A. a grand opening celebration is in full swing at the new American headquarters of the immense Japanese conglomerate. On the forty-sixth floor, in an empty conference room, the dead body of a beautiful woman is discovered. The investigation immediately becomes a thrilling chase through a twisting maze of industrial intrigue, a no-holds barred conflict in which control of a vital American technology is the fiercely coveted prize - and the Japanese saying 'business is war' takes on a terrifying reality. Rising Sun is a powerful, compulsive thriller from a master of the genre. Andromeda Strain Five prominent biophysicists give the United States government an urgent warning: sterilisation procedures for returning space probes may be inadequate to guarantee uncontaminated re-entry to the atmosphere. Two years later, Project Scoop sends seventeen satellites into the fringes of space in order to 'collect organisms and dust for study'. Then a probe falls to the earth, landing in a desolate area of northeastern Arizona. A little while later, in the nearby town of Piedmont, bodies are discovered heaped and flung across the ground, faces locked in frozen surprise. But the terror has only just begun, because when they try to find the cause of death, the scientists don't realise just what kind of unearthly danger they are dealing with... Brilliantly filmed by Robert Wise in 1971, The Andromeda Strain was the first book to introduce Michael Crichton's audacious combination of believable plots and white-knuckled excitement to a wide audience. Binary Political radical John Wright is plotting an act of mass destruction and federal agent John Graves has him under surveillance. When a government computer is hacked and a high-security shipment of nerve gas gets hijacked, Graves puts the pieces together but can he stop Wright from unleashing his weapon and killing a million peopleincluding the U.S President?

    If only his mother hadn’t started college at thirty-six (and fallen for her psychology professor). If only he were more like his rebellious older brother (suspended from Hebrew school for drawing the rabbi in a threesome with a lobster and a pig). If only Jacob could confront his overbearing father and tell him he doesn’t want to sing in synagogue, attend est classes, write the perfect thank-you note, or even live in the same house with Abram Green. But, of course, he can’t. That would be unthinkable.

    Set in the lush jungle of Borneo in the late 1800s, it tells of the Dutch merchant Kaspar Almayer, whose dreams of riches for his beloved daughter, Nina, collapse under the weight of his own greed and prejudice. Nadine Gordimer writes in her Introduction, “Conrad’s writing is lifelong questioning . . . What was ‘Almayer’s Folly’? The pretentious house never lived in? His obsession with gold? His obsessive love for his daughter, whose progenitors, the Malay race, he despised? All three?” Conrad established in Almayer’s Folly the themes of betrayal, isolation, and colonialism that he would explore throughout the rest of his life and work.

    He imagines us capable of disinterested curiosity in the behaviour of our kind.' In this, the most dazzlingly intellectual of all his novels, Meredith tries to illuminate the pretensions of the most powerful class within the very citadel of security which its members have built. He develops to their logical extremity his ideas on egoism, on sentimentality and on the power of comedy. Meredith saw egoism as the great enemy of truth, feeling and progress, and comedy as the great dissolver of artifice. The Egoist is the extreme expression of his recurrent theme: the defeat of egoism by the power of comedy.

    After all, outside there are 8-inch-high curbs and there's always the horrible chance he might see a gas station attendant wearing a blue hat. So, except for the occasional trip to the Rite Aid to admire the California girl Zandy and to buy earplugs because they're on sale, he stays home a lot. And a good thing too, or he would have never been falsely implicated in a murder, never almost seduced Philipa, never done the impossible task of jogging around the block with Brian, never ironed his pillows, and he might never have won the Most Average American essay contest. The Pleasure of My Company is the chronicle of a modern-day neurotic yearning to break free.

    Cribb, a special-needs teacher from Virginia’s Eastern Shore, is captive in a dysfunctional marriage. Tired of living up to her husband’s and everyone else’s standards, Myrtle impulsively heads to wherever the road will take her. But soon she gets a surprise of her own. She finds an unlikely stowaway on her journey: Hellcat, the local drunk.Together, they embark on a pilgrimage that takes them everywhere from a shady highway motel to a hippie retreat center, developing an unlikely friendship while finding wisdom in the most unlikely places. The journey forces Myrtle to evaluate her marriage, her priorities, and her own prejudices, and compels her to share her hard-earned insights with other women who feel some dissatisfaction in their lives.With its iconoclastic, complex, and irresistible cast of characters, and bold yet sincere advice, The Homespun Wisdom of Myrtle T. Cribb is an engaging, heartbreaking, and joyful story to be cherished by those seeking an understanding of life’s greatest mysteries.

    Who like to read. Who take satisfaction in their work. Who are resolutely kind. Leonard and Hungry Paul is the story of two friends trying to find their place in the world. It is about the uncelebrated people of this world. And it asks a surprisingly enthralling question: Can kind people change the world?

    But his best mate Spike keeps getting him into trouble, first by showing him what is being grown in a tucked-away polytunnel, and then turning up at his caravan’s door with a van full of weed. As Elliot tries to help his friend get rid of the hot merchandise, they find themselves at the receiving end of a cruel cat-and-mouse game.A tale of adventure with as many twists and turns as the enchanting Somerset landscape that forms its backdrop, Two Cows and a Vanful of Smoke is, above all, a celebration of the English countryside – full of magic, history and superstition – where smoke is in the air, and where not all is what it seems.

    His arrival changes everything, and sets in motion a rapid-fire plot with all the twists and turns we expect of Coupland. By turns funny and heartbreaking, Eleanor Rigby is a fast-paced read and a haunting exploration of the ways in which loneliness affects us all.

    Peanut, is not like other Ivy League grads. He shares an apartment with Goldberg, his beloved battery-operated fish, sleeps on a bed littered with yellow legal pads penned with what he hopes will be the next great American novel, and spends the waning malaise-filled days of the Carter administration at Yankee Stadium, waxing poetic while slinging peanuts to pay the rent.When Ted hears the news that his estranged father, Marty, is dying of lung cancer, he immediately moves back into his childhood home, where a whirlwind of revelations ensues. The browbeating absentee father of his youth is living to make up for lost time, but his health dips drastically whenever his beloved Red Sox lose. And so, with help from a crew of neighborhood old-timers and the lovely Mariana--Marty's Nuyorican grief counselor--Ted orchestrates the illusion of a Sox winning streak, enabling Marty and the Red Sox to reverse the Curse of the Bambino and cruise their way to World Series victory. Well, sort of.David Duchovny's richly drawn Bucky F*cking Dent is a story of the bond between fathers and sons, Yankee fans and the Fenway faithful, and grapples with the urgent need to find our story in an age of irony and artifice. Culminating in that fateful moment in October of '78 when the meek Bucky Dent hit his way into baseball history with the unlikeliest of home runs, this tragicomic novel demonstrates that life truly belongs to the losers--that the long shots are the ones worth betting on.Bucky F*cking Dent is a singular tale that brims with the hilarity, poignancy, and profound solitude of modern life.

    Randall is both angel and demon. His father, David, a coolly rational psychiatrist, wants him placed in an institution; his mother, Lainey, insists on keeping him at home. Yet it is not just David and Lainey who are struggling to come to terms with a difficult and unpredictable child; there are five other children in the family, each of them coping with the dramas and rifts surrounding them, each of them affected by Randall.

    He is the curate sent by the bishop to assist Father Angwin-or is he? In the most unlikely of places, a superstitious town that understands little of romance or sentimentality, where bad blood between neighbors is ancient and impenetrable, miracles begin to bloom. No matter how copiously Father Angwin drinks while he confesses his broken faith, the level of the bottle does not drop. Although Fludd does not appear to be eating, the food on his plate disappears. Fludd becomes lover, gravedigger, and savior, transforming his dull office into a golden regency of decision, unashamed sensation, and unprecedented action. Knitting together the miraculous and the mundane, the dreadful and the ludicrous, Fludd is a tale of alchemy and transformation told with astonishing art, insight, humor, and wit.

    This was London, 2016 . . . Bohemia is history. Paul has awoken to the fact that he will always be better known for reviewing haircuts than for his literary journalism. He is about to be kicked out of his cheap flat in east London and his sister has gone missing after an argument about what to do with the house where they grew up. Now that their mother is dead this is the last link they have to the declining town on the north-west coast where they grew up.Enter Emily Nardini, a cult author, who – after granting Paul a rare interview – receives him into her surprisingly grand home. Paul is immediately intrigued: by Emily and her fictions, by her vexingly famous and successful partner Andrew (too old for her by half), and later by Andrew’s daughter Sophie, a journalist whose sexed-up vision of the revolution has gone viral. Increasingly obsessed, relationships under strain, Paul travels up and down, north and south, torn between the town he thought he had escaped and the city that threatens to chew him up.With heart, bite and humour, Luke Brown leads the reader beyond easy partisanship and into much trickier terrain. Straddling the fissures within a man and his country, riven by envy, wealth, ownership, entitlement, and loss, Theft is an exhilarating howl of a novel.

    Here are some of the remarkable features of Barnes & Noble Classics:All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Arrested in 1849 for belonging to a secret group of radical utopians, Fyodor Dostoevsky was sentenced to four years in a Siberian labor camp—a terrible mental, spiritual, and physical ordeal that inspired him to write the novel The House of the Dead.Told from the point of view of a fictitious narrator—a convict serving a ten-year sentence for murdering his wife—The House of the Dead describes in vivid detail the horrors that Dostoevsky himself witnessed while in prison: the brutality of guards who relish cruelty for its own sake; the evil of criminals who enjoy murdering children; and the existence of decent souls amid filth and degradation. More than just a work of documentary realism, The House of the Dead also describes the spiritual death and gradual resurrection from despair experienced by the novel’s central character—a reawakening that culminates in his final reconciliation with himself and humanity.Also included in this volume is Dostoevsky’s first published work, Poor Folk, a novel written in the form of letters that brought Dostoevsky immediate critical and public recognition.Joseph Frank is Professor Emeritus of Comparative Literature at Princeton University and Professor Emeritus of Comparative Literature and Slavic Languages and Literature at Stanford University. He is the author of an acclaimed five-volume study of Dostoevsky’s life and work.

    What seems like a good deed however has a cruel payback andin a single moment, Kamran loses everything dear to him. This is whenMirza, in gratitude, takes Kamran under his wing and the young man getsdrawn into the mafia boss’s dangerous world of cops and rival gangsters,eventually taking over from him.Kamran also inherits Mirza’s philosophy that all of life’s problems can besolved through Ghalib¹s poetry.Soon, the innocent taxi driver has cops, criminals and even cabinetministers at his beck and call.And he has a new name—Ghalib Danger.