His parents are separated, his father is dating his former third-grade teacher, and being 16 isn't easy, especially when it comes to girls. Instead of revenge though, Alex ends up in trouble with the law and is ordered to do community service at a senior center where he is assigned to Solomon Lewis, a "difficult" senior with a lot of gusto, advice for Alex, and a puzzling (yet colorful) Yiddish vocabulary. Eventually, the pair learn to deal with their past and each other in ways that are humorous, entertaining, and life changing.

    So when a girl at her new high school nearly succumbs to the wiles of a notorious cad, Mary starts compiling the Scoundrel Survival Guide, a rundown of literary types to be avoided at all costs.Unfortunately, Mary is better at dishing out advice than taking it—and the number one bad boy on her list is terribly debonair. As her best intentions go up in flames, Mary discovers life doesn’t follow the same rules as fiction. If she wants a happy ending IRL, she’ll have to write it herself.

    A novel about waking up and standing up, and what happens when you stop seeing your dad as your hero—while the whole country is watching.In this thoughtful, authentic, humorous, and gorgeously written novel about privacy, waking up, and speaking up, Senator Anthony Ruiz is running for president. Throughout his successful political career he has always had his daughter’s vote, but a presidential campaign brings a whole new level of scrutiny to sheltered fifteen-year-old Mariana and the rest of her Cuban American family, from a 60 Minutes–style tour of their house to tabloids doctoring photos and inventing scandals. As tensions rise within the Ruiz family, Mari begins to learn about the details of her father’s political positions, and she realizes that her father is not the man she thought he was.But how do you find your voice when everyone’s watching? When it means disagreeing with your father—publicly? What do you do when your dad stops being your hero? Will Mari get a chance to confront her father? If she does, will she have the courage to seize it?

    I am a human being.”Actually Sarah is several human beings. At once. And only one of them is sixteen. Her parents insist she’s a gifted artist with a bright future, but now she can’t draw a thing, not even her own hand. Meanwhile, there’s a ten-year-old Sarah with a filthy mouth, a bad sunburn, and a clear memory of the family vacation in Mexico that ruined everything. She’s a ray of sunshine compared to twenty-three-year-old Sarah, who has snazzy highlights and a bad attitude. And then there’s forty-year-old Sarah (makes good queso dip, doesn’t wear a bra, really wants sixteen-year-old Sarah to tell the truth about her art teacher). They’re all wandering Philadelphia—along with a homeless artist allegedly named Earl—and they’re all worried about Sarah’s future.But Sarah’s future isn’t the problem. The present is where she might be having an existential crisis. Or maybe all those other Sarahs are trying to wake her up before she’s lost forever in the tornado of violence and denial that is her parents’ marriage.“I am a human being. I am sixteen years old. That should be enough.”

    She doesn't have a problem. Everybody parties, everybody does stupid things, like get in their car when they can barely see. Still, with six months of court-ordered AA meetings required, her days of vodka-filled water bottles are over. Unfortunately her old friends want the party girl or nothing. Even her up-for-anything ex seems more interested in rehashing the past than actually helping Nat. But then a recovering alcoholic named Joe inserts himself into Nat’s life and things start looking up. Joe is funny, smart, and calls her out in a way no one ever has. He’s also older. A lot older. Nat’s connection to Joe is overwhelming but so are her attempts to fit back into her old world, all while battling the constant urge to crack a bottle and blur that one thing she's been desperate to forget.Now in order to make a different kind of life, Natalie must pull together her broken parts and learn to fight for herself.

    Perfect for fans of Jason Reynolds and Matt De La Peña.David Espinoza is tired of being messed with. When a video of him getting knocked down by a bully’s slap goes viral at the end of junior year, David vows to use the summer to bulk up— do what it takes to become a man—and wow everyone when school starts again the fall.Soon David is spending all his time and money at Iron Life, a nearby gym that’s full of bodybuilders. Frustrated with his slow progress, his life eventually becomes all about his muscle gains. As it says on the Iron Life wall, What does not kill me makes me stronger.As David falls into the dark side of the bodybuilding world, pursuing his ideal body at all costs, he’ll have to grapple with the fact that it could actually cost him everything. A Chicago Public Library Best Teen Fiction Selection.

    Powerful. Privileged. This is Fullbrook Academy, an elite prep school where history looms in the leafy branches over its brick walkways. But some traditions upheld in its hallowed halls are profoundly dangerous.Jules Devereux just wants to keep her head down, avoid distractions, and get into the right college, so she can leave Fullbrook and its old-boy social codes behind. She wants freedom, but ex-boyfriends and ex-best friends are determined to keep her in place.Jamie Baxter feels like an imposter at Fullbrook, but the hockey scholarship that got him in has given him a chance to escape his past and fulfill the dreams of his parents and coaches, whose mantra rings in his ears: Don’t disappoint us.When Jamie and Jules meet, they recognize in each other a similar instinct for survival, but at a school where girls in the student handbook are rated by their looks, athletes stack hockey pucks in dorm room windows like notches on a bedpost, and school-sponsored dances push first year girls out into the night with senior boys, the stakes for safe sex, real love, and true friendship couldn’t be higher.As Jules and Jamie’s lives intertwine, and the pressures to play by the rules and remain silent about the school’s secrets intensify, they see Fullbrook for what it really is. That tradition, a word Fullbrook hides behind, can be ugly, even violent. Ultimately, Jules and Jamie are faced with the difficult question: can they stand together against classmates—and an institution—who believe they can do no wrong?

    30H, for example. Fifteen-year-old Greer Walsh hasn't been fazed by basic algebra since fifth grade, but for the last year, 30H has felt like an unsolvable equation - one that's made her world a very small, very lonely place. 30H is her bra size - or it was the last time anyone checked. She stopped letting people get that close to her with a tape measure a while ago.Ever since everything changed the summer before ninth grade, Greer has felt out of control. She can't control her first impressions, the whispers that follow, or the stares that linger after. The best she can do is put on her faithful XXL sweatshirt and let her posture - and her expectations for other people - slump.But people - strangers and friends - seem strangely determined to remind her that life is not supposed to be this way. Despite carefully avoiding physical contact and anything tighter than a puffy coat, Greer finds an unexpected community on the volleyball squad, the team that hugs between every point and wears a uniform "so tight it can squeeze out tears." And then there's Jackson Oates, newly arrived at her school and maybe actually more interested in her banter than her breasts.Laura Zimmermann's debut is both laugh-out-loud funny and beautifully blunt, vulnerable and witty, heartbreaking and hopeful. And it will invite listeners to look carefully at a girl who just wants to be seen for all she is.

    Rebel (as she’s known) decides to complete the dead girl’s bucket list to prove that choice, not chance, controls her fate. In doing so, she unexpectedly opens her mind and heart to a world she once dismissed—a world of friendships, family, and faith. With a shaken sense of self, she must reevaluate her loner philosophy—particularly when she falls for Nate, the golden boy do-gooder who never looks out for himself. Perfect for fans of Jay Asher’s blockbuster hit Thirteen Reasons Why, Coriell’s second novel features her sharp, engaging voice along with realistic drama and unforgettable characters.

    Even worse, his father’s failed suicide attempt leaves Rob and his mother responsible for his care. Everyone thinks of Maegan as a typical overachiever, but she has a secret of her own after the pressure got to her last year. And when her sister comes home from college pregnant, keeping it from her parents might be more than she can handle.When Rob and Maegan are paired together for a calculus project, they’re both reluctant to let anyone through the walls they’ve built. But when Maegan learns of Rob’s plan to fix the damage caused by his father, it could ruin more than their fragile new friendship...This captivating, heartfelt novel asks the question: Is it okay to do something wrong for the right reasons?This is a previously published edition of ISBN 9781681198095. An alternative cover edition for this ISBN can be found here.

    But after bungling her audition for the prestigious Amberley School of Music--where her father is on faculty--Ruby is suddenly just . . . Ruby. And who is that again? All she knows is that she wants out of the orbit of her relentlessly impressive family, and away from the world of classical music for good. Yes? Yes. Oscar is a wunderkind, a musical genius. Just ask any of the 1.8 million people who've watched him conduct his own compositions on YouTube--or hey, just ask Oscar. But while he might be the type who'd name himself when asked about his favorite composer and somehow make you love him more for it, Oscar is not the type to jeopardize his chance to study under the great Martin Chertok--not for a crush. He's all too aware of how the ultra-privileged, ultra-white world of classical music might interpret a black guy like him falling for his benefactor's white daughter. Right? Right.But as the New York City summer heats up, so does the spark between Ruby and Oscar. Soon their connection crackles with the same alive, uncontainable energy as the city itself. But can two people still figuring themselves out figure out how to be together? Or will the world make the choice for them?

    But when she’s caught setting one too many fires, she’s whisked away to London before she can get arrested—at least that’s the story her mother tells. Mounting debt actually drove them out of LA, and it’s greed that brings them to a home Iris doesn’t recognize, where her millionaire father—a man she’s never met—lives. Though not for much longer.Iris’s father is dying, and her mother is determined to claim his life’s fortune, including his priceless art collection. Forced to live with him as part of an exploitive scheme, Iris soon realizes her father is far different than the man she’s been schooled to hate, and everything she thought she knew—about her father and herself—is suddenly unclear. There may be hidden beauty in Iris’s uncertain past, and future, if only she can see beyond the flames.

    Two worlds apart. One deeply compelling story set in both Bosnia and the United States, spanning decades and generations, about the brutality of war and the trauma of everyday life after war, about hope and the ties that bind us together.Zara and her mother, Nadja, have a strained relationship. Nadja just doesn't understand Zara's creative passion for, and self-expression through, photography. And Zara doesn't know how to reach beyond their differences and connect to a closed-off mother who refuses to speak about her past in Bosnia. But when a bomb explodes as they're shopping in their local farmers' market in Rhode Island, Zara is left with PTSD--and her mother is left in a coma. Without the opportunity to get to know her mother, Zara is left with questions--not just about her mother, but about faith, religion, history, and her own path forward.As Zara tries to sort through her confusion, she meets Joseph, whose grandmother is also in the hospital, and whose exploration of religion and philosophy offer comfort and insight into Zara's own line of thinking.Told in chapters that alternate between Zara's present-day Providence, RI, and Nadja's own childhood in Bosnia and Herzegovina during the Bosnian War of the 1990s, We Are All That's Left shows the ways in which, no matter the time and place, struggle and tragedy can give way to connection, healing and love.

    Her mom left town. She has bills to pay and a little sister to look after. Now is not the time for level-headed seventeen-year-old Lucille to fall in love. But love—messy, inconvenient love—is what she's about to experience when she falls for Digby Jones, her best friend's brother.

    But can you truly love someone else if you don’t love yourself? Acclaimed author Liara Tamani’s luminous second novel explores love, family, heartbreak, betrayal, and the power of healing, in gorgeous prose that will appeal to readers of Nicola Yoon and Jacqueline Woodson.A glance was all it took. That kind of connection, the immediate and raw understanding of another person, just doesn’t come along very often. And as rising stars on their Texas high schools’ respective basketball teams, destined for bright futures in college and beyond, it seems like a match made in heaven. But Carli and Rex have secrets. As do their families.Liara Tamani, the author of the acclaimed Calling My Name, follows two Black teenagers as they discover how first love, heartbreak, betrayal, and family can shape you—for better or for worse. A novel full of pain, joy, healing, and hope for fans of Elizabeth Acevedo, Jacqueline Woodson, and Jenny Han.