Wren and her brothers, Henry and Max, are orphans. They wish to be adopted, but no one wants to take in all three of them. Wren won’t be separated from her family, but no matter how hard she fights to keep them together, she fears she will lose them nonetheless. She wants more for both of them - for herself. She wants an escape. Prompted by a world she sees in a dream, Wren begins to tell her brothers stories of a place where they can be carefree forever - a place called Nevermor. It is an island at the edge of the universe, where all dreams go. There is a boy who guards it, and he is known only as the Rifter. Wren believes that this place truly exists and desires her own life there, where she can keep her family together without anyone tearing them apart. Wren gets more than she bargained for when she is kidnapped by the arrogant and volatile Rifter and taken to Nevermor against her will. It is not completely unwelcome, however. The land is beautiful and there is freedom. The Rifter and his pack of wild boys accept her, and she feels that her brothers will be happy in this place too. Wren falls in love with Nevermor - and with the Rifter - and yet the more she learns of the conflict between the Rifter and a wicked man called the Scourge, the more she comes to realize that Nevermor is not a place for children. Nevermor is a dark fantasy based on the legend of Peter Pan.

    The worst she has to contend with is that the boy of Carla’s dreams is trying to get off with her instead.But then, after chasing a lost little girl no one seems to be able to see, Aoife starts to develop mysterious powers. Eventually her parents confess that she isn’t their real daughter. Their human child was stolen by the fairies, and Aoife is the changeling left behind in her place.Shocked and disorientated, Aoife turns to Shay, the taciturn farmer’s son who is the only person who might believe her story. Together, they embark on a dangerous journey, which takes them deep into the underworld and changes everything they thought they knew about fairies.

    Yeats poem that tempts a child from home to the waters and the wild, The Stolen Child is a modern fairy tale narrated by the child Henry Day and his double.On a summer night, Henry Day runs away from home and hides in a hollow tree. There he is taken by the changelings—an unaging tribe of wild children who live in darkness and in secret. They spirit him away, name him Aniday, and make him one of their own. Stuck forever as a child, Aniday grows in spirit, struggling to remember the life and family he left behind. He also seeks to understand and fit in this shadow land, as modern life encroaches upon both myth and nature.In his place, the changelings leave a double, a boy who steals Henry’s life in the world. This new Henry Day must adjust to a modern culture while hiding his true identity from the Day family. But he can’t hide his extraordinary talent for the piano (a skill the true Henry never displayed), and his dazzling performances prompt his father to suspect that the son he has raised is an imposter. As he ages the new Henry Day becomes haunted by vague but persistent memories of life in another time and place, of a German piano teacher and his prodigy. Of a time when he, too, had been a stolen child. Both Henry and Aniday obsessively search for who they once were before they changed places in the world.The Stolen Child is a classic tale of leaving childhood and the search for identity. With just the right mix of fantasy and realism, Keith Donohue has created a bedtime story for adults and a literary fable of remarkable depth and strange delights.

    The boy who takes up the spear and shield of Manhood on this day will become the most renowned of all the warriors of Ireland, men will follow at his call to the world's end, and his enemies will shudder at the thunder of his chariot wheels. So the prophecy went, and as the boy Cuchulain heard it, he went forward to claim the weapons of his manhood. This is the story of how he became the greatest of heroes—the Hound of Ulster.

     You don’t know them at all. Twelve tales, twelve dangerous tales of mystery, magic, and rebellious hearts. Each twists like a spindle to reveal truths full of warning and triumph, truths that capture hearts long kept tame and set them free, truths that explore life . . . and death.A prince has a surprising awakening . . .                           A beauty fights like a beast . . .A boy refuses to become prey . . .A path to happiness is lost. . . . then found again.New York Times bestselling author Soman Chainani respins old stories into fresh fairy tales for a new era and creates a world like no other. These stories know you. They understand you. They reflect you. They are tales for our times. So read on, if you dare.

    And mermaids are on display at the local aquarium.The Beginning of the World in the Middle of the Night is a collection of twelve haunting stories; modern fairy tales brimming with magic, outsiders and lost souls.

     As in their previous critically acclaimed volumes of reconsidered fairy tales, award-winning editors Ellen Datlow and Terri Windling have gathered together remarkable stories that illuminate the more sinister, sensual, and sophisticated aspects of the tales we cherished in childhood; the fables of witches and princes and lost children that we once imagined we knew. "Black Heart, Ivory Bones" showcases twenty beguiling tales for the child-that-was and the adult-that-is, penned by twenty of the most creative artists in contemporary American literature. Here dissected are the darker anatomies of the timeless, seemingly simple stories we have long loved. Here wonder and truth have serious bite. A lovelorn prince seeking his father's blessing concocts a fantastic tale of a witch, a tower, and lustrous long hair... A pair of accursed red boots punishes a beautiful dancer for her pride... A troll-killing, princess-rescuing warrior is compelled to consider events from his adversaries' point of view...In a blistering tell-all memoir, Goldilocks reveals the sordid truth about her brutal foster parent, Papa Bear... Rich, surprising, funny, erotic, and unsettling, these twenty new yarns and poems offer exceptional anew treasures--as they brilliantly reveal lusts and jealousies, foibles, hatreds and dangerous obsessions, the things that slyly lurk in the midnight interior of oft-told tales. The "Snow White, Blood Red" Collection #1. Snow White, Blood Red #2. Black Thorn, White Rose #3. Ruby Slippers, Golden Tears #4. Black Swan, White Raven #5. Silver Birch, Blood Moon #6. Black Heart, Ivory Bones

    They spend their time telling stories to the unborn baby, trying to pass on the lessons they've learned: tales of circuses and stargazing, selkie fishermen and domestic werewolves, child-eating witches and broken-toothed dragons. But each must keep their storytelling a secret from the other, as they've agreed to only ever tell the plain truth. Ruth tells her stories when Liska is at work, to a background of shrieking seabirds; Liska tells hers when Ruth is asleep, with the lighthouse sweeping its steady beam through the window. As their tales build and grow along with their child, Liska and Ruth realise that the truth lives in their stories, and they cannot hide from one another. A Portable Shelter is a beautifully produced collection of elegant, haunting short stories from one of Britain's most exciting new talents. Each story is accompanied by an illustration by award-winning artist Liz Myhill. Produced with the assistance of the Dr Gavin Wallace Fellowship.

    Having squandered his wealth, the feckless Guido returns home to claim the hand of the celestial Juliet, but finds himself censured by her father. Petulant at his chastisement, his Byronic temperament gets the better of him, and he is punished with banishment. Plotting his revenge, he witnesses a mighty tempest, and from the raging sea emerges a strange figure. Although he is initially repelled by the dwarfish form before him, the stranger soon makes him an offer he can't refuse, but by surrendering his identity and selling his soul to this mysterious creature, Guido makes yet another fatal error. A macabre, sinister and supernatural tale, Mary Shelley's Transformation is a masterpiece of Gothic writing. It is accompanied by The Mortal Immortal and The Evil Eye, two further stories of the supernatural, both of which display the perfection of Shelley's literary craft.

     In "The Kelpie," by Patricia A. McKillip, a carefree circle of bohemian artists is confronted by a being more powerful than any muse. Jane Yolen and Midori Snyder weave a tale of two sisters long-exiled from their magical realm who must survive in ours, in "Except the Queen." In Tanith Lee's "UOUS," a young woman with a rotten family is granted three wishes by a handsome elf-and learns that nothing good comes free of charge. A hapless slob finds his world turned upside-down when an eager brownie moves in and proceeds to clean house, in Megan Lindholm's "Grace Notes." Kim Newman introduces an intrepid government investigator whose latest case pits him against a sinister brood of fairy folk known as "The Gypsies in the Wood." And the serenity of the Elves is tested in a wry fable of a long-suffering magical apprentice who can't catch a break, in Craig Shaw Gardner's "The Embarrassment of Elves.

    There her life truly begins, for she finds a community of heroic outlaws that includes a woman with seemingly magical healing powers and a young man who is bravely leading the fight against tyranny. This man is Robin Hood, and Mary will soon be known as Maid Marian, the green lady of the woods.

     The authors of the Fellowship of Fantasy tackle fairy tales from once upon a time to happily ever after. Explore twists on old tales and brand new magical stories. Meet feisty mermaids, friendly lampposts, and heroes who just might be monsters themselves. This fourth anthology from the Fellowship of Fantasy will lead you on a quest for entertainment and storm the castle of your imagination. So make a wish and enter the deep dark woods to find stories that will make you laugh, shiver, and maybe even fall in love.

    Her Manhattan is a city of well-appointed drawing rooms, hansoms and broughams, all-night cotillions, and resplendent Fifth Avenue flats. Bishops’ nieces mingle with bachelor industrialists; respectable wives turn into excellent mistresses. All are governed by a code of behavior as rigid as it is precarious. What fascinates Wharton are the points of weakness in the structure of Old New York: the artists and writers at its fringes, the free-love advocates testing its limits, the widows and divorcées struggling to hold their own.The New York Stories of Edith Wharton gathers twenty stories of the city, written over the course of Wharton’s career. From her first published story, “Mrs. Manstey’s View,” to one of her last and most celebrated, “Roman Fever,” this new collection charts the growth of an American master and enriches our understanding of the central themes of her work, among them the meaning of marriage, the struggle for artistic integrity, the bonds between parent and child, and the plight of the aged. Illuminated by Roxana Robinson’s Introduction, these stories showcase Wharton’s astonishing insight into the turbulent inner lives of the men and women caught up in a rapidly changing society.

    Salaam takes us to distant places but makes them familiar in unsettling ways, ably transforming the fantastic into a mirror through which we can examine—and reckon with—our own struggles.

    Set in a magical version of South Asia, Rumaysa explores enchanted forests and dragon lairs, teaming up with Cinderayla and Sleeping Sara along the way to create a strong sense of sisterhood.