He starts talking to Julian’s friends and family, including his friend Kolpos and his gorgeous Greek assistant, Elena.It turns out Julian was referring to the ancient tomb of Akhnaton, almost a myth to the world.But Julian had found some long lost artefacts and taken it to expert Robert Rabjohn who confirms that they are the real thing.When Ross finds strange connections between the deaths of Julian, Tutankhamen, Howard Carter and Orde Wingate, all years apart, he becomes concerned for his own safety.Julian’s body goes missing and then a strange message is found which says ‘Let the Eye of Ra descend’, referring to the ancient God Ra who sent his Eye to slay all the human beings…Every contact and every informant he speaks to disappears.How long will it be before the culprits catch up with him too?Threatened, almost friendless, Ross turns for help to his mother’s people, the Bedouin Hawazim tribe.It is only with their help, that he can solve the mystery of The Eye of Ra…

    In the First Punic War, the Roman legions defeated and humiliated Carthage, their only serious rival for power in the Mediterranean. Now a brilliant young Carthaginian general, called Hannibal, is out for revenge. Caught up in the maelstrom are two young boys, Hanno, the son of a distinguished soldier and confidant of Hannibal, and Quintus, son of a Roman equestrian and landowner. A disastrous adventure will see Hanno sold into slavery and bought by Quintus's father. Although an unexpected friendship springs up between the two boys -- and with Quintus's sister, Aurelia -- the fortunes of the two warring empires once again separates them. They find themselves on opposite sides of the conflict and an alliance forged through slavery will be played out to its stunning conclusion in battle.From the Trade Paperback edition.

    Set in the fourteenth century in Europe’s most far-flung outpost, a land of glittering fjords, blasting winds, sun-warmed meadows, and high, dark mountains, The Greenlanders is the story of one family–proud landowner Asgeir Gunnarsson; his daughter Margret, whose willful independence leads her into passionate adultery and exile; and his son Gunnar, whose quest for knowledge is at the compelling center of this unforgettable book. Jane Smiley takes us into this world of farmers, priests, and lawspeakers, of hunts and feasts and long-standing feuds, and by an act of literary magic, makes a remote time, place, and people not only real but dear to us.

    Over 150 tales are compiled from Iceland to Syria, Cuba to Papua.Part of the Pantheon Fairy Tale and Folklore Library

    Mandeville claims to have served in the Great Khan's army, and to have travelled in 'the lands beyond' - countries populated by dog-headed men, cannibals, Amazons and Pygmies. Although Marco Polo's slightly earlier narrative ultimately proved more factually accurate, Mandeville's was widely known, used by Columbus, Leonardo da Vinci and Martin Frobisher, and inspiring writers as diverse as Swift, Defoe and Coleridge. This intriguing blend of fact, exaggeration and absurdity offers both fascinating insight into and subtle criticism of fourteenth-century conceptions of the world.

    Grendel’s black blood runs thick as Beowulf defeats the monster and his hideous mother, while somber hues overcast the hero’s final, fatal battle against a raging dragon. Speeches filled with courage and sadness, lightning-paced contests of muscle and will, and funeral boats burning on the fjords are all rendered in glorious and gruesome detail. Told for more than a thousand years, Beowulf’s heroic saga finds a true home in this graphic novel edition.

    Only three things stand between the Malwa and the conquest of Earth: Byzantium, the empire of Rome in the East; a crystal that urges mankind to fight; and Belisarius, general of the Byzantine Empire, and arguably the greatest commmander the Earth has ever known.

    A very dark secret.An archivist for the Smithsonian Institute and also a part-time operative for the CIA, no one would ever suspect the handsome ‘thirty-ish’ William is in fact the most reviled human being to ever walk the earth. His infectious warmth and sense of humor make such an assertion especially hard to believe.But long ago, William Barrow had another name…one that is synonymous with shame and betrayal: Judas Iscariot.Forced to walk the earth as a cursed immortal, William/Judas is on a quest to reclaim the thirty silver shekels paid to him in exchange for Jesus Christ. Twenty-one coins have now been recovered—thanks in large part to the help from his latest son, the esteemed Georgetown University history professor, Alistair Barrow.Ever hopeful the complete coin collection will buy him a full pardon from God and end his banishment from heaven, William plans a visit to a remote village deep within Iran’s Alborz Mountains to retrieve ‘silver coin number twenty-two’. But the CIA has a different objective for this trip, one that pits both father and son against an unscrupulous Russian billionaire searching for something else that’s just as precious within the ancient mountains of Iran… something that threatens peace in the modern world if William and Alistair fail to reach it first.

    Theirs was a suicide mission, to hold the pass against the invading millions of the mighty Persian army.Day after bloody day they withstood the terrible onslaught, buying time for the Greeks to rally their forces. Born into a cult of spiritual courage, physical endurance, and unmatched battle skill, the Spartans would be remembered for the greatest military stand in history—one that would not end until the rocks were awash with blood, leaving only one gravely injured Spartan squire to tell the tale. . . .“A novel that is intricate and arresting and, once begun, almost impossible to put down.”—Daily News “A timeless epic of man and war . . . Pressfield has created a new classic deserving a place beside the very best of the old.”—Stephen Coonts

    793; Jack and his sister have been kidnapped by Vikings and taken to the court of Ivar the Boneless and his terrifying half-troll wife; but things get even worse when Jack finds himself on a dangerous quest to find the magical Mimir's Well in a far-off land, with his sister's life forfeit if he fails.Other threats include a willful mother Dragon, a giant spider, and a troll-boar with a surprising personality -- to say nothing of Ivar the Boneless and his wife, Queen Frith, a shape-shifting half-troll, and several eight foot tall, orange-haired, full-time trolls. But in stories by award-winner Nancy Farmer, appearances do deceive. She has never told a richer, funnier tale, nor offered more timeless encouragement to young seekers than "Just say no to pillaging."

    A contemporary man, John Thornburn (a meek, non-violent and unpredictable artist) and woman, Derval (his tough, confrontational, strong and warrior-like lover) time travel to ancient Ireland to avenge a Viking attack. Packed with fascinating details of historical time and place in Irish history and delicately balanced on the border between realism and fantasy, the story centers around one of the most famous and beautiful illuminated manuscripts in history, the legendary but entirely real Book of Kells. Celtic history blends with magical fantasy for a strange and immersive tale of adventure.

    The tales themselves trace their roots back to ancient and medieval Arabic, Persian, Indian, Egyptian and Mesopotamian folklore and literature. In particular, many tales were originally folk stories from the Caliphate era, while others, especially the frame story, are most probably drawn from the Pahlavi Persian work Hazār Afsān. Though the oldest Arabic manuscript dates from the 14th century, scholarship generally dates the collection's genesis to around the 9th century.Some of the best-known stories of The Nights, particularly "Aladdin's Wonderful Lamp", "Ali Baba and the Forty Thieves" and "The Seven Voyages of Sinbad the Sailor", while almost certainly genuine Middle-Eastern folk tales, were not part of The Nights in Arabic versions, but were interpolated into the collection by its early European translators. (From wikipedia) The Arabian Nights, by Anonymous, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Once upon a time, the name Baghdad conjured up visions of the most magical, romantic city on earth, where flying carpets carried noble thieves off on wonderful adventures, and vicious viziers and beautiful princesses mingled with wily peasants and powerful genies. This is the world of the Arabian Nights, a magnificent collection of ancient tales from Arabia, India, and Persia. The tales—often stories within stories—are told by the sultana Scheherazade, who relates them as entertainments for her jealous and murderous husband, hoping to keep him amused and herself alive. In addition to the more fantastic tales which have appeared in countless bowdlerized editions for children and have been popularized by an entire genre of Hollywood films, this collection includes far more complex, meaningful, and erotic stories that deal with a wide range of moral, social, and political issues. Though early Islamic critics condemned the tales’ “vulgarity” and worldliness, the West has admired their robust, bawdy humor and endless inventiveness since the first translations appeared in Europe in the eighteenth century. Today these stories stand alongside the fables of Aesop, the fairy tales of the Brothers Grimm, and the folklore of Hans Christian Andersen as some of the Western literary tradition’s most-quoted touchstones. Muhsin J. Al-Musawi is Professor of Arabic Studies at Columbia University in New York City and University Professor at the American University of Sharjah. He is the editor of the Journal of Arabic Literature and the author of twenty-seven books in Arabic and English. He was the recipient in 2002 of the Owais Award in literary criticism, the most prestigious nongovernmental literary award in the Arab World.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included.Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer.A Chronology and a Selected Bibliography are included.

    But when he gives her the least promising case possible—the attempted theft of an old samurai sword—it proves more dangerous than anyone on the force could have imagined. The owner of the sword, Professor Yasuo Yamada, says it was crafted by the legendary Master Inazuma, a sword smith whose blades are rumored to have magical qualities. The man trying to steal it already owns another Inazuma—one whose deadly power eventually comes to control all who wield it. Mariko’s investigation has put her on a collision course with a curse centuries old and as bloodthirsty as ever. She is only the latest in a long line of warriors and soldiers to confront this power, and even the sword she learns to wield could turn against her.