Almost one hundred years later, a groom-to-be prepares for his gay wedding.Queers celebrates a century of evolving social attitudes and political milestones in British gay history, as seen through the eyes of eight individuals.Poignant and personal, funny, tragic and riotous, these eight monologues for male and female performers cover major events - such as the Wolfenden Report of 1957, the HIV/AIDS crisis, and the debate over the age of consent - through deeply affecting and personal rites-of-passage stories.Curated by Mark Gatiss, the monologues were commissioned to mark the anniversary of the 1967 Sexual Offences Act, which decriminalised homosexual acts in private between two men over the age of twenty-one. They were broadcast on BBC Four in 2017, directed and produced by Gatiss, and starring Alan Cumming, Rebecca Front, Ian Gelder, Kadiff Kirwan, Russell Tovey, Gemma Whelan, Ben Whishaw and Fionn Whitehead. They were staged at The Old Vic in London.This volume includes:The Man on the Platform by Mark GatissThe Perfect Gentleman by Jackie CluneSafest Spot in Town by Keith JarrettMissing Alice by Jon BradfieldI Miss the War by Matthew BaldwinMore Anger by Brian FillisA Grand Day Out by Michael DennisSomething Borrowed by Gareth McLean

    The Iron Age. The Age of Oil.The Stone Age didn't end for want of stones. What do you do when you know it's going to run out? Oil follows the lives of one woman and her daughter in an epic, hurtling crash of empire, history and family.Ella Hickson's explosive new play drills deep into the world's relationship with this finite resource.Oil premiered at the Almeida Theatre, London, in October 2016.

    Through deeply drawn characters—both real and in the form of artificial intelligence companions, or “Primes”—Harrison burrows into troubling questions of the digital age: What would we remember, and what would we forget, given the power of authorship? Will we be any less human, once computers know us better than ourselves?

    

    Infinite possibilities. 'Let's go for a drink. I don't know what I'm doing here anyway. One drink. And if you never want to see me again you never have to see me again'. Nick Payne's "Constellations" is a play about free will and friendship; it's about quantum multiverse theory, love and honey. "Constellations" premiered at the Theatre Upstairs at the Royal Court Theatre, London, in January 2012.

    Forcibly sent there by a mother intent on keeping up appearances, Mary has to cope with both the shame and with the dawning realization that she will have to give the baby up for adoption.

    As the action unfolds, the residents, ranging from young to old, from the defiant to the resigned, meet and talk and interact with each other during the course of one day. The drama is of passing events in their lives, of everyday encounters and of the human comedy, with conversations often overlapping into a contrapuntal musical flow. In the resulting mosaic each character emerges clearly and perceptively defined, and the sum total of what they are-or wish they were-becomes a poignant, powerful call to America to recover lost values and to restore itself in its own and the world's eyes.

    When her parents found out, they decided to uproot them to another city. After losing contact with Dreon, she experienced her first heartbreak and decided to shift her focus back on her education. Now twenty-three, Niya is in her final year of law school, but over the years she continued to experience the short end of any relationship she was in, including the relationship with her parents. She finally accepts that her heart has never fully healed, but that all changes once she sees Dreon again. She doesn’t know how he will feel about the secret she’s been keeping from him. Dreon Carter was known for the havoc he wreaked growing up. But after being abandoned by his mother on his grandmother’s steps, he was angry and released that anger on other kids. Sometimes, even letting Niya tag along. Barely graduating high school, due to poor attendance, he went into the streets full time and was now known by the street name Menace. He ended up serving some time in prison, but now at twenty-five, he is the king of the dope game in Cleveland, running the streets with his right-hand man, Renzo. He has a two-year-old daughter by a crazy baby mama who’s set on being a pain in his ass and causing friction between him and Niya. Along with running the streets, he’s trying to run his home, but with the streets and his home life trying to cross, he runs into problems. The bond of Menace and Niya is undeniably unbreakable, but is Niya strong enough to be the woman of a thug, going against everything she’s about, and dealing with the drama that comes along? Can Menace avoid the pressures of the street life and be the man Niya wants him to be, while also not giving up his streets, or will it all be too much?

    A farce with a hilarious drunk scene for two stylish comediennes.