Or so they think. However, History seems to have different plans for them and when Max finds herself delivering a child in a peasant's hut, she can't help wondering what History is up to.

    Even Emma and Andrew’s elder daughter—who is usually off saving the world—will be joining them at Weyfield Hall, their aging country estate. But Olivia, a doctor, is only coming home because she has to. Having just returned from treating an epidemic abroad, she’s been told she must stay in quarantine for a week…and so too should her family. For the next seven days, the Birches are locked down, cut off from the rest of humanity—and even decent Wi-Fi—and forced into each other’s orbits. Younger, unabashedly frivolous daughter Phoebe is fixated on her upcoming wedding, while Olivia deals with the culture shock of being immersed in first-world problems. As Andrew sequesters himself in his study writing scathing restaurant reviews and remembering his glory days as a war correspondent, Emma hides a secret that will turn the whole family upside down. In close proximity, not much can stay hidden for long, and as revelations and long-held tensions come to light, nothing is more shocking than the unexpected guest who’s about to arrive…

    But Neil Gaiman, of all of his fans, seems to be the one who tangles most directly with Bowie-as-superhuman. First, he made Bowie the obvious visual reference for his version of Lucifer in the Sandman series. But more recently, in last year’s Trigger Warning, Gaiman included a story called “The Return of the Thin White Duke,” which he has now made available on his site.The story has a symbiotic relationship with some gorgeous Yoshitaka Amano paintings, which you can see here, but it also spins off into its own direction, giving Bowie a worth origin story worthy. Gaiman uses the Thin White Duke persona as a starting point, writing his way into the type of person who could embrace such an alter ego. And though the author refers to the story as “unabashedly fan fiction,” after a few paragraphs he makes the character his own, and creates yet another pocket universe for the Duke to test his bravery, create stars, and forge a new life for himself. It both is and isn’t Bowie, as Gaiman uses the idea of self-creation as the core of a story that could be about any one of us.

    Set in Chicago on a bitterly cold Christmas night, William, considers stealing both to satisfy his hunger and to find excitement in his dull life, but when a woman drops a parcel he gives it to her instead of running off with it. He feels as if he is a failed thief, in the same manner as he has failed at everything - college, journalism, real estate, performing. He then decides to become a burglar - but a surprise awaits him!

    P. Lovecraft, written in September 1926 and first published in the October 1927 issue of Weird Tales.The story revolves around a Bostonian painter named Richard Upton Pickman who creates horrifying images. His works are brilliantly executed, but so graphic that they result in his membership in the Boston Art Club being revoked and himself shunned by his fellow artists.

    But who's behind it? Clarke's 1952 novel is read by Nicholas Boulton.

    What follows is a rich, nostalgic look at one of our most cherished national pastimes and a remarkable story about fathers and sons, love and family, and the inimitable joy of finding your way home.

    Her passion for the natural world lay behind the creation of her famous series of little books. A particular source of inspiration was the English Lake District where she lived for the last thirty years of her life as a farmer and land conservationist, working with the National Trust.She described The Tailor of Gloucester as her own favourite among her books. It was based on the true story of a tailor who left the unsewn pieces of a coat in his shop and found that the garment had been mysteriously finished for him in the night. It turned out that the real tailor's assistants were his apprentices, but in Beatrix Potter's version of the story the secret helpers are skilful little brown mice.

    She thinks he’s “the one.” So when Grant’s hectic work schedule has him more “Bah Humbug” than “Ho, Ho, Ho,” Emmie creates a holiday-themed scavenger hunt to help him find his Christmas spirit. At the end of the journey, Grant will arrive at the charming town of Christmas Point where she’s planned a romantic weekend filled with holiday activities.But Emmie’s plan backfires when a mix-up has the wrong guy following her clues! Sam, a best-selling mystery writer, thinks Emmie’s clever Christmas riddles are from his agent, who is trying to help him get over his epic writer’s block.When he arrives at Christmas Point and finds the stunned Emmie, he immediately feels she’s someone special, but she can’t see beyond the fact that the wrong guy has shown up. Inspired by the small, charming town, Sam decides to stay and convinces Emmie to join him in a little holiday fun while she waits for Grant.When Grant finally shows up, Emmie is disappointed to discover he’s not enjoying the activities she planned and can’t help wonder if he’s really the one for her. She also can’t get Sam out of her mind and all the great times they had together. With Christmas coming fast, Emmie will need the magic of the season to help steer her in the direction of true love…

    It's a down-home Christmas story about tradition, family, and the shared experiences of women. Here, in a letter of her own, Lee Smith explains how she was inspired to write this celebrated epistolary novel:Dear Friends,Like me, you probably get Christmas letters every year. I read every word and save every letter. Because every Christmas letter is the story of a life, and what story can be more interesting than the story of our lives? Often, it is the story of an entire family. But you also have to read between the lines with Christmas letters. Sometimes, what is not said is even more important than what is on the page.In The Christmas Letters, I have used this familiar format to illumine the lives, hopes, dreams, and disappointments of three generations of American women. Much of the story of The Christmas Letters is also told through shared recipes. As Mary, my favorite character, says, "I feel as if I have written out my life story in recipes! The Cool Whip and mushroom soup years, the hibachi and fondue period, then the quiche and crepes phase, and now it's these salsa years."I wrote this little book for the same reason I write to my friends and relatives every holiday--Christmas letters give us a chance to remember and celebrate who we are.With warmest greetings, Lee Smith

    In Moral Disorder she has created a series of interconnected stories that trace the course of a life and also the lives intertwined with it--those of parents, of siblings, of children, of friends, of enemies, of teachers, and even of animals. As in a photograph album, time is measured in sharp, clearly observed moments. The '30s, the '40s, the '50s, the '60s, the '70s, the '80s, the '90s, and the present --all are here. The settings vary: large cities, suburbs, farms, northern forests. The first story, "The Bad News," is set in the present, as a couple no longer young situate themselves in a larger world no longer safe. The narrative then switches time as the central character moves through childhood and adolescence in "The Art of Cooking and Serving," "The Headless Horseman," and "My Last Duchess." We follow her into young adulthood in "The Other Place" and then through a complex relationship, traced in four of the stories: "Monopoly," "Moral Disorder," "White Horse," and "The Entities." The last two stories, "The Labrador Fiasco" and "The Boys at the Lab," deal with the heartbreaking old age of parents but circle back again to childhood, to complete the cycle. By turns funny, lyrical, incisive, tragic, earthy, shocking, and deeply personal, Moral Disorder displays Atwood's celebrated storytelling gifts and unmistakable style to their best advantage. As the New York Times has said: "The reader has the sense that Atwood has complete access to her people's emotional histories, complete understanding of their hearts and imaginations."

    What's she need with a boy anyway? But Marta said he liked to dance and somehow that was appealing. However, something strange is happening in town and this right before Christmas. Is Elias involved? What is the secret he keeps from her? And what should she do when her life changes for good?

    A young traveler sojourns through the sea of wind and snow, finding refuge in a cottage, cozily nestled in the notch of a hill. The traveler burns with a determination to make his name known to the world. But that will all have to wait until the storm subsides.

    In danger of losing his ninth and final life, Ambrose makes a desperate plea to the universe. He'll do anything—anything!—if he can just survive and enjoy a nice long, final life. His prayer is answered when a stranger comes along and saves him—and now it looks like he has to hold up his end of the bargain.The stranger turns out to be a firefighter named Zach, who's in need of some serious romantic help. If Ambrose can just bring Zach together with Merilee, the nice lady who works at Pet Palace, it's bound to earn him a healthy ninth life. Unfortunately for Ambrose, his mission is a lot harder than he ever thought. Merriliee is way too shy to make the first move on a ladies man like Zach, and Zach thinks he's all wrong for a nice girl like Merrilee. Now it's going to take all of Ambrose's feline wiles—and maybe even a good old fashioned Christmas miracle—to make them both realize that what they're looking for is right in front of their eyes.

    Nicholas". No one claimed authorship until 13 years later. Clement Clarke Moore, a professor and poet, said that he wrote the piece for his children. Unbeknownst to him, his housekeeper had sent it to the newspaper to be published. However, the family of Henry Livingston Jr. contended that their father had been reciting “A Visit from St. Nicholas” for 15 years prior to publication. Regardless of the true author, the poem is now a Christmas classic.