After a humiliating call from the principal’s office and the loss of the job she was counting on, Allison begins to accept that New York may not suit her after all.When Allison has a fender-bender, witnessed by a flock of mothers at her son’s new school, she is led to the penthouse apartment of a luxurious Central Park West building and encounters a spoiled, hungover, unsupervised teenager who looks familiar. It doesn’t take long to recognize him as Carter Reid -- a famous pop star who has been cast in a new Broadway musical. Through this brush with stardom, Allison embraces a unique and unexpected opportunity that helps her find her way in the heart of Manhattan.In a book that delivers laughs, warmth, and delightful wish fulfillment, Poeppel dives into celebrity culture and modern motherhood with her trademark style.

    With a spacious loft, a college-age daughter in Boston, and lively friends, they are admirable, enviable contemporary urbanites with every reason, it seems, to be happy. Then Rebecca’s much younger look-alike brother, Ethan (known in thefamily as Mizzy, “the mistake”), shows up for a visit. A beautiful, beguiling twenty-three-year-old with a history of drug problems, Mizzy is wayward, at loose ends, looking for direction. And in his presence, Peter finds himself questioning his artists, their work, his career—the entire world he has so carefully constructed.Like his legendary, Pulitzer Prize–winning novel, The Hours, Michael Cunningham’s masterly new novel is a heartbreaking look at the way we live now. Full of shocks and aftershocks, it makes us think and feel deeply about the uses and meaning of beauty and the place of love in our lives.<

    Courtney Sullivan, Meg Wolitzer, Claire Messud, and Emma Straub, a gorgeous and absorbing novel of a trio of confused souls struggling to find themselves and the way forward in their lives, set against the spectacular backdrop of contemporary New York City.Set in the most magical parts of Manhattan—the Upper West Side, Central Park, Greenwich Village—The Ramblers explores the lives of three lost souls, bound together by friendship and family. During the course of one fateful Thanksgiving week, a time when emotions run high and being with family can be a mixed blessing, Rowley’s sharply defined characters explore the moments when decisions are deliberately made, choices accepted, and pasts reconciled.Clio Marsh, whose bird-watching walks through Central Park are mentioned in New York Magazine, is taking her first tentative steps towards a relationship while also looking back to the secrets of her broken childhood. Her best friend, Smith Anderson, the seemingly-perfect daughter of one of New York’s wealthiest families, organizes the lives of others as her own has fallen apart. And Tate Pennington has returned to the city, heartbroken but determined to move ahead with his artistic dreams.Rambling through the emotional chaos of their lives, this trio learns to let go of the past, to make room for the future and the uncertainty and promise that it holds. The Ramblers is a love letter to New York City—an accomplished, sumptuous novel about fate, loss, hope, birds, friendship, love, the wonders of the natural world and the mysteries of the human spirit.

    Though skilled at bookkeeping, she cannot find a job in the miserable Irish economy. When an Irish priest from Brooklyn offers to sponsor Eilis in America--to live and work in a Brooklyn neighborhood "just like Ireland"--she decides she must go, leaving her fragile mother and her charismatic sister behind.Eilis finds work in a department store on Fulton Street, and when she least expects it, finds love. Tony, a blond Italian from a big family, slowly wins her over with patient charm. He takes Eilis to Coney Island and Ebbets Field, and home to dinner in the two-room apartment he shares with his brothers and parents. He talks of having children who are Dodgers fans. But just as Eilis begins to fall in love with Tony, devastating news from Ireland threatens the promise of her future.

    But there is a dark and vacuous hole in her heart, and it isn’t just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It’s the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong?My Year of Rest and Relaxation is a powerful answer to that question. Through the story of a year spent under the influence of a truly mad combination of drugs designed to heal our heroine from her alienation from this world, Moshfegh shows us how reasonable, even necessary, alienation can be. Both tender and blackly funny, merciless and compassionate, it is a showcase for the gifts of one of our major writers working at the height of her powers.

    Emilia Brown is a woman of a certain age. She has spent a frugal, useful, and wholly restrained life in Ashville, a small town in Rhode Island. Overlooked especially by the industries of fashion and media, Mrs. Brown is one of today’s silent generations of women whose quiet no-frills existences would make them seem invisible. She is a genteel woman who has known her share of personal sorrows and quietly carried on, who makes a modest living cleaning and running errands at the local beauty parlor, who delights in evening chats with her much younger neighbor, twenty-three-year-old Alice Danvers. When the grand dame of Ashville passes away, Mrs. Brown is called upon to inventory her estate and comes across a dress that changes everything. The dress isn’t a Cinderella confection; it’s a simple yet exquisitely tailored Oscar de la Renta sheath and jacket—a suit that Mrs. Brown realizes, with startling clarity, will say everything she has ever wished to convey. She must have it. And so, like the inspired heroine of Paul Gallico’s 1958 classic Mrs. ‘Arris Goes to Paris, Mrs. Brown begins her odyssey to purchase the dress. For not only is the owning of the Oscar de la Renta a must, the intimidating trip to purchase it on Madison Avenue is essential as well. If the dress is to give Mrs. Brown a voice, then she must prepare by making the daunting journey—both to the emerald city and within herself. Timeless, poignant, and appealing, My Mrs. Brown is a novel for every mother in the world, every woman who ever wanted the perfect dress, and every child who wanted to give it to her.

    Brian Jackson, a working-class kid on full scholarship, has started his first term at university. He has a dark secret—a long-held, burning ambition to appear on the wildly popular British TV quiz show University Challenge—and now, finally, it seems the dream is about to become reality. He's made the school team, and they've completed the qualifying rounds and are limbering up for their first televised match. (And, what's more, he's fallen head over heels for one of his teammates, the beautiful, brainy, and intimidatingly posh Alice Harbinson.) Life seems perfect and triumph inevitable—but as his world opens up, Brian learns that a little knowledge can be a dangerous thing.

    But it won't, because Misha's late Beloved Papa whacked an Oklahoma businessman of some prominence. Misha is paying the price of exile from his adopted American homeland. He's stuck in Russia, dreaming of his beloved Rouenna and the Oz of NYC. Salvation may lie in the tiny, oil-rich nation of Absurdistan, where a crooked consular officer will sell Misha a Belgian passport. But after a civil war breaks out between two competing ethnic groups and a local warlord installs hapless Misha as Minister of Multicultural Affairs, our hero soon finds himself covered in oil, fighting for his life, falling in love, and trying to figure out if a normal life is still possible in the twenty-first century. Populated by curvaceous brown-eyed beauties, circumcision-happy Hasidic Jews, a loyal manservant who never stops serving, and scheming oil execs from a certain American company whose name rhymes with Malliburton, Absurdistan is a strange, oddly true-to-life look at how we live now, from a writer who should know.

    Each story is charged with her powerful, original language and the dramatic engagement of the intelligent mind with the craving body — or the intelligent body with the craving mind — that is characteristic of Gaitskill's fiction. Her settings are a surprising mix of real and surreal: in the urban fairy tale "Mirror Ball" a young man steals a girl's soul during a one-night stand, while in the stunning "The Arms and Legs of the Lake" the fallout of the Iraq War becomes painfully immediate for a group of characters who collide by chance on a train going up the Hudson River.As spirited and intense as the now-classic Bad Behavior, Don't Cry shows us how our social conscience has evolved while basic truths — "the crude cinder blocks of male and female down in the basement, holding up the house," as one character puts it — remain unchanged.

    The first section, Folly tells the story of Alice, a young American editor, and her relationship with the famous and much older writer Ezra Blazer. A tender and exquisite account of an unexpected romance that takes place in New York during the early years of the Iraq War, Folly also suggests an aspiring novelist’s coming-of-age. By contrast, Madness is narrated by Amar, an Iraqi-American man who, on his way to visit his brother in Kurdistan, is detained by immigration officers and spends the last weekend of 2008 in a holding room in Heathrow. These two seemingly disparate stories gain resonance as their perspectives interact and overlap, with yet new implications for their relationship revealed in an unexpected coda.A stunning debut from a rising literary star, Asymmetry is an urgent, important, and truly original work that will captivate any reader while also posing arresting questions about the very nature of fiction itself.

    Her mother, the powerful head of a Broadway theater company, has no time for her. She does have one friend-a handsome, comforting, funny man named Michael-but only she can see him. Years later, Jane is in her thirties and just as alone as ever. Then she meets Michael again-as handsome, smart and perfect as she remembers him to be. But not even Michael knows the reason they've really been reunited.SUNDAYS AT TIFFANY'S is a love story with an irresistible twist, a novel about the child inside all of us-and the boundary-crossing power of love.

     Alice has always looked young for her age, even with her graying hair and her dowdy New Jersey housewife style. Make that ex-housewife: Now that her husband’s gone and her daughter is grown, Alice is in desperate need of a whole new life. So she lets her best friend Maggie, a hip New York City artist, transform her on New Year’s Eve. Soon, thanks to the wonders of hair dye and tight jeans, Alice looks really young, as one night in a Manhattan bar confirms. At midnight, she kisses a boy who was in diapers when she was in high school. She’s having too much fun to care. The white lie Alice tells Josh gets her thinking that if no one asks her age, she doesn’t have to tell. So she applies for a job she had briefly before becoming a full-time mom—and gets it. Meanwhile, Josh is falling head over heels for Alice, who’s just way cooler than girls his age. He figures she’s about twenty-nine—and for the first time since she was twenty-nine, or possibly ever, Alice feels that life is ripe with possibility. Unfortunately one possibility is that she’s gonna get caught. Challenging the adage that the truth will set you free, Younger is a hilarious and insightful story that proves that you’re only as young as you feel.

    Ten years ago, Ben, Lindsey, Chuck, Alison, and Jack graduated from New York University and went out into the world, fresh-faced and full of dreams for the future. But now Ben's getting a divorce; Lindsey's unemployed; Alison and Chuck seem stuck in ruts of their own making; and Jack is getting more publicity for his cocaine addiction than his multimillion-dollar Hollywood successes.Suddenly, turning thirty-- past the age their parents were when they were born, older than every current star athlete or pop music sensation-- seems to be both more meaningful and less than they'd imagined ten years ago.Jonathan Tropper's wonderful debut novel is about more than friendship, love, celebrity, addiction, kidnapping, or even turning thirty-- it's a heartfelt comic riff on what it means to be an adult against your will, to be single when you thought you'd have a family, to discover you are not, in fact, immortal, and to learn that Star Wars is as good a life lesson today as it was when you were six years old.

    Ben and Rachel. It was them against the world. Until it all fell apart.It’s been a decade since they last spoke, but when Rachel bumps into Ben one rainy day, the years melt away.From the moment they met they’d been a gang of two; partners in crime and the best of friends. But life has moved on. Ben is married. Rachel is definitely not. In fact, the men in her life make her want to take holy orders…Yet in that split second, Rachel feels the old friendship return. And along with it, the broken heart she’s never been able to mend.If you love David Nicholls and Lisa Jewell then this is the book for you. Hilarious, heartbreaking and everything in between, you’ll be hooked from their first ‘hello’.

    "Charles Bukowski will dig the grit in this seedy novel, a poetic rendering of postmodern San Francisco." -O, The Oprah MagazineA Best Book of the Year -The Nervous Breakdown"Where Michel Gondry would go if he went down a few too many miles of bad desert road." -The Collagist"Mohr's prose roams with chimerical liquidity. The magic of this book is a disturbing, hallucinogenic magic." -Boston's Weekly DigFollowing a 30-year-old man named Rhonda suffering from depersonalization, Some Things That Meant the World to Me is a gritty and beautiful work that is creative and hypnotic, and should stand as an introduction of an original new voice to American literature.When Rhonda was a child — abandoned and ignored by his mother; abused and misguided by his mother's boyfriend — he imagined the rooms of his home drifting apart from one another like separating continents. Years later, after an embarassing episode as an adult, Rhonda's inner-child appears, leading him to a trapdoor in the bottom of a dumpster behind a taqueria that will force him to finally confront his troubled past.In the spirit of Cruddy and Hairstyles of the Damned, Joshua Mohr has created a remarkable and unforgettable character in this charmingly poetic and maturely crafted first novel.Joshua Mohr has been published in Other Voices, The Cimarron Review, Pleiades, and Gulf Coast, among others. He lives in San Francisco and teaches at a halfway house.