She’s been in a stable marriage that’s lasted almost three decades and has provided her with two wonderful children, thousands of family dinners around a sturdy oak table, and a husband so devoted that he schedules lovemaking into his calendar every Wednesday morning. Other wives envy the fact that Grant is not the type of man who would ever cheat on her or leave her for a younger woman. The trouble is Annabelle isn’t sure she wants to be married to Grant anymore. The trouble is she’s still in love with someone else. In the early tumultuous years of her marriage, Annabelle carried on a clandestine affair with the one person whose betrayal would hurt her husband the most. When it ended, she and Grant found their way back together and made a pact that they would never speak of that time again. But now years later, with her children grown and gone, and an ominous distance opening between them, she can’t help but remember those glorious, passionate days and wonder if she chose the right man. Then, when called to New York City to help care for her pregnant daughter, Annabelle bumps into her old lover. Offered a second chance at an unforgettable love, she must decide between the man who possesses her heart and the husband who has stood squarely by her side. A journey into the what-ifs that haunt us all, The Stuff That Never Happened is an intricate, heartfelt examination of modern marriage that brims with truths about the nature of romantic love.

    Among them: James Bennett, a synaesthetic art critic for The New York Times whose unlikely condition enables him to describe art in profound, magical ways, and Raul Engales, an exiled Argentinian painter running from his past and the Dirty War that has enveloped his country. As the two men ascend in the downtown arts scene, dual tragedies strike, and each is faced with a loss that acutely affects his relationship to life and to art. It is not until they are inadvertently brought together by Lucy Olliason—a small town beauty and Raul’s muse—and a young orphan boy sent mysteriously from Buenos Aires, that James and Raul are able to rediscover some semblance of what they’ve lost.As inventive as Jennifer Egan's A Visit From The Goon Squad and as sweeping as Meg Wolitzer's The Interestings, Tuesday Nights in 1980 boldly renders a complex moment when the meaning and nature of art is being all but upended, and New York City as a whole is reinventing itself. In risk-taking prose that is as powerful as it is playful, Molly Prentiss deftly explores the need for beauty, community, creation, and love in an ever-changing urban landscape.

    Then one evening, as they gather to watch the Miss America Pageant, Linda admits that she aspires to write a novel herself, and the Wednesday Sisters Writing Society is born. The five women slowly, and often reluctantly, start filling journals, sliding pages into typewriters, and sharing their work. In the process, they explore the changing world around them: the Vietnam War, the race to the moon, and a women’s movement that challenges everything they believe about themselves. At the same time, the friends carry one another through more personal changes—ones brought about by infidelity, longing, illness, failure, and success. With one another’s support and encouragement, the Wednesday Sisters begin to embrace who they are and what they hope to become, welcoming readers to experience, along with them, the power of dreaming big.

    He has it all: the beautiful wife, the high-powered job, the glittering circle of friends. But there is a price to be paid for all these trappings, and the pressure is mounting—until the day Adam makes a fatal mistake. His assistant leaves him a message with three words: your sister called. What no one knows is that Adam’s sister has been missing for decades. That she represents the excruciatingly painful past he has left behind. And that her absence has secretly tormented him all these years. When his assistant brushes off his request for an explanation in favor of her more pressing personal call, Adam loses it. And all hell breaks loose. Adam is escorted from the building. He loses his job. He loses his wife. He loses the life he’s worked so hard to achieve. He doesn’t believe it is possible to sink any lower when he is assigned to work in a soup kitchen as a form of community service. But unbeknownst to Adam, this is where his life will intersect with Chance. Chance is a mixed breed Pit Bull. He’s been born and raised to fight and seldom leaves the dirty basement where he is kept between fights. But Chance is not a victim or a monster. It is Chance’s unique spirit that helps him escape and puts him in the path of Adam. What transpires is the story of one man, one dog, and how they save each other—in ways they never could have expected.

    The secret number of grapes it takes to make a bottle of wine: eight hundred. The secret ingredient in her mother’s lasagna: chocolate. The secret behind ending a fight: hold hands.But just a week before her wedding, thirty-year-old Georgia discovers her beloved fiancé has been keeping a secret so explosive, it will change their lives forever.Georgia does what she’s always done: she returns to the family vineyard, expecting the comfort of her long-married parents, and her brothers, and everything familiar. But it turns out her fiancé is not the only one who’s been keeping secrets…

    But when her fiancé, James Donato, vanishes in a boating accident, her well-baked future is swept out to sea. Instead of walking down the aisle on their wedding day, Aimee is at James’s funeral—a funeral that leaves her more unsettled than at peace.As Aimee struggles to reconstruct her life, she delves deeper into James’s disappearance. What she uncovers is an ocean of secrets that make her question everything about the life they built together. And just below the surface is a truth that may set Aimee free…or shatter her forever.

    for the first time, a surprising and moving romance set in an old-fashioned seaside town on the verge of unwelcome change Liza McCullen will never fully escape her past. But the unspoiled beaches and tight-knit community of Silver Bay offer the freedom and safety she craves—if not for herself, then for her young daughter, Hannah. That is, until Mike Dormer arrives as a guest in her aunt’s hotel. The mild-mannered Englishman with his too-smart clothes and distracting eyes could destroy everything Liza has worked so hard to protect: not only the family business and the bay that harbors her beloved whales, but also her conviction that she will never love—never deserve to love—again. For his part, Mike Dormer is expecting just another business deal—an easy job kick-starting a resort in a small seaside town ripe for development. But he finds that he doesn’t quite know what to make of the eccentric inhabitants of the ramshackle Silver Bay Hotel, especially not enigmatic Liza McCullen, and their claim to the surrounding waters. As the development begins to take on a momentum of its own, Mike’s and Liza’s worlds collide in this hugely affecting and irresistible tale full of Jojo Moyes’s signature humor and generosity.

    Now, with her sparkling new novel of parenthood and sibling rivalry, Close turns her gimlet eye to the only thing messier than friendship: family. Weezy Coffey’s parents had always told her she was the smart one, while her sister was the pretty one. “Maureen will marry well,” their mother said, but instead it was Weezy who married well, to a kind man and good father. Weezy often wonders if she did this on purpose—thwarting expectations just to prove her parents wrong. But now that Weezy’s own children are adults, they haven’t exactly been meeting her expectations either. Her oldest child, Martha, is thirty and living in her childhood bedroom after a spectacular career flameout. Martha now works at J.Crew, folding pants with whales embroidered on them and complaining bitterly about it. Weezy’s middle child, Claire, has broken up with her fiancé, canceled her wedding, and locked herself in her New York apartment—leaving Weezy to deal with the caterer and florist. And her youngest, Max, is dating a college classmate named Cleo, a girl so beautiful and confident she wears her swimsuit to family dinner, leaving other members of the Coffey household blushing and stammering into their plates. As the Coffey children’s various missteps drive them back to their childhood home, Weezy suddenly finds her empty nest crowded and her children in full-scale regression. Martha is moping like a teenager, Claire is stumbling home drunk in the wee hours, and Max and Cleo are skulking around the basement, guarding a secret of their own. With radiant style and a generous spirit, The Smart One is a story about the ways in which we never really grow up, and the place where we return when things go drastically awry: home.

     The Bradleys see the world as a place where miracles are possible, and where nothing is more important than family. This is their story.   It is the story of Ian Bradley—husband, father, math teacher, and Mormon bishop—and his unshakeable belief that everything will turn out all right if he can only endure to the end, like the pioneers did. It is the story of his wife, Claire, her lonely wait for a sign from God, and her desperate need for life to pause while she comes to terms with tragedy.   And it is the story of their children: sixteen-year-old Zippy, experiencing the throes of first love; cynical fourteen-year-old Al, who would rather play soccer than read the Book of Mormon; and seven-year-old Jacob, whose faith is bigger than a mustard seed—probably bigger than a toffee candy, he thinks—and which he’s planning to use to mend his broken family with a miracle.   Intensely moving, unexpectedly funny, and deeply observed, A Song for Issy Bradley explores the outer reaches of doubt and faith, and of a family trying to figure out how to carry on when the innermost workings of their world have broken apart.

    This is the mystery the two daughters must unravel as they stay up late reading the words penned by Elizabeth so long ago. Their mother can’t give them the answers: After a massive stroke, she lies mute and near death in a nursing home. Only the pages of her diary can provide clues to what really happened.In a richly detailed journey into the past, we see Elizabeth lose her heart to one man while remaining devoted to another. Finally, she must choose between the stable, loyal Bob...and the electrifying and unpredictable A.J., who spent time in juvenile detention as a teen. When a suspicious fire in the neighborhood is linked to A.J., Elizabeth is faced with another dilemma: She’s the only one who can clear A.J.’s name, but to do so would ruin her reputation. Surprisingly, it’s Bob who comes to the rescue, forcing Elizabeth to make perhaps the most painful decision of her life....The Diary is a love story. It’s also the story of the unshakable bond between a mother and her daughters.

      Look for special features inside. Join the Random House Reader’s Circle for author chats and more. Charming ladies’ man Rory Randall dies with one last trick up his sleeve: His will includes a calculating clause mandating a summer-long reunion for his daughters, all from different marriages—that is, if they hope to inherit his posh Nantucket house. Relations among the three sisters are sour thanks to long-festering jealousies, resentments, and misunderstandings. Arden, a successful television host in Boston, hasn’t been back to the island since her teenage years, when accusations of serious misbehavior led to her banishment. College professor Meg hopes to use her summer to finish a literary biography and avoid an amorous colleague. And secretive Jenny, an IT specialist, faces troubling questions about her identity while longing for her sisters’ acceptance.   To their surprise, the three young women find their newfound sisterhood easier to trust than the men who show up to complicate their lives. And if that weren’t problematic enough, their mothers descend on the island. When yet another visitor drops by the house with shocking news, the past comes screaming back with a vengeance. Having all the women from his life under his seaside roof—and overseeing the subsequent drama of that perfect storm—Rory Randall might just be enjoying a hearty laugh from above.   Nancy Thayer’s novel insightfully illustrates how the push and pull of family altercations make us whole. It’s how the Randall sisters come to forgive, and learn to open their hearts to love.Praise for Island Girls“Nancy Thayer is one of my favorite writers, and Island Girls is one of her best. The Randall sisters are like your own family members or your best friends: funny, smart and emotional, infuriating and good-hearted. Here is a book to be savored and passed on to the good women in your life.”—New York Times bestselling author Susan Wiggs  “Full of emotion and just plain fun, this novel is delightful.” —Romance Reviews Today “In this touching summer read, forgiveness benefits both the person bestowing it and the recipient.”—Kirkus Reviews

    Before he was born, his family was disfigured by a fire. His sister wears a white mask to cover her burns.He spends his hours with his cactus, reading his book on insects, or touching the one ray of sunlight that filters in through a crack in the ceiling. Ever since his sister had a baby, everyone’s been acting very strangely. The boy begins to wonder why they never say who the father is, about what happened before his own birth, about why they’re shut away.A few days ago, some fireflies arrived in the basement. His grandma said, There’s no creature more amazing than one that can make its own light. That light makes the boy want to escape, to know the outside world. Problem is, all the doors are locked. And he doesn’t know how to get out.…

    The wrong one. The one you couldn’t let go of. The one you’ll never forget.Lucy Albright is far from her Long Island upbringing when she arrives on the campus of her small California college, and happy to be hundreds of miles from her mother, whom she’s never forgiven for an act of betrayal in her early teen years. Quickly grasping at her fresh start, Lucy embraces college life and all it has to offer—new friends, wild parties, stimulating classes. And then she meets Stephen DeMarco. Charming. Attractive. Complicated. Devastating. Confident and cocksure, Stephen sees something in Lucy that no one else has, and she’s quickly seduced by this vision of herself, and the sense of possibility that his attention brings her. Meanwhile, Stephen is determined to forget an incident buried in his past that, if exposed, could ruin him, and his single-minded drive for success extends to winning, and keeping, Lucy’s heart. Alternating between Lucy’s and Stephen’s voices, Tell Me Lies follows their connection through college and post-college life in New York City. Deep down, Lucy knows she has to acknowledge the truth about Stephen. But before she can free herself from this addicting entanglement, she must confront and heal her relationship with her mother—or risk losing herself in a delusion about what it truly means to love. With the psychological insight and biting wit of Luckiest Girl Alive, and the yearning ambitions and desires of Sweetbitter, this keenly intelligent and staggeringly resonant novel chronicles the exhilaration and dilemmas of young adulthood, and the difficulty of letting go, even when you know you should.

    Now to the external world, at least she s finally getting back on her feet, running her business, Cake. Then she meets Ciaran Argyll.His rich and charmed life feels a million miles from her own. However, there s more to Ciaran than the superficial world that surrounds him, and he too is wrestling with his own ghosts. Will Holly find the missing ingredient that allows her to live again and embrace an unknown and unexpected tomorrow?

    Kathleen has been cut off financially by her family and forced to enter "the real world" for the very first time. Sari has fallen for the man who made her life a living hell in high school, but now desperately needs her help. Lucy, torn between emotion and reason, must reevaluate her life when her lab and her boyfriend are assailed by an animal-rights group. At their club meetings, they discuss the really important questions: how bad is it, really, to marry for money if you like the guy a lot anyway? Can you ever forgive someone for something truly atrocious that they've done? Is it better to be unhappily coupled than happily alone? And the little ones: Can you wear a bra with a hand-knit tube top? Is it ever acceptable to knit something for a boyfriend? And why do your stitches become lopsided after your second martini? In Claire LaZebnik's hilarious and sometimes heartbreaking novel, Sari, Lucy, and Kathleen's lives intersect, overlap, unravel, and come back together in an utterly satisfying read.