Overseas, war is raging in Vietnam, Civil Rights marches are on the streets, and women’s liberation is stirring – but at home in Corrigan Charlie Bucktin dreams of writing the Great Australian Novel. Charlie’s 14 and smart. But when 16-year-old, constantly-in-trouble Jasper Jones appears at his window one night, Charlie’s out of his depth. Jasper has stumbled upon a terrible crime in the scrub nearby, and he knows he’s the first suspect – that goes with the colour of his skin. He needs every ounce of Charlie’s bookish brain to help solve this awful mystery before the town turns on Jasper. Kate Mulvany’s adaptation of Craig Silvey’s award-winning novel is wise and beautiful. A coming-of-age story, Jasper Jones interweaves the lives of complex individuals all struggling to find happiness among the buried secrets of a small rural community.Whether you know the book or not, this piercing adaptation is very much worth seeing for the way it depicts – and shows ways across – some of the deep and enduring divides in our society." - Jason Blake SMH

    But when a domestic disturbance call takes a turn for the worse, their friendship is put on the line. The result is a difficult journey into a moral gray area where trust and loyalty struggle for survival against a sobering backdrop of pimps, prostitutes, and criminal lowlifes.A dark duologue filled with sharp storytelling and biting repartee, A Steady Rain explores the complexities of a lifelong bond tainted by domestic affairs, violence, and the rough streets of Chicago.

    Ever been racially slurred in the sack? Ever been subjected to strangers yelling at you at 3am about the most intimate details of your life? Ever been to New York? Six characters from wildly different backgrounds make love, war and hysteria late one night in the cultural, sexual and generational smorgasbord that is Manhattan.

    At twenty-one, she experiences further tragedy when her half-brother commits suicide, having squandered the family fortune. Robbed of her very last penny, Ally is thrust into a world of hardship for which she is ill-prepared. Her salvation comes in the form of Jack Fossett, a kind lad who takes pity on this beautiful, bedraggled girl, and welcomes Ally into his heart. But Jack's mother Flo is less convinced, and time must pass and secrets must be revealed before Ally and Flo see eye to eye - particularly when they discover that Ally is not as destitute as she thought...

    

    This new volume collects the author’s plays written in the past five years, including References to Salvador Dalí Make Me Hot ("effortlessly melds otherworldly fantasy with gritty realism to make sparks fly onstage."—The Journal News), Sueño (a reworking for Pedro Calderón’s Life is a Dream) and Sonnets for an Old Century, the author’s most recent work, which recently premiered in Los Angeles.Puerto Rican-born playwright José Rivera plays have been produced all over the world and his work has been translated into seven languages. His best known work includes Marisol and Each Day Dies with Sleep. "Rivera has a messianic mission to replace old and dying creeds with vibrant new visions."—Robert Brustein, New RepublicAlso available by José RiveraMarisol and Other Plays PB $15.95 1-55936-136-0 • USA

    Manifesting Ridley's vivid and visionary imagination and the dark beauty of his outlook, the play resonates with his trademark themes: East London, storytelling, moments of shocking violence, memories of the past, fantastical monologues, and that strange mix of the barbaric and the beautiful he has made all his own.The Pitchfork Disney was Ridley's first play and is now seen as launching a new generation of playwrights who were unafraid to shock and court controversy. This unsettling, dreamlike piece has surreal undertones and thematically explores fear, dreams and story-telling. First produced in 1991, it has gone on to be recognised as the annunciation of Ridley's dark and seductive world.

    Meanwhile, the confining village of Belmont that Portia calls home is populated by hilarious, brazen and cantan-kerous characters. From Portia to her husband, Raphael, to her vicious-tongued octogenarian granny, Blaize, to her loving aunt, the ex-prostitute Maggie-May, Marina Carr's characters are exquisitely drawn and profoundly human.

    They've been friends since they were toddlers and now they've become young ladies and left school. Joan finds work at Dunlop's tyre factory, while Ginny's dream comes true when she is taken on as a counter assistant at Woolworths. But things don't work out as she had expected, and she carries around a dark secret...

    Hopeful to save one of her best friends, she joins the fight against the Capitol while finding solutions to her romantic dilemmas. Suzanne Collins implements elements of science fiction, romance, and action to craft a compelling conclusion to the highly rated trilogy. Read this all-encompassing review of "Mockingjay" first to get a complete overview of the book's style, plot, and characters. Explore the dark themes presented in "Mockingjay" while finding deeper meaning in Katniss' fight against a corrupted government. This expert review offers critical opinions and covers the book's positive and negative aspects. Despite the futuristic setting of "Mockingjay," Suzanne Collins employs deeper messages that are relevant to modern audiences. The good pacing and short yet poignant sentences make this novel accessible to teens as well as adults. Read how Katniss uses her survival instincts to fight for not only her own life but the lives of everyone in Panem. Sprinkled with hopeful moments, "Mockingjay" portrays a dark story that superbly wraps up the "Hunger Games" trilogy.

     It's a cheeky Nando's. It's a big sesh down the gym. It's double shots of Sambuca. It's a scrap at closing time. It's a few Stellas before kick off. It's larging it in Marbella. It's not being tied down. It's working hard and playing harder. It's a relentless cycle of booze, birds and banter. It's the lad's life. ...but when everyone else is growing up and moving on, life in the fast lane gets pretty lonely. Danny's mates are settling down. Girls are demanding commitment. His boss is onto his schemes. Even his mum's on his case. Does the banter finally have to stop, or does a real lad just crank it up a notch?

    When billionaire mogul James Preston hires an escort as a date for his brother’s wedding, he knows he’s taking a risk. One thing he won’t be taking? The escort’s clothes off. He just wants a date—not a girlfriend. Not a relationship. No strings. No ties. No games. No sex. He has his reasons. He lost someone he loved, and isn’t interested in trying again. Too many opportunities for mistakes or worse, heartbreak. Audrey Reynolds became a high-end escort to keep her brother in his expensive group home. James Preston is the client of her dreams—he’s offering to pay her more money for two weeks than she’s ever made before. But James is... difficult. He’s gorgeous, troubled and all too human for Audrey's business-like tastes. Determined to complete her assignment and collect the money, Audrey tries to play by James’s rules. But before she knows what's happening, he's rewriting the contract. When Audrey ends up in James’s bed, he realizes that she’s everything he’s wanted… and everything he’s been running from. Escorting the Actress He was my party-boy billionaire stepbrother... Now he's my disinherited, sexy escort? FML! Kyle: She was my geeky, brace-faced stepsister. Now she's a stunning Hollywood actress. And she just became a client at the upscale escort agency where I work. Things might finally be looking up. Lowell: I had a PR disaster on my hands. I needed a pretend boyfriend--so I called the escort service. But then stepbrother bad boy showed up. Now I'm all sorts of screwed. Or wishing I was. Wait--I take that back! I take it back! Kyle: My powerful father will do anything to keep me away from Lowell, including dangling my fortune in front of me. But I just might be more interested in what my sexy ex-stepsister has to offer. That is, if I can convince her to give it to me. Escorting the Player Win or Lose... Winning is important but this is championship quarterback Chase Layne's last chance for glory. All he wants for his final season is to win the Superbowl. But dreams of ending his career on a high will be sacked if his soon to be ex-wife has her way. She and her new boyfriend have plans to ruin Chase in a media smear, stealing everything he's worked to achieve. He just has to show the press he's still in control and on top of his game, in business and his private life. It's How You Play the Game... Avery Banks knows all about being played. Life has done that to her for years now and she's tired of being the loser. All she needs is a big score...a job paying enough money to allow her stop turning tricks for good and to get her sister into rehab. Then it happens! She gets the dream job pretending to be a star football player's girlfriend. All she has to do is make him look good, help him keep up his All American Boy image for the next few weeks. Easy, right? Except her sister sees an even bigger payoff: Blackmailing Chase. As Chase and Avery play offense to everyone trying to bring them down, Avery must also face the hard truth: she's made the ultimate rookie mistake...falling in love with a client. Escorting the Groom TO HAVE AND TO HOLD… Ruthless technology billionaire Lucas Ford has run out of time. The rules of his trust make it clear: be married by thirty-five and stay married for one year. Otherwise, bye-bye inheritance—and the family fortune will be inherited by his sister, who might very well blow it on Botox and funding her sorority alma mater.

    She is a successful writer, he is a revered columnist. They have a perfect understanding of each other. Until a pushy young female journalist—on assignment to profile Gus—quite deliberately seeks to undermine that understanding. The fallout is dreadful—but beautifully and convincingly portrayed in all its painful consequences.

    In her hands. A shattering play about one woman’s unspeakable decision. hang premiered at the Royal Court Theatre, London, in 2015, in a production directed by the author, and featuring Marianne Jean-Baptiste, Claire Rushbrook and Shane Zaza.