Forbes, the young British captain of the HMS Bonetta, intervened, provoking Dahomian King Gezo to offer the girl as a gift to Queen Victoria instead. Forbes named the girl Sarah Forbes Bonetta and took her back to England, where she became Queen Victoria's protege. Walter Dean Myers discovered the kernel of Sarah's story in a bundle of original letters he purchased from a London book dealer. From these letters, along with excerpts from Queen Victoria's diary, newspapers, and Forbes's published account of the Dahomans, Myers pieced together Sarah's life. In his unembellished narrative we learn about Sarah's capture by the slave-trading Dahomans; her rescue by Forbes; her life in England under the Forbes' care; her regular visits to the Queen; her stay at a missionary school in Sierra Leone and abrupt return to England; her marriage and early death. Yet, as horrific and miraculous as the events of Sarah's life are, Myers can only pose questions about who Sarah really was ("What were her dreams for her own future...? What images came to her as she rode in the pony cart with the royal children? How often did she think of Dahomey? Of King Gezo?"). Sarah's chatty, unprovocative letters, which hint at the upperclass Englishwoman she became, reveal nothing about her African heritage or about the traumatized girl she must have been (Myers could not even discover her African name). Ironically, this seeming weakness proves the ultimate testimony to Sarah's life-the very absence of her voice bears undeniable witness to her story.

    Empire of Guns, a rich and ambitious new book by award-winning historian Priya Satia, upends this conventional wisdom by placing war and Britain's prosperous gun trade at the heart of the Industrial Revolution and the state's imperial expansion.Satia brings to life this bustling industrial society with the story of a scandal: Samuel Galton of Birmingham, one of Britain's most prominent gunmakers, has been condemned by his fellow Quakers, who argue that his profession violates the society's pacifist principles. In his fervent self-defense, Galton argues that the state's heavy reliance on industry for all of its war needs means that every member of the British industrial economy is implicated in Britain's near-constant state of war. Empire of Guns uses the story of Galton and the gun trade, from Birmingham to the outermost edges of the British empire, to illuminate the nation's emergence as a global superpower, the roots of the state's role in economic development, and the origins of our era's debates about gun control and the "military-industrial complex" -- that thorny partnership of government, the economy, and the military. Through Satia's eyes, we acquire a radically new understanding of this critical historical moment and all that followed from it. Sweeping in its scope and entirely original in its approach, Empire of Guns is a masterful new work of history -- a rigorous historical argument with a human story at its heart.

    It was by far the most intense frontier conflict in Australia’s history, yet many Australians know little about it. The Black War takes a unique approach to this historic event, looking chiefly at the experiences and attitudes of those who took part in the conflict. By contrasting the perspectives of colonists and Aborigines, Nicholas Clements takes a deeply human look at the events that led to the shocking violence and tragedy of the war, detailing raw personal accounts that shed light on the tribes, families, and individuals involved as they struggled to survive in their turbulent world. The Black War presents a compelling and challenging view of Australia’s early contact history, the legacy of which reverberates strongly to the present day.

    This book combines narrative, analysis, historiography, and scores of contemporary illustrations. This work aims to provide an insight into the misery of the famine and the nightmare of mass evictions that followed.

    Marie-Joseph Angélique, a twenty-nine-year-old slave, was arrested, tried, and found guilty of starting the blaze that consumed forty-six buildings. Suspecting that she had not acted alone and angered that she had maintained her innocence, Angélique's condemners tortured her after the trial. She confessed but named no accomplices. Before Angélique was hanged, she was paraded through the city. Afterward, her corpse was burned. Angélique, who had been born in Portugal, faded into the shadows of Canadian history, vaguely remembered as the alleged arsonist behind an early catastrophic fire.The result of fifteen years of research, The Hanging of Angélique vividly tells the story of this strong-willed woman. Afua Cooper draws on extensive trial records that offer, in Angélique's own words, a detailed portrait of her life and a sense of what slavery was like in Canada at the time. Predating other first-person accounts by more than forty years, these records constitute what is arguably the oldest slave narrative in the New World.Cooper sheds new light on the largely misunderstood or ignored history of slavery in Canada. She refutes the myth that Canada was a haven at the end of the Underground Railroad. Cooper also provides a context for Canada in the larger picture of transatlantic slavery while re-creating the tragic life of one woman who refused to accept bondage.

    Brilliantly translated by Tina A. Kover in lively, fluid prose, this is Dumas's most daring work, in which his themes of intrigue and romance are illuminated by the issues of racial prejudice and the profound quest for identity.Georges Munier is a sensitive boy growing up in the nineteenth century on the island of Mauritius. The son of a wealthy mulatto, Pierre Munier, Georges regularly sees how his father's courage is tempered by a sense of inferiority before whites and Georges vows that he will be different. When Georges matures into a man committed to moral superiority mixed with physical strength; the stage is set for a conflict with the island's rich and powerful plantation owner, Monsieur de Malm[;die)I can't connect this to anything], and a forbidden romance with Sara, the beautiful woman engaged to Malm's son. With swordplay, a slave rebellion, a harrowing escape, and a vow of vengeance Georges is unmistakably the work of the master who wrote "The Three Musketeers" and "The Count of Monte Cristo." Yet it stands apart as the only book Dumas ever wrote that confronts the subject of race, a potent topic, since Dumas was of African ancestry himself.This edition also features a captivating Introduction by Jamaica Kincaid and an eloquent Afterword and Notes by Werner Sollors, who addresses key themes such as colonialism, racism, African slavery, and interracial intimacy.Long out of print in America, Georges can now be appreciated as never before and added to the greatest works of this immortal author.

    They also reflect his conviction that black people in South Africa could not be liberated until they united to break their chains of servitude, a key tenet of the Black Consciousness movement that he helped found.I Write What I Like contains a selection of Biko's writings from 1969, when he became the president of the South African Students' Organization, to 1972, when he was prohibited from publishing. The collection also includes a preface by Archbishop Desmond Tutu; an introduction by Malusi and Thoko Mpumlwana, who were both involved with Biko in the Black Consciousness movement; a memoir of Biko by Father Aelred Stubbs, his longtime pastor and friend; and a new foreword by Professor Lewis Gordon.Biko's writings will inspire and educate anyone concerned with issues of racism, postcolonialism, and black nationalism.

    As a commercial enterprise it came to control half the world's trade and as a political entity it administered an embryonic empire. Without it there would have been no British India and no British Empire. In a tapestry ranging from Southern Africa to north-west America, and from the reign of Elizabeth I to that of Victoria, bizarre locations and roguish personality abound. From Bombay to Singapore and Hong Kong the political geography of today is, in some respects, the result of the Company. This book looks at the history of the East India Company.

     Amari's life was once perfect. Engaged to the handsomest man in her tribe, adored by her family, and living in a beautiful village, she could not have imagined everything could be taken away from her in an instant. But when slave traders invade her village and brutally murder her entire family, Amari finds herself dragged away to a slave ship headed to the Carolinas, where she is bought by a plantation owner and given to his son as a birthday present. Survival seems all that Amari can hope for. But then an act of unimaginable cruelty provides her with an opportunity to escape, and with an indentured servant named Polly she flees to Fort Mose, Florida, in search of sanctuary at the Spanish colony. Can the elusive dream of freedom sustain Amari and Polly on their arduous journey, fraught with hardship and danger?

    The book is a microhistory that does much more than simply depict an event in the past; it uses the power of illustration to convey important themes in world history and to reveal the processes by which history is made.The story of Abina Mansah--a woman without history who was wrongfully enslaved, escaped to British-controlled territory, and then took her former master to court--takes place in the complex world of the Gold Coast at the onset of late nineteenth-century colonialism. Slavery becomes a contested ground, as cultural practices collide with an emerging wage economy and British officials turn a blind eye to the presence of underpaid domestic workers in the households of African merchants. The main scenes of the story take place in the courtroom, where Abina strives to convince a series of important men--a British judge, two Euro-African attorneys, a wealthy African country gentleman, and a jury of local leaders--that her rights matter. Am I free? Abina inquires. Throughout both the court case and the flashbacks that dramatically depict her life in servitude, these men strive to silence Abina and to impose their own understandings and meanings upon her. The story seems to conclude with the short-term success of the important men, as Abina loses her case. But it doesn't end there: Abina is eventually redeemed. Her testimony is uncovered in the dusty archives by Trevor Getz and, through Liz Clarke's illustrations, becomes a graphic history read by people around the world. In this way, the reader takes an active part in the story along with the illustrator, the author, and Abina herself.Following the graphic history in Part I, Parts II-V provide detailed historical context for the story, a reading guide that reconstructs and deconstructs the methods used to interpret the story, and strategies for using Abina in various classroom settings.

    Averse to writing, as well as to reading, diffuse Prolegomena, the author finds himself compelled to relate, at some length, the circumstances which led to the subject of these pages.

    Sometimes wacky, sometimes profound, the title is always entertaining, with the odd bit of sleaze.

    Flush with self-importance, he demands to see the king, but the king has just left for the south of his realm. Traveling through an increasingly phantasmagoric landscape in the company of a beggar and two roguish boys, Clarence is gradually stripped of his pretensions, until he is sold to the royal harem as a slave. But in the end Clarence’s bewildering journey is the occasion of a revelation, as he discovers the image, both shameful and beautiful, of his own humanity in the alien splendor of the king.Camara Laye published his first novel in 1953, the autobiographical L'Enfant noir (The African Child, also published under the title The Dark Child). It follows his own journey from childhood in Kouroussa, his education in Conakry, and eventual departure for France. The book won the Prix Charles Veillon in 1954. L'Enfant noir was followed the next year by Le Regard du roi (The Radiance of the King).

    Urchins were swept up from London streets to labor in the tobacco fields, where life expectancy was no more than two years. Brothels were raided to provide breeders for Virginia. Hopeful migrants were duped into signing as indentured servants, unaware they would become personal property who could be bought, sold, and even gambled away. Transported convicts were paraded for sale like livestock.Drawing on letters crying for help, diaries, and court and government archives, Don Jordan and Michael Walsh demonstrate that the brutalities usually associated with black slavery alone were perpetrated on whites throughout British rule. The trade ended with American independence, but the British still tried to sell convicts in their former colonies, which prompted one of the most audacious plots in Anglo-American history.This is a saga of exploration and cruelty spanning 170 years that has been submerged under the overwhelming memory of black slavery. White Cargo brings the brutal, uncomfortable story to the surface.

    To some he is a hero, a symbol of Black resistance and a precursor to the civil rights movement; to others he is monster—a murderer whose name is never uttered.In Nat Turner, acclaimed author and illustrator Kyle Baker depicts the evils of slavery in this moving and historically accurate story of Nat Turner’s slave rebellion. Told nearly wordlessly, every image resonates with the reader as the brutal story unfolds.This graphic novel collects all four issues of Kyle Baker’s critically acclaimed miniseries together for the first time in hardcover and paperback. The book also includes a new afterword by Baker. “A hauntingly beautiful historical spotlight. A-” —Entertainment Weekly “Baker’s storytelling is magnificent.” —Variety “Intricately expressive faces and trenchant dramatic pacing evoke the diabolic slave trade’s real horrors.” —The Washington Post “Baker’s drawings are worthy of a critic’s attention.”—Los Angeles Times “Baker’s suspenseful and violent work documents the slave trade’s atrocities as no textbook can, with an emotional power approaching that of Maus.”—Library Journal, starred review