Recently, however, this friendship has been threatened by violence against the Indians. Then, Catharine and her brother are taken captive by the Lenape in retaliation. At first, Catharine is afraid of her captors. But when a handsome brave begins to teach her about the ways of the Lenape, she comes to see that all people share the same joys, hopes, and fears. Osborne crafts a thrilling story of romance and danger and remarkable courage.

    They know immediately that it is special. It is even more than that -- the key to finding a grail, a source of power to fight the forces of evil known as the Dark. And in searching for it themselves, the Drews put their very lives in peril. This is the first volume of Susan Cooper's brilliant and absorbing fantasy sequence known as The Dark Is Rising.

    Titanic 1912 (Dear America Series)

    In order to gain it, she finds herself playing the dangerous role of double spy for two arch enemies—each of whom supports a contender for the throne of Egypt.Against her will, Mara finds herself falling in love with one of her masters, the noble Sheftu, and she starts to believe in his plans of restoring Thutmose III to the throne. But just when Mara is ready to offer Sheftu her help and her heart, her duplicity is discovered, and a battle ensues in which both Mara's life and the fate of Egypt are at stake.

    Her eccentric uncle Enos drives away her only new acquaintance, Pat, a handsome British scholar, then leaves Peggy to fend for herself. But she is not alone. The house is full of mysteries and ghosts. Soon Peggy becomes involved with the spirits of her own Colonial ancestors and witnesses the unfolding of a centuries-old romance against a backdrop of spies and intrigue and of battles plotted and foiled.

    The potatoes are black and rotten, and the people have nothing to eat. Eily, Michael and Peggy are alone in their cottage. Their parents went out in search of work and food, but never returned. Now the children must fend for themselves. Desperate to avoid being sent to the workhouse, they set out on a journey to find their great-aunts. On their journey, they encounter the devastation caused by famine people scrabbling for food, abandoned children, soup kitchens, beggars, disease, wild dogs, death. Led by twelve-year-old Eily, the children use all their strength and ingenuity to survive and find their way to Castletaggart.

    Toad, Badger, and Ratty--have enchanted children of all ages. Whether the four friends are setting forth on an exciting adventure, engaging in a comic caper, or simply relaxing by the River Thames, their stories are among the most charming in all English literature.

    But though the lake is long gone and the resort faded away, the houses still hold a secret life: two people who have never left Gone-Away...and who can tell the story of what happened there.

    Young Sam Gribley gets to the end of the block and keeps going--all the way to the Catskill Mountains of upstate New York. There he sets up house in a huge hollowed-out tree, with a falcon and a weasel for companions and his wits as his tool for survival. In a spellbinding, touching, funny account, Sam learns to live off the land, and grows up a little in the process. Blizzards, hunters, loneliness, and fear all battle to drive Sam back to city life. But his desire for freedom, independence, and adventure is stronger. No reader will be immune to the compulsion to go right out and start whittling fishhooks and befriending raccoons. Jean Craighead George, author of more than 80 children's books, including the Newbery Medal-winning Julie of the Wolves, created another prizewinner with My Side of the Mountain--a Newbery Honor Book, an ALA Notable Book, and a Hans Christian Andersen Award Honor Book. Astonishingly, she wrote its sequel, On the Far Side of the Mountain, 30 years later, and a decade after that penned the final book in the trilogy, Frightful's Mountain, told from the falcon's point of view. George has no doubt shaped generations of young readers with her outdoor adventures of the mind and spirit. (Ages 9 to 12) --Emilie Coulter

    A diary account of thirteen-year-old Anetka's life in Poland in 1896, immigration to America, marriage to a coal miner, widowhood, and happiness in finally finding her true love.

    When the year is up and Aunt Frances comes to get her niece, she finds a healthier, prouder girl with a new name--Betsy--and a new outlook on life.Understood Betsy has delighted generations of young readers since it was first published by Henry Holt and Company in 1917.

    To unify the divided people, Conner, a nobleman of the court, devises a cunning plan to find an impersonator of the king's long-lost son and install him as a puppet prince. Four orphans are recruited to compete for the role, including a defiant boy named Sage. Sage knows that Conner's motives are more than questionable, yet his life balances on a sword's point—he must be chosen to play the prince or he will certainly be killed. But Sage's rivals have their own agendas as well.As Sage moves from a rundown orphanage to Conner's sumptuous palace, layer upon layer of treachery and deceit unfold, until finally, a truth is revealed that, in the end, may very well prove more dangerous than all of the lies taken together.

    Not every thirteen-year-old girl is accused of murder, brought to trial, and found guilty. But I was just such a girl, and my story is worth relating even if it did happen years ago. Be warned, however: If strong ideas and action offend you, read no more. Find another companion to share your idle hours. For my part I intend to tell the truth as I lived it.

    At first their new life is full of promise: The wheat is high, the dugout is warm and cozy, and a new baby is born to share in their happiness. Then disaster strikes, and David must go east for the winter to find work. Molly is left alone with the baby -- with nothing but her own courage to face the dangers of the harsh prairie winter.

    Then Dad has to go and reveal that he is the crown prince of Genovia. And guess who still doesn't have a date for the Cultural Diversity Dance?