She had forfeited university, parties, boyfriends, summer jobs - all the usual preoccupations of a woman her age - in order to care for Arlette in their dilapidated, albeit charming home on the English island of Guernsey. Her will included a beneficiary unknown to Betty and her family, a woman named Clara Pickle who presumably could be found at a London address. Now, having landed on a rather shabby street corner in '90s Soho, Betty is determined to find the mysterious Clara. She's ready for whatever life has to throw her way. Or so she thinks . . . In 1920s bohemian London, Arlette De La Mare is starting her new life in a time of postwar change. Beautiful and charismatic, she is soon drawn into the hedonistic world of the Bright Young People. But two years after her arrival in London, tragedy strikes and she flees back to her childhood home and remains there for the rest of her life. As Betty navigates the ups and downs of city life and begins working as a nanny for a rock star tabloid magnet, her search for Clara leads her to a man - a stranger to Betty, but someone who meant the world to her grandmother. Will the secrets of Arlette's past help Betty find her own way to happiness in the present? A rich detective story and a captivating look at London then and now, "Before I Met You" is an unforgettable novel about two very different women, separated by seventy years, but united by big hearts and even bigger dreams.

    Gordon Comstock has declared war on the money god; and Gordon is losing the war. Nearly 30 and "rather moth-eaten already," a poet whose one small book of verse has fallen "flatter than any pancake," Gordon has given up a "good" job and gone to work in a bookshop at half his former salary. Always broke, but too proud to accept charity, he rarely sees his few friends and cannot get the virginal Rosemary to bed because (or so he believes), "If you have no money ... women won't love you." On the windowsill of Gordon's shabby rooming-house room is a sickly but unkillable aspidistra--a plant he abhors as the banner of the sort of "mingy, lower-middle-class decency" he is fleeing in his downward flight.In Keep the Aspidistra Flying, George Orwell has created a darkly compassionate satire to which anyone who has ever been oppressed by the lack of brass, or by the need to make it, will all too easily relate. He etches the ugly insanity of what Gordon calls "the money-world" in unflinching detail, but the satire has a second edge, too, and Gordon himself is scarcely heroic. In the course of his misadventures, we become grindingly aware that his radical solution to the problem of the money-world is no solution at all--that in his desperate reaction against a monstrous system, he has become something of a monster himself. Orwell keeps both of his edges sharp to the very end--a "happy" ending that poses tough questions about just how happy it really is. That the book itself is not sour, but constantly fresh and frequently funny, is the result of Orwell's steady, unsentimental attention to the telling detail; his dry, quiet humor; his fascination with both the follies and the excellences of his characters; and his courageous refusal to embrace the comforts of any easy answer.

    Lucas, appears to be seducing his mother (and what does that mean for his father?); the BBC refuses to publish his poetry; and his dog swallowed the tree off the Christmas cake. "Why" indeed.

    Several retirees are enticed by the promise of indulgent living at a bargain price, but upon arriving, they are dismayed to find that restoration of the once sophisiticated hotel has stalled, and that such amenities as water and electricity are . . . infrequent. But what their new life lacks in luxury, they come to find, it’s plentiful in adventure, stunning beauty, and unexpected love.--penguinrandomhouse.com

    But instead, he discovers that his father has died, his home is overrun by livestock and drunken servants, and Elizabeth, having believed Ross dead, is now engaged to his cousin. Ross must start over, building a completely new path for his life, one that takes him in exciting and unexpected directions....Thus begins an intricately plotted story spanning loves, lives, and generations. The Poldark series is the masterwork of Winston Graham, who evoked the period and people like only he could, and created a world of rich and poor, loss and love, that listeners will not soon forget.

    That the marriage should fail and poor Lilia die tragically are only to be expected. But that Lilia should have had a baby - and that the baby should be raised as an Italian! - are matters requiring immediate correction by Philip Herriton, his dour sister Harriet, and their well-meaning friend Miss Abbott.

    By the time the last diary shuts, there have been great changes in the Mortmain household, not the least of which is that Cassandra is deeply, hopelessly, in love.

    For in this inspired confection of adultery, revenge, group therapy, and pot roast, the creator of Sleepless in Seattle reminds us that comedy depends on anguish as surely as a proper gravy depends on flour and butter.Seven months into her pregnancy, Rachel Samstat discovers that her husband, Mark, is in love with another woman. The fact that the other woman has "a neck as long as an arm and a nose as long as a thumb and you should see her legs" is no consolation. Food sometimes is, though, since Rachel writes cookbooks for a living. And in between trying to win Mark back and loudly wishing him dead, Ephron's irrepressible heroine offers some of her favorite recipes. Heartburn is a sinfully delicious novel, as soul-satisfying as mashed potatoes and as airy as a perfect soufflé.

    This charming, delightful and extremely funny book about daily life in a frugal English household was named by booksellers as the out-of-print novel most deserving of republication.This is a gently self-effacing, dry-witted tale of a long-suffering and disaster-prone Devon lady of the 1930s. A story of provincial social pretensions and the daily inanities of domestic life to rival George Grossmith's Diary of a Nobody.

    They may be twin sisters, but Lizzie and Penny Berry are complete opposites - Penny is blonde, thin and outrageous; Lizzie quiet, thoughtful and definitely not thin. The one trait they do share is a desire to DO something with their lives, and as far as they are concerned, the place to get noticed is London. Out of the blue they discover they have a grandmother living in Chelsea - and when she has to go into hospital, they find themselves flat-sitting on the King's Road. But, as they discover, it's not as easy to become It Girls as they'd imagined, and west end boys aren't at all like Hugh Grant ...

    It takes Mr. and Mrs. Ambrose and their niece, Rachel, on a sea voyage from London to a resort on the South American coast. “It is a strange, tragic, inspired book whose scene is a South America not found on any map and reached by a boat which would not float on any sea, an America whose spiritual boundaries touch Xanadu and Atlantis” (E. M. Forster).

    A tour de force of menace, malicious comedy, and torrential social bile, this book marks the American debut of an extraordinary writer.

    I guess it depends on what I do next."American Rebecca Porter was never one for fairy tales. Her twin sister, Lacey, has always been the romantic who fantasized about glamour and royalty, fame and fortune. Yet it's Bex who seeks adventure at Oxford and finds herself living down the hall from Prince Nicholas, Great Britain's future king. And when Bex can't resist falling for Nick, the person behind the prince, it propels her into a world she did not expect to inhabit, under a spotlight she is not prepared to face.Dating Nick immerses Bex in ritzy society, dazzling ski trips, and dinners at Kensington Palace with him and his charming, troublesome brother, Freddie. But the relationship also comes with unimaginable baggage: hysterical tabloids, Nick's sparkling and far more suitable ex-girlfriends, and a royal family whose private life is much thornier and more tragic than anyone on the outside knows. The pressures are almost too much to bear, as Bex struggles to reconcile the man she loves with the monarch he's fated to become.Which is how she gets into trouble.Now, on the eve of the wedding of the century, Bex is faced with whether everything she's sacrificed for love-her career, her home, her family, maybe even herself-will have been for nothing.

    Together this dynamic pair begin their journey through space aided by quotes from The Hitch Hiker's Guide "A towel is about the most massively useful thing an interstellar hitchhiker can have" and a galaxy-full of fellow travellers: Zaphod Beeblebrox - the two-headed, three-armed ex-hippie and totally out to lunch president of the galaxy; Trillian, Zaphod's girlfriend (formally Tricia McMillan), whom Arthur tried to pick up at a cocktail party once upon a time zone; Marvin, a paranoid, brilliant and chronically depressed robot; Veet Voojagig, a former graduate student who is obsessed with the disappearance of all the ball-point pens he has bought over the years.

    Now, almost three decades after their relationship first blossomed in London, they live more or less happily in the suburbs with their moody seventeen-year-old son, Albie; then Connie tells him she thinks she wants a divorce.The timing couldn’t be worse. Hoping to encourage her son’s artistic interests, Connie has planned a month-long tour of European capitals, a chance to experience the world’s greatest works of art as a family, and she can’t bring herself to cancel. And maybe going ahead with the original plan is for the best anyway. Douglas is privately convinced that this landmark trip will rekindle the romance in the marriage and might even help him bond with Albie.Narrated from Douglas’s endearingly honest, slyly witty, and at times achingly optimistic point of view, Us is the story of a man trying to rescue his relationship with the woman he loves and learning how to get closer to a son who’s always felt like a stranger.