The first three thrillers from million copy bestseller Patricia Gibney, introducing you to maverick Detective Lottie Parker. The Missing Ones: The hole they dug was not deep. A white flour bag encased the little body. Three small faces watched from the window, eyes black with terror. The child in the middle spoke without turning his head. ‘I wonder which one of us will be next?’ When a woman’s body is discovered in a cathedral and hours later a young man is found hanging from a tree outside his home, Detective Lottie Parker is called in to lead the investigation. The trail leads Lottie to St Angela’s, a former children’s home, with a dark connection to her own family history. Suddenly the case just got personal. As Lottie begins to link the current victims to unsolved murders decades old, two teenage boys go missing. She must close in on the killer before they strike again, but in doing so is she putting her own children in terrifying danger? Lottie is about to come face to face with a twisted soul who has a very warped idea of justice. The Stolen Girls: The young woman standing on Lottie’s step was a stranger. She was clutching the hand of a young boy. ‘Help me,’ she said to Lottie. ‘Please help me.’ One Monday morning, the body of a young pregnant woman is found. The same day, a mother and her son visit the house of Detective Lottie Parker, begging for help to find a lost friend. Could this be the same girl? When two more girls are found dead, Lottie is forced to put the demons of her own past aside to catch a very clever killer before they claim another victim … The Lost Child: ‘Let me out! Please…’ My tiny fists pound the door, but my voice reverberates off the stone walls and hangs in the air as if suspended by spider’s webs. No one comes... Years later, a woman is found face-down in a pool of blood. Detective Lottie Parker is called to the remote farmhouse in the bleak Irish countryside. A black rain jacket makes Lottie think she knows the killer’s identity, but then she finds a disturbing clue: is the murder linked to an old case at St Declan’s asylum? A case investigated by her own father, just before he took his life. When another victim is left for dead, and a young girl goes missing, Lottie knows she has to act fast. Can she uncover the truth before another life is taken? This gripping series will have you up in the small hours turning the pages. Fans of Karin Slaughter, Rachel Caine and Rachel Abbott will love the Detective Lottie Parker Series. Read what everyone is saying about the Detective Lottie Parker books: ‘OMG it is a cracking book!! … Patricia Gibney is my favourite author at the moment and my best find of the year – this book was fantastic, and I cannot recommend it highly enough.’ Donna's Book Blog, 5 stars ‘WOW.

    Wrestling with a new language, on a site running behind schedule, and with a relationship in flux, he becomes increasingly untethered.Set against the structural evolution of a sprawling city, this meditation on language, memory and yearning is underpinned by the site’s physical reality. As the narrator explores the mind’s fragile architecture, he begins to map his own strange geography through a series of notebooks, or‘Love Notes’.This is at once a treatise on language, memory, building and desire, relayed in translucent Sebaldian prose in a voice new to Irish fiction.

    Walter Macken paints a memorable portrait of the hard life of subsistence farming, of loveless arranged marriages, and of rebellion against suffocating social mores.

    ?Shortlisted for the 2021 An Post Irish Book Awards Eason Novel of the Year...A darkly funny, gripping and profoundly moving novel about a life spinning out of control, a life live without the bedrock of familial love, and the corruption of material wealth that tears at the soul. ‘It was my father’s arrest that brought me here, although you could certainly say that I took the scenic route.’Here is rehab, where Ben – the only son of a rich South Dublin banker – is piecing together the shattered remains of his life. Abruptly cut off, at the age of 27, from a life of heedless privilege, Ben flounders through a world of drugs and dead-end jobs, his self-esteem at rock bottom. Even his once-adoring girlfriend, Clio, is at the end of her tether.  Then Ben runs into an old school friend who wants to cut him in on a scam: a shady property deal in the Balkans. The deal will make Ben rich and, at one fell swoop, will deliver him from all his troubles: his addictions, his father’s very public disgrace, and his own self-loathing and regret. Problems solved. But something is amiss. For one thing, the Serbian partners don’t exactly look like fools. (In fact they look like gangsters.) And, for another, Ben is being followed everywhere he goes. Someone is being taken for a ride. But who?

    My twelve-year-old daughter frequently moans that Ballycarrick is the most boring town in Ireland.Nothing ever happens here.She’s right.And as the local police sergeant, this is something I’m delighted about.I’ve enough to worry about - the polar ice-caps, the evil monster that’s shrinking my trousers, not to mention the hot flushes - without having to be like one of those gritty Netflix cops, chasing criminals down alleyways and busting drug deals.So, life is calm and fairly predictable.Until something unthinkable happens in our sleepy backwater.A crime, but not like anything I've ever seen before.It's a complete mystery.And it's up to me to solve it.

    The result is a headlong, love-struck, end-of-millenium, coast-to-coast tour of the frustrations, contraditions and giddying glories of being Irish in the 1990s.

    Facing into the void that is the rest of their post-school lives, they spend their first summer of freedom in an orgy of self-destruction. Each of them in their own way struggles to keep their connection to reality – a reality they despise, but which conceals a chaos they cannot face. That chaos is personified in Kearney, a sociopath who moves seamlessly between the ultraviolence of his Grand Theft Auto inner life and the real world. Drifting aimlessly through the city, always seeking escape from family, indulging in as much drink and drugs as their money can buy, all four are poised on the edge of a decisive moment in their lives. An accidental moment of violence is the catalyst for Kearney’s transformation from fantasist into real-world psychopath.Murder, suicide, rape and torture suddenly take a very real shape in their lives, leaving them with a single way out that carries profound moral consequences.

    Sometimes these dramas are found in ordinary, mundane situations; sometimes they are triggered by a fateful encounter or a tragic decision. At the heart of these stories, crucially, is how people are drawn to each other and cling to love when and where it can be found. In a number of the these stories, emotional bonds are forged by traumatic events caused by one of the characters - between an old man and the frightened young burglar left to guard him while his brother is beaten; between another young man and the mother of a girl whose death he caused when he crashed his car; between a lonely middle-aged shopkeeper and her assistant. Disconnection and new discoveries pervade stories involving emigration (an Irish priest in war-torn Syria) or immigration (an African refugee in Ireland). Some of the stories are set in the same small town in rural Ireland as the novels, with names that will be familiar to Ryan's readers.In haunting prose, Donal Ryan has captured the brutal beauty of the human heart in all its failings, hopes and quiet triumphs.

    It exposes the reality of the dark, claustrophobic world of the Provisionals: the iron grip they hold over their communities; their ruthless and cynical disregard for human life; the single-minded professionalism of some IRA volunteers — and the rank incompetence of others. Raymond Gilmour learned the brutal facts of life in Northern Ireland at an early age. Beatings, murders and knee-cappings were common currency on the dead-end Derry estate where he grew up, and despite the omnipresence of British. soldiers no one was in any doubt about who really held the balance of power. Many young Catholics, with few options and fewer jobs open to them, joined the terrorists as volunteers. So, at the age of sixteen, did Ray Gilmour — but his recruitment had a vital and deadly difference: his brief to infiltrate the IRA, sabotage their activities, and report back to his Special Branch contact. So began nearly a decade of life in no-man's-land, an impossibly dangerous double life where every day brought with it a new and potentially terminal threat. Gilmour relates in gripping style the hazards of playing along with the shootings and bombings while secretly trying to subvert them; the constant fear of exposure, torture and execution by his IRA `comrades' — and the tension of wondering when he might out-live his usefulness and be sacrificed by the shadowy men from MI5. Incredibly, Gilmour not only avoided exposure and sacrifice, he also became one of the RUC's most valued agents, foiling countless terrorist attacks and helping the police seize huge quantities of arms and explosives. As one RUC source admitted: 'He kept Derry clean for us.' Gilmour's career as an agent came to an abrupt and spectacular end when he uncovered one of the IRAs most prized arms caches, forcing him and his family — who until then had known nothing of his double life. — to go on the run before the IRA's notorious Internal Affairs men caught up with them. But even escape has its penalties: Gilmour has not seen his wife and children for over twelve years, and he now lives in permanent exile, flitting from safe house to safe house under a sentence of death unrevoked by peace-tAs amnesties. Dead Ground is Gilmour's story: a narrative of heart-stopping tension and unrelenting human drama which makes a mockery of fictionalised accounts of terrorism in Northern Ireland.

    But what happens between you conking out and waking up? And what does the anaesthetist have to do with it all? Do they just sit around playing sudoku while the rest of the team do all the hard work? And why are they so obsessed with what time you ate dinner?Join Colin Black on his journey from accidental medical student to HSE and NHS trainee and, finally, Consultant Paediatric Anaesthetist at the largest children’s hospital in Ireland, where any given day could end in laughter or tears – and that’s just the staff.Razor-sharp and forthright, Gas Man is a disarming and frequently hilarious account of life in one of the most fascinating and thrilling professions at medicine’s frontline, where every day is a heady cocktail of severe pressure, poignancy, and profound social awkwardness.

    The isolation is all but unbearable until a mysterious tenant moves into the house at the bottom of the hill. James Dunford has come from America but he won’t say why. He spends his days fixing up the old cottage and walking the beach with a stray dog that showed up on his doorstep.As the weeks pass, Tara tries to get to know James, but he resists her at every turn. And it's not until a local villager recognizes him from the news that she realizes his visit might be about more than just a vacation. On the night of a big storm, Tara finally confronts James about why he is there. But how can she expect him to be honest when she, too, is hiding her own dark secret?Set against the backdrop of the Hunger Strikes in Northern Ireland, Sunsets Never Wait is a story about love, loss, and the risks of hanging on to the past. No matter how much the world has let you down, there’s always a possibility for second chances.

    The couple who survived the Great Hunger have had to watch more than half their family leave the parish. The responsibility to care for one another extends beyond blood or marriage ties for the McGrother family in New York, when a young Irishman goes missing in America. Back in Ireland, at a time when James and Mary least expect it, a family member returns - but not everyone is pleased with the reunion.

    The British government called the famine an act of God. The Irish called it genocide. By any name the famine caused the death of over one million men, women, and children by starvation and disease. Another two million were forced to flee the country. With the famine as a backdrop, this is a story about two families as different as coarse wool and fine silk. Michael Ranahan, the son of a tenant farmer, dreams of breaking his bondage to the land and going to America. The passage money has been saved. He’s made up his mind to go. And then—the blight strikes and Michael must put his dream on hold. The landlord, Lord Somerville, is a compassionate man who struggles to preserve a way of life without compromising his ideals. To add to his troubles, he has to deal with a recalcitrant daughter who chafes at being forced to live in a country of “bog runners.”In The Time Of Famine is a story of survival. It’s a story of duplicity. But most of all, it’s a story of love and sacrifice.

    Her death alters the fates of six people, each one striving for a better life in an unforgiving city.A young Irish man comes to stay with his sister, keen to erase his troubled past in the heat of the Dubai sun. A Russian sex worker has outsmarted the system so far - but will her luck run out? A Pakistani taxi driver dreams of a future for his daughters. An Emirate man hides the truth about who he really is. An Ethiopian maid tries to carve out a path of her own. From every corner of the globe, Dubai has made promises to them all. Promises of gilded opportunities and bright new horizons, the chance to forget the past and protect long-held secrets.But Dubai breaks its promises, with deadly consequences. In a city of mirages, how do you find your way out?

    Costello's spellbinding novel, The Rag Tree, breathes dark, vivid life into Ireland's passionate legends. Crisp and sharp-witted, Costello's tale probes a modern Ireland torn between letting go of time-honored dreams and embracing the promises of a prosperous New Ireland. Even as they struggle against one another, the Irish Special Branch, the British Army, Scotland Yard, and the I.R.A. find themselves forced to ally against a common foe: The Rag Man. Mattie Joe Treacy is the Rag Man. Engrossed in a desperate quest to find his missing father, Mattie Joe is cursed-by the playboy's life of drink and carousing, by his family's staunch adherence to Ireland's old folk ways, and by a family curse hurled at his clan generations ago. The Curse of the O'Neills, invoked by an angry cleric against Mattie Joe's great-grandfather, declares that, "the eldest son will not survive the father." No Treacy son has since outlived his father, and Mattie Joe is next in line to die. Or is he?