underbelly of post-Vietnam America. Filmed and immortalized as Cutter's Way, this new edition marks the return of one of the greatest American post-war novels.

    Faced with the threat of bombs, bacteriological warfare and poison gas, a married couple whose pacificism complels them to opt out of 'civilisation', take to the hills to live as fugitives in the wild.Plainly and simply told, Wild Harbour charts the practical difficulties, the successes and failures of living rough in the beautiful hills of remote Speyside. In this respect the book belongs to a tradition of Scottish fiction reflected in novels such as Stevenson's Kidnapped and Buchan's John MacNab. But it takes a darker and more contemporary turn, for although Hugh and his wife Terry learn to fend for themselves, they cannot escape from what the world has become. Their brief summer idyll is brought to an end as the forces of random and meaningless violence close over them.Written in 1936, Wild Harbour has lost none of its relevance in a post-nuclear age, nor its power to move and shock.

    His extravagant and hopeless undertakings, his brushes with the law and scrapes with death, and his enduring friendships and unlooked-for love affairs make him a Don Quixote for our day, driven from one place to another by a restless and irregular quest for the absolute. Álvaro Mutis's seven dazzling chronicles of the adventures and misadventures of Maqroll have won him numerous honors and a passionately devoted readership throughout the world. Here for the first time in English all these wonderful stories appear in a single volume in Edith Grossman's prize-winning translation.

    The narrator, an anonymous graduate student, sets off on the trail of a French novelist named Paul Michel, who is currently confined to an asylum. Engineering his hero's release, the narrator finds himself enmeshed in bizarre love triangle, of which the three vertices are himself, the novelist, and the late Michel Foucault. Sex, it seems, can be made safe, but the oddball intimacy of reading cannot.

    This has been described as "the most highly finished of all his works and the expression of his deepest thought". It is the story of Marius, the grave and thoughtful young man whose reactions to the diverse philosophical forces of his times the Golden Book of Lucius Apuleius, the stoicism of Marcus Aurelius, the tranquil beauties of the old Roman religion, and the lurid horrors of the Christian persecution are interestingly and imaginatively depicted.

    Nonetheless, when the young George Ponderevo is employed by his uncle Edward to help market this ineffective medicine, he finds his life overwhelmed by its sudden success. Soon the worthless substance is turned into a formidable fortune as society becomes convinced of the merits of Tono-Bungay through a combination of skilled advertising and public credulity. -Includes a newly established text, a full biographical essay on Wells, a list of further reading, and detailed notes -Edward Mendelson's introduction explores the many ways in which Tono-Bungay satirizes the fictions and delusions that shape modern life

    The German Occupation, the Civil War and life itself seen through the eyes of two Athenian women.

    Having joined a cavalry unit during the Mexican Revolution, she finds herself at the Revolution's end in Mexico City, far from her native Oaxaca, abandoned by her husband and working menial jobs. So begins Jesusa's long history of encounters with the police and struggles against authority. Mystical yet practical, undaunted by hardship, Jesusa faces the obstacles in her path with gritty determination.Here in its first English translation, Elena Poniatowska's rich, sensitive, and compelling blend of documentary and fiction provides a unique perspective on history and the place of women in twentieth-century Mexico.