A teenage girl with a ring in her nose was sliding ware into his drying racks. Russell Bass is a potter living on the edge of Katoomba, in the Blue Mountains. His wife has been dead less than a year and, although he has a few close friends, he is living a mostly solitary life. Each month he hikes into the valley below his house to collect rock for glazes from a remote creek bed. One autumn morning, he finds a chocolate wrapper on the path. His curiosity leads him to a cave where three siblings — two young children and a teenage girl — are camped out, hiding from social services and the police.Although they bolt at first, Russell slowly gains their trust, and, little by little, this unlikely group of outsiders begin to form a fragile bond.In luminous prose that captures the feel of hands on clay and the smell of cold rainforest as vividly as it does the minute twists and turns of human relationships, Hare’s Fur tells an exquisite story of grief, kindness, art, and the transformation that can grow from the seeds of trust.

    'In the beginning, it was the summers I remembered - long warm days under the palest blue skies, the cornflowers and forget-me-nots lining the road through the Lys forest, the buzz of insects going about their work, Violet telling me lies.' Iris is getting old. A widow, her days are spent living quietly and worrying about her granddaughter, Grace, a headstrong young doctor. It's a small sort of life. But one day an invitation comes for Iris through the post to a reunion in France, where she served in a hospital during WWI. Determined to go, Iris is overcome by the memories of the past, when as a shy, naive young woman she followed her fifteen-year-old brother, Tom, to France in 1914 intending to bring him home. On her way to find Tom, Iris comes across the charismatic Miss Ivens, who is setting up a field hospital in the old abbey of Royaumont, north of Paris. Putting her fears aside, Iris decides to stay at Royaumont, and it is there that she truly comes of age, finding her capability and her strength, discovering her passion for medicine, making friends with the vivacious Violet and falling in love. But war is a brutal thing, and when the ultimate tragedy happens, there is a terrible price that Iris has to pay, a price that will echo down the generations. A moving and uplifting novel about the small, unsung acts of heroism of which love makes us capable.

    There is only grey ash and melted metal, the blackened husks of cars.And the lost people: in temporary accommodation on the outskirts of the city, on the TV news in borrowed clothes, or remembered in flyers on a cafe wall.A Constant Hum grapples with the aftermath of disaster with an eye for telling detail. Some of these stories cut to the bone; others are empathetic stories of survival, even hope.All are gripping and beautifully written, heralding the arrival of an important new voice in literary fiction.

    But in Thirroul, in 1948, she’s not the only person trying to chase dreams through books. There’s Roy McKinnon, who found poetry in the mess of war, but who has now lost his words and his hope. There’s Frank Draper, trapped by the guilt of those his medical treatment and care failed on their first day of freedom. All three struggle to find their own peace, and their own new story.But along with the firming of this triangle of friendship and a sense of lives inching towards renewal come other extremities—and misunderstandings. In the end, love and freedom can have unexpected ways of expressing themselves.The Railwayman’s Wife explores the power of beginnings and endings, and how hard it can sometimes be to tell them apart. Most of all, it celebrates love in all its forms, and the beauty of discovering that loving someone can be as extraordinary as being loved yourself.

    He trucks north with his eight-year-old-daughter Em into Queensland. There he blows up the dam at Croesus Station, releasing a flood through outback New South Wales into South Australia.As the authorities search for them, Merv and Em ride the flood south in their stolen boat, rescuing a Queensland Minister from the water, and then a young blackfella who fancies he sang the river to life all by himself. Meanwhile, in Canberra, the political flotsam carried by Merv's renegade ocean brings the Federal Government to its knees.The Last Pulse is the story of the last flood that will ever flow down the inland artery that was the Darling River. The stream is broken now and the agriculture and lives of South Australians have been appropriated with the water by a people a thousand kilometres to the north.Throughout their misadventures on his flood, Merv promises his daughter they will be heroes in South Australia, and that they are sailing towards victory parades and happiness. The other crewmembers, however, know he is heading towards a violent reckoning with Australia itself. Blackly humorous, poignant, timely, The Last Pulse is Anson Cameron's finest work to date.

    Margie is prickly, demanding and a stickler for convention. Stella has exciting dreams for the future. Margie has only bitter memories of the past. When Margie needs help recovering from a major operation, Stella offers her a place to stay. With no other options, Margie returns to the family farm where for decades, until Stella's arrival, she was the one in charge. Margie has never made life easy for her daughter-in-law, and that's not going to change now she's been made a guest in her former home. But as the dry summer turns to a beautiful autumn, the two women gradually form an unlikely bond, as the ambitions, secrets, and tragedies that have shaped their lives are slowly uncovered...

    To which I say something like: ‘People are infinitely complex.’ But I say it in such a way—so pregnant with misanthropy—that it’s obvious I hate her.​Michaela and Eve are two bright, bold women who befriend each other their first year at a residential college at university, where they live in adjacent rooms. They could not be more different; one assured and popular – the other uncertain and eager-to-please. But something happens one night in O-week – a drunken encounter, a foggy memory that will force them to confront the realities of consent and wrestle with the dynamics of power.Initially bonded by their wit and sharp eye for the colleges’ mix of material wealth and moral poverty, Michaela and Eve soon discover how fragile friendship is, and how capable of betrayal they both are.​Written with a strikingly contemporary voice that is both wickedly clever and incisive, issues of consent, class and institutional privilege, and feminism become provocations for enduring philosophical questions we face today.

    It goes down into the guts of the world. But a child’s love for a parent is different. It goes up. It’s more ethereal. It’s not quite present on the earth.’In present-day Melbourne, a man attempts to piece together the mystery of his father’s apparent suicide, as his young family slowly implodes. At the ashram of Bhagwan Shree Rajneesh, in 1976, a man searching for salvation must confront his capacity for violence and darkness. And in a not-too-distant future, a woman with a life-altering decision to make travels through a climate-ravaged landscape to visit her estranged father.In Moonland is a portrait of three generations, each grappling with their own mortality. Spanning the wild idealism of the 70s through to the fragile hope of the future, it is a novel about the struggle for transcendence and the reverberating effects of family bonds. This long-awaited second outing from Miles Allinson, the multi-award-winning author of Fever of Animals, will affirm his reputation as one of Australia’s most interesting contemporary fiction writers, and urge us to see our own political and environmental reality in a new light.

    Someone has taken her little girl ... Emma Cardwell, host of top-rating morning TV show Cuppa, is beloved by audiences and only occasionally stalked by crazy fans. She seems to have it all - fame, money, a gorgeous family - but when her tiny daughter disappears from daycare, Emma is faced with every mother's worst nightmare. Is this a kidnapping, a product of her high profile, or is somebody out for revenge? As the hour's tick by and the pressure mounts, everything comes under scrutiny, including her own marriage, and Emma is forced to confront a terrifying question: can we trust the ones we love?

    I can remember Hetty’s hand in mine as we moved slowly down the steps of the escalator, as if standing completely still would have been harder than moving.Hetty and Ness, best friends since childhood, have left suburban Melbourne for the first time to live abroad. Hetty is charming and captivating, the life of the party. Ness is a wallflower, hopelessly in love with her. In the student quarter of Toronto, the pair take a room in a share house full of self-assured creatives. Hetty disappears into barkeeping work and a whirlwind nightlife, while Ness drifts aimlessly. But when Ness finds Hope one day in the art gallery, an intense affair develops. There are new friends, too, and a job: at last her life starts to make some sense. And Hetty’s starts spectacularly to fall apart, in a mess of bad drugs and bad men.As winter freezes the lakeside city, the dark undercurrents of Hetty’s character—abusive relationships, a dangerous obsession with bodies of water—become ever stronger. Ness may lose the person she loves more than anyone else in the world.Beautifully written and intimate, Cherry Beach is a revelatory story of friendship and desire.

    Even her childhood, where she and her mother were forced to flee Malaya in the fish-stinking hold of a junk in the dying days of colonialism, was fraught with peril.For a time it seemed she would find safe harbour in Tasmania in the arms of wine-maker Peter Torrance, but her restless spirit cannot be contained. Thea’s ambition is to travel the world as a foreign correspondent but Peter is dedicated to his family vineyard in a blue gum valley: it seems their love must fail.Thea makes her name internationally with her coverage of the assassination of President Kennedy then the escalating war in Vietnam, one of the only women in the field. Her job leads her further into peril and death stalks her all the way, until a return to Tasmania opens the door to a new and exciting career.Will this opportunity allow her to become reunited with the man she used to love? Or has that dream vanished, like mist in the valley of blue gums?

    Love, politics and other things you shouldn't talk about at dinnerCharlotte Gibson is a lawyer with a brilliant career ahead of her. As her father Ray says, she could be the next female Indigenous Waleed Aly. But she has other ideas. First of all, it's Christmas. Second of all, she's in love.The thing is, her fiance, Francis Smith, is not what her family expected - he's unemployed, he's an experimental composer ... and he's white! Bringing him and his conservative parents to meet her family on their ancestral land is a bold move. Will he stand up to the scrutiny? Or will this romance descend into farce?Love is never just black and white. It's complicated by class, politics, ambition, and too much wine over dinner. But for Charlotte and Francis, it's mostly complicated by family. Secrets are revealed, prejudices outed and old rivalries get sorted through. What can't be solved through diplomacy can surely be solved by a good old-fashioned dance-off. They're just that kind of family.

    Prize-winning author Chloe Wilson’s stories will pin you to the page.‘Chilling, funny, and razor sharp – a writer in control every step of the way. How I relished this extraordinary and original collection.’ Sofie Laguna, Miles Franklin winner for The Eye of the SheepFirst published in Granta Magazine, the title story takes us into the cold war of a contemporary family: a missile-making mother doubts her husband’s guts and the steel of her son, until a playground incident escalates and brings them into the most surprising of alliances.Needle sharp, effortlessly surprising and beautifully controlled, every story is transfixing. A young couple move into a house in which there’s been a recent murder, and fall under the spell of their peculiar, commanding neighbours. Two sisters are determined to detoxify themselves into perfection. A diver pushes herself and those around her to higher and higher jumps. Interspersed with these transfixing tales are lightning strikes of flash fiction: we glimpse a leopard in the apartment next door; plants grown out of a strange and miraculous soil; the spirit of a girl who’s been thrown down a well. At each turn, Chloe Wilson offers a unique insight, a tear in the veil of our comfortable moral certainties. Hold Your Fire exposes the battles we wage beneath the surface.

    A family divided. Only truth can set them free.Banjo Murphy is killed on the night he finally walks away from his wife, Jade, after twenty-five years of her adultery. In the aftermath, Banjo is bewildered to discover he still exists, and in despair he watches Jade collapse into deep depression and his daughters, Lissy and Cassandra, struggle with their unexpected loss.Lissy is tortured by the mystery surrounding her father’s death. What compelled Banjo to leave the night he died? And why won’t Jade talk about what happened? Despite their volatile relationship, Lissy believes her parents’ love to have been enduring, but sensibleCassandra sees things differently. When Cassy discovers a sketchbook chronicling Jade’s affairs, the truth of their parents’ relationship begins to unfold and Lissy’s loyalties are divided.Searching for answers, Lissy contacts Jade’s ex-lovers. And watching from afar, Banjo aches as he discovers what these men meant to Jade – until Lissy’s quest reveals an explosive truth …One that will finally set their family free. - See more at: http://books.simonandschuster.com.au/...

    In her spellbinding new bestseller she takes us on a breathtaking journey deep into the red heart of Australia. It is 2001 and as the world charges into the new Millennium, a century-old dream is about to be realised in the Red Centre of Australia: the completion of the mighty Ghan railway, a long-lived vision to create the 'backbone of the continent', a line that will finally link Adelaide with the Top End. But construction of the final leg between Alice Springs and Darwin will not be without its complications, for much of the desert it will cross is Aboriginal land. Hired as a negotiator, Jessica Manning must walk a delicate line to reassure the Elders their sacred sites will be protected. Will her innate understanding of the spiritual landscape, rooted in her own Arunta heritage, win their trust? It’s not easy to keep the peace when Matthew Witherton and his survey team are quite literally blasting a rail corridor through the timeless land of the Never-Never.When the paths of Jessica and Matthew finally cross, their respective cultures collide to reveal a mystery that demands attention. As they struggle against time to solve the puzzle, an ancient wrong is awakened and calls hauntingly across the vastness of the outback . . .