Moved on to Caius Became the baius knaius. 'Oxford Blues' is one of the many new poems in this expanded and revised edition of The State of Poetry, Roger McGough's book of short humorous verse which was published in 2005 as part of Penguin's 70s series celebrating its 70th anniversary. From a poem commissioned to commemorate Dylan Thomas in just 140 characters, which unfortunately comes to an end mid-word, to a pre-emptive erratum notice, these poems show McGough at his inventive, hilarious best - and there are also new line drawings by the author offered at no extra cost.

    And now he has gathered from around the world the poems he loves – poems that have inspired and challenged him over the years, a number of which he has set to music. This wide-ranging and deeply moving anthology combines the ancient and the modern, the hallowed and the profane, the famous and the little known, to speak to two of literature’s great themes that have proven so powerful in his music: love and death – plus everything in between.Here are poems by Yehuda Amichai, W.H. Auden, Tusiata Avia, Hera Lindsay Bird, William Blake, Bertolt Brecht, Constantine Cavafy, Alison Croggon, Mahmoud Darwish, Emily Dickinson, John Donne, Ali Cobby Eckermann, James Fenton, Thomas Hardy, Kevin Hart, Gwen Harwood, Seamus Heaney, Philip Hodgins, Homer, Gerard Manley Hopkins, Langston Hughes, John Keats, Ono No Komachi, Maxine Kumin, Philip Larkin, Li-Young Lee, Norman MacCaig, Paula Meehan, Czeslaw Milosz, Les Murray, Pablo Neruda, Sharon Olds, Ovid, Sylvia Plath, Dorothy Porter, Rumi, Anne Sexton, William Shakespeare, Izumi Shikibu, Warsan Shire, Kenneth Slessor, Wislawa Szymborska, Máire Mhac an tSaoi, Ko Un, Walt Whitman, Judith Wright, W.B. Yeats and many more.

    Hunanyan, the #1 bestselling author of Black Book of Poems, comes his highly-anticipated second collection of poetry.

    . . These poems literally vibrate with Kearney's precocious intellect and passion. They hum, they bang, they bite. What else can I say? I have never encountered poetry like this before."—Terrance Hayes

    let the fireworks begin!Debonair and dynamic, millionaire Judd Harrington is back at Brockett Hall. With his socialite wife and family in tow, he’s returned from LA a glittering success. But as he stares across the valley at Lochlin Maguire’s beautiful country house, all he can think of is revenge. Meanwhile Judd’s arch-rival has troubles of his own. Lochlin’s record label is losing major talent to an unknown competitor, his wife Tavvy is distracted and he can’t seem to see eye to eye with his son Shay. And, unbeknownst to Lochlin, his talented singer daughter Iris has fallen for irresistible racing driver Ace Harrington out in LA. Ace is under orders from Judd to break Iris’s heart. What he hadn’t bargained for was losing his own in the process. Can he go against his father's wishes? Or will Judd’s wicked games ruin love’s young dream?

    Lana’s music and lyrics evoke images of a saturated Kodachrome photograph, so it would stand to reason that she’d now add “poet” to her artist’s kit. Even without music, her words work their way around you, pulling you into a world that’s not unlike a David Lynch movie.[from barnesandnoble.com]

    His first collection follows the narrative of his 5-star Edinburgh Fringe shows, 'Harry Baker's Super-Amazing Mega-Awesome Gap Year Adventures: Birth of a Champion' and 'Proper Pop-Up Purple Paper People'. It details the journey from performing Jay-Z maths parodies in school competitions to representing his country in Paris and becoming the youngest ever World Poetry Slam Champion. 'The Sunshine Kid' contains the raw honesty, tongue-in-cheek humour and blistering wordplay that have characterised his live performances and won the hearts and minds of audiences across the globe.

    

    Best of all, he's packed us in his suitcase. He represents an ever-changing population of those raised elsewhere who find themselves beckoned by the history, mystique, and magic-makers of New York City. These poems inhabit their own contradictions, and exquisitely navigate the many complicated sides of what it means to be alive. About The Author: Jon Sands has been a professional teaching and performing artist since 2007. He's a recipient of the 2009 NYC-LouderARTS fellowship grant, and has represented New York City multiple times at the National Poetry Slam. He is the Director of Poetry and Arts Education Programming at the Positive Health Project, as well as a Youth Mentor with Urban Word-NYC. His work has appeared in decomP magazine, The Millions, Suss, The Literary Bohemian, Danse Macabre, The November 3rd Club, and others. He lives in New York City, where he makes better tuna salad than anyone you know.

    And so, in disguise as a boy in blue trousers, she makes the long and difficult passage to Australia, a faraway land of untold riches where it is said the rivers run with gold.1857, Australia.Violet Hartley has arrived off the boat from England, fleeing scandal back home. Like the Chinese immigrants seeking their fortunes on the goldfields, Violet is seduced by the promise of a new frontier. Then she meets Little Cat, a woman who, like her, is trying to escape her past.As their fates inextricably, devastatingly entwine, their story becomes one of freedom, violence, love and vengeance, echoing across the landscapes of two great continents.

    And he also showed that within him beat the heart of an artist -- a major factor in his resilience and recovery.Now with Who Will Cry for the Little Boy?, his first collection of poetry, Antwone Fisher reveals the inner truths that took him from a tumultuous childhood to the man he is today. The powerful poems presented here range from impressions and expressions of Antwone's years growing up to the love that he has gained from the family he made for himself as an adult.From the title poem -- which is featured prominently in the movie Antwone Fisher -- a plaintive, haunting tribute to a childhood lost to abuse and neglect, to "Azure Indigo," the uplifting and touching poem about his daughters, many readers will find their own feelings and experiences reflected in this lyrical and passionate collection.

    Sure they appear to have it all, but there are problems lurking just below the surface. Beautiful Jordan is struggling to cope because of her newly divorced parents, Meredith covers her past by playing the clown, Cecilia hides her feelings and a shameful secret, Sam is growing up, and Jack is caught off-guard when he falls in love for the first time. And then there's someone else. She's not part of the group. The others have no idea she's there. But she knows that there are cracks. She watches them from the inside, out. From the outside, in.

    DESTINY’S CHILDREN is a powerful story of love and desire, ambition and greed, danger and courage. It is a tale of men and women drawn by the promise and magic of untamed California.The novel plays out over a large canvas and is based on the actual pioneers whose super human struggles forged the modern west. The story follows a wide range of characters: from the railroad's financial mavericks who conned their way to fame, fortune and ruin, down to the hard luck laborers toiling out of desperation and the hope of a better tomorrow. One leading figure is an iconoclastic female physician who arrives in San Francisco to practice medicine in an era when women doctors were restricted to midwifery. Another is a clever deserter from the Manchu army in China who takes on the most dangerous jobs laying track through the impassable mountains of California's Sierra Nevada. DESTINY’S CHILDREN has the kind of scope, humanity, and factually inspired story of best sellers like Michener's HAWAII and Steinbeck’s GRAPES OF WRATH. This is one of those big, emotionally charged novels that readers love to recommend to friends. DESTINY’S CHILDREN is written in a light, sometime humorous style reminiscent of Amy Tan's celebrated JOY LUCK CLUB.

    As I crossed over to the other side of forty, I found myself constantly wondering, "Is this it? Is it all there is for me? All those sacrifices that I made as a woman, have they really been worth it?" I was constantly dealing with self-created issues of love, vulnerabilities, and self-worth. On one such day, as I sat under a beautiful, half-naked maple tree, I found myself in the middle of a stark contradiction between the ethereal beauty of nature surrounding my body and the dark shadows of emotions surrounding my mind. As I tried to make peace between the two, my eyes fell on a fallen autumn leaf. There, it lay… Quivering yet unafraid  completely devoid of any shame It let the earth embrace its pain ‘cause in healing, there is no shame. When I turned the leaf over I found my face smiling back at me And just like that on that autumn day I found a piece of my broken me.
And from that day, I began collecting my broken pieces. ‘Unsaid’ is a collection of these broken pieces in the form of poetry & prose. I offer this book as a memoir of my learnings and realizations with the hope that these thoughts will speak to you in the same way they spoke to me. And however sketchy or incomplete these learnings may be, I offer them with complete humility and gratitude.  We live our lives thinking that all that we are doing will one day be worth it. Well, that one day is today. Has it been worth it?

    As a lady-in-waiting in a samurai mansion she discovers a rare talent for art and falls in love with a young samurai. How could she ever return to the life of a simple mountain girl?But Kasumi must set aside her own concerns. Her country is on the brink of change and Edo is simmering with tension. And her mistress has a dangerous secret-a secret that Kasumi is gradually drawn into...Set against the vivid backdrop of nineteenth-century Japan, THE PEONY LANTERN is a powerful story of art, love and friendship, and finding your own path.