But it's all the money in the world to the struggling Cuban exiles of Miami who rescued Morgan the Raider. So when it's snatched by a man the Cubans trusted, Morgan sets out to get it back.A simple favor but as the bodies pile up - dead men and beautiful women - the Raider wonders what kind of Latin hell he's gotten himself into, and just who or what is the mysterious Consummata?Begun by mystery master Mickey Spillane in the late 1960s and completed four decades later by his friend Max Allan Collins (Road to Perdition), The Consummata is the long-awaited follow-up to Spillane's bestseller The Delta Factor - a breathtaking tale of treachery, sensuality, and violence, showcasing two giants of crime fiction at their pulse-pounding, two-fisted best.

    From the Academy Award-Nominated Screenwriter of BREAKFAST AT TIFFANY'S and THE MANCHURIAN CANDIDATE Comes a Breathtaking Story of Murder and Mischief...IT'S THE STORY of a big-game hunter, fisherman, fighter, visitor to Cuba, drunk, and Nobel Prize-winning author, recently deceased of a self-inflicted gunshot wound, whose final unpublished manuscript could fetch a mint...IT'S THE STORY of a short, balding man with a high-pitched voice and a vicious wit, whose cocktail parties are the talk of the town, especially when a beautiful woman dies at one of them...IT'S THE STORY of Hollywood's sexiest starlet, who manages to conceal things even when she's wearing nothing but a towel......and it's the story of Dick Sherman, intrepid New York publisher, on the trail of the literary find of the century-and the killer who will stop at nothing to keep it from being found.

    No man could resist her charms—not even the hardboiled NYPD detective sent to find out who turned her into a faceless corpse. As this tough cop probes the mystery of Laura's death, he becomes obsessed with her strange power. Soon he realizes he's been seduced by a dead woman—or has he? Laura won lasting renown as an Academy Award-nominated 1944 film, the greatest noir romance of all time. Vera Caspary's equally haunting novel is remarkable for its stylish, hardboiled writing, its electrifying plot twists, and its darkly complex characters—including a woman who stands as the ultimate femme fatale.

    Leaving a trail of bodies in his wake, Bill Wayne journeys across the West to discover which one of his former army buddies shot him in the back and left him for dead.

    But that ended the day he saw a beautiful Mob wife become a Mob widow. Now Paul is going to break every one of the rules he’s lived by to protect the woman he loves—even if it means he might be left holding the bag..."Personal, hard-hitting, idiosyncratic...Everything was about storytelling, the great yarn."— Quentin Tarantino"One of the great movie directors of the 20th century...most certainly its greatest storyteller."— Wim Wenders In a career that spanned half a century, Samuel Fuller wrote and directed classic movies that inspired filmmakers as varied as Steven Spielberg, Martin Scorsese, Francis Ford Coppola, Jean-Luc Godard, Jim Jarmusch, Wim Wenders, and Quentin Tarantino. He also wrote unforgettable novels such as the noir classic THE DARK PAGE—and this book, his last, which has never previously been published in the English language.

    Soon he's forced to flee the country with both the police and the heiress on his trail. Original.

    The lost pulp crime novel by great American novelist Gore Vidal! Hired to smuggle an ancient artefact out of Egypt, Pete Wells finds himself the target of killers and femme fatales - and just one step away from triggering a revolution that will set Cairo aflame!

    She goes to bed with him, and she likes that part. Then she kills him, and she likes that even better. On her way out, she cleans out his wallet. She keeps moving, and has a new name for each change of address. She's been doing this for a while, and she's good at it.And then a chance remark gets her thinking of the men who got away, the lucky ones who survived a night with her. She starts writing down names. And now she's a girl with a mission. Picking up their trails. Hunting them down. Crossing them off her list...

    — But could any man ever have her? — After years at sea, Swede Nelson just wanted to find a nice girl and settle down. What he found was Corliss Mason: sensual irresistible - and deadly. Soon Swede's helping Corliss cover up a killing, but how long can they get away with murder? And why - even when he's in her arms - can't he shake that feeling that he's being set up?A writer for radio, television, movies, pulp magazines and paperbacks, DAY KEENE created some of the most memorable noir nightmares ever penned. HOME IS THE SALIOR is his greatest book, a tale of passion and obession that makes James M. Cain and Jim Thompson look tame -- now available of the first time in decades!

    But what he got was a tip on a horse race. Which might have turned out okay, except that when he went to collect his winnings, Chet found his bookie lying dead on the living room floor. Chet knows he had nothing to do with it-but just try explaining that to the cops, to the two rival criminal gangs who each think Chet's working for the other, and to the dead man's beautiful sister, who has flown in from Las Vegas to avenge her brother's murder...

    Casino owner Joe Martin faces down a Syndicate-backed gambler in a marathon craps game, with millions of dollarsand possibly even his lifeat stake.

    His territory: the brothels of San Francisco. But the path was littered with bodies and broken dreams - some of them his. 1952 under alias Douglas Ring. 1963 as self Richard S. Prather.

    Original.

    He is privileged, would seem to have the world at his feet, even. Then why does the sight of a few redneck teenagers disconcert him? Why is he reluctant to pick up a disheveled girl hitchhiking along the desert highway? And why is he the first person the police suspect when she is found dead in Arizona a few days later?Dorothy B. Hughes ranks with Raymond Chandler and Patricia Highsmith as a master of mid-century noir. In books like In a Lonely Place and Ride the Pink Horse, she exposed a seething discontent underneath the veneer of twentieth-century prosperity. With The Expendable Man, first published in 1963, Hughes upends the conventions of the wrong-man narrative to deliver a story that engages readers even as it implicates them in the greatest of all American crimes.

    When examined, each weapon leads to a different, previously unsolved murder. Someone has been killing people for twenty years or more and storing the weapons together for some inexplicable purpose. Confronted with the sudden emergence of hundreds of unsolved homicides, Tallow soon discovers that he's walked into a veritable deal with the devil. An unholy bargain that has made possible the rise of some of Manhattan's most prominent captains of industry. A hunter who performs his deadly acts as a sacrifice to the old gods of Manhattan, who may, quite simply, be the most prolific murderer in New York City's history.