Although running a Bed & Breakfast has always been her dream, restoring the sprawling Victorian inn is a massive undertaking. Passionate about her new venture, Maddy is determined to ignore the fact that her contractor, a jean-clad version of a Greek god, might have more on his mind than renovating her house. She will have to keep her wits about her if she is going to put love in its place.

    As a user experience designer at Virtuality, an artificial intelligence company in Los Angeles, Nicole is at her desk from sunrise to sunset. She doesn’t have time for a social life (or a love life), but that’s perfectly fine with her. Until her best friend, Parisa Shahin, announces her engagement and asks Nicole to be her maid of honor.That’s when Nicole decides to meticulously schedule out the next six months of her life—from her project due dates to her dress-fitting appointments to how many hours she plans to sleep each night. If she can stick to her schedule, she’ll balance everything fine. Of course, that’s a really big if. And after she crosses paths with emerging restaurateur Brandon Phelps, Nicole is feeling feelings she hasn’t felt in…well, ever. But scheduling time to fall in love might push even the most meticulous plans into pure chaos.

    . . until the residents begin seeing their private conversations posted online for everyone to read. Then it’s neighbor against neighbor, friend against friend, as paranoia and violence escalate. The police scramble to identify the person responsible for the posts and pull the plug on the Website before it destroys the town. But what responsibility do the people of the town have for the words they say when they think no one is listening? Life and death are in the power of the tongue.

    A lonely child growing up in the woods of northern Michigan in the 1950s, Milo gives little thought to his talent, and not until his acceptance at U.C. Berkeley does he realize the extent, and the risks, of his singular gifts. California in the seventies is an initiation and a seduction, opening Milo’s eyes to the allure of both ambition and indulgence. The research he begins there will make him a legend; the woman, and the rival, he meets there will haunt him always. For Milo’s brilliance is inextricably linked to a dark side that ultimately threatens to unravel his work, his son and daughter, and his life.

     Claire James, age twenty-three, is ready to make it on her own.  When she's fired from her job as a waitress and subsequently kicked out of her sister's home, she sees it as an opportunity to start over.  But even before moving, a thirty-five-year-old love letter written to her mother keeps Claire stuck in the past.  Michael Thompson, a middle-aged real estate agent, wants to keep the past where it belongs--at least until his grown daughter is married.  But, then a young woman comes to town . . .

    Now her unique flair for evocative settings and richly drawn Southern personalities shines in her compelling new novel, Looking for Me. Teddi Overman found her life’s passion for furniture in a broken-down chair left on the side of the road in rural Kentucky. She learns to turn other people’s castoffs into beautifully restored antiques, and eventually finds a way to open her own shop in Charleston. There, Teddi builds a life for herself as unexpected and quirky as the customers who visit her shop.  Though Teddi is surrounded by remarkable friends and finds love in the most surprising way, nothing can alleviate the haunting uncertainty she’s felt in the years since her brother Josh’s mysterious disappearance. When signs emerge that Josh might still be alive, Teddi is drawn home to Kentucky.  It’s a journey that could help her come to terms with her shattered family—and to find herself at last.  But first she must decide what to let go of and what to keep.Looking for Me brilliantly melds together themes of family, hope, loss, and a mature once-in-a-lifetime kind of love. The result is a tremendously moving story that is destined to make bestselling author Beth Hoffman a novelist to whom readers will return again and again as they have with Adriana Trigiani, Fannie Flagg, and Joshilyn Jackson.

    Toibin's portrayal of the intricacy and drama of ordinary lives brings to mind of the work of Alice Munro.      Set in Wexford, Ireland, and in breathtaking Ballyconnigar by the sea, Colm Toibin's tour de force eighth novel introduces the formidable, memorable Nora Webster. Widowed at 40, with four children and not enough money, Nora has lost the love of her life, Maurice, the man who rescued her from the stifling world she was born into. Wounded and self-centred from grief and the need to provide for her family, she struggles to be attentive to her children's needs and their own difficult loss. In masterfully detailing the intimate lives of one small family, Toibin has given us a vivid portrait of a time and an intricately woven tapestry of lives in a small town where everyone knows everyone's business, and where well-meaning gestures often have unforeseen consequences. Toibin has created one of contemporary fiction's most memorable female characters, one who has the strength and depth of Ibsen's Hedda Gabler. In Nora Webster, Colm Toibin is writing at the height of his powers.

    After she instructs him to “grow up first,” he joins the Army Air Corps. Stationed at Hickam Field, the air base adjacent to Pearl Harbor, John survives the devastation of December 7. The aftermath of the attack only begins his odyssey through the South Pacific, four years that burden him with guilt and shame. Returning home a wearied man, John seeks to start a family with Nora, but the young couple confronts hardships intensified by the harrowing memories both carry from their pasts. Amid the unrest of the Cold War and John’s worries about the arms race, he and Nora find solace in raising their daughter, Cassie. But it is not until the impact of September 11 leaves John’s grandson, Johnny DeRosa, overrun with anguish and despair that John fully comprehends how the sacrifices of his generation will have a profound influence on the decisions his grandson makes.The Sky Buries All Sorrow is a riveting, momentous novel that bridges Pearl Harbor with 9/11 and examines how those two tragic events changed the world and shaped the lives of one family over three generations. From the pivotal battles in the Pacific to the homesteads outside of Pittsburgh, and from the beaches of Southern California to the desert terrain of the Nevada Test Site, it is an unforgettable family saga and an intimate story of personal struggle and the challenges of enduring love. In the same vivid fashion as his first novel, The Ramos Brothers Trust Castro and Kennedy, Roger DeBlanck’s second epic novel explores the lives of an array of fascinating characters. The narrative also brings back Juan and Alberto Ramos, as the brothers and their father, Florencio, make appearances in The Sky Buries All Sorrow.

    Living with her single mother in a small apartment, Evelyn Bucknow is a young girl wincing her way through adolescence. With a voice that is as charming as it is recognizable, Evelyn immerses the reader in the dramas of an entire community. The people of Kerrville stuck at once in the middle of nowhere but also at the center of everything, are the source from which Moriarty draws on universal dilemmas of love and belief to render a story that grows in emotional intensity until it lifts the reader to heights achieved only by the finest of fiction.

    But Jackson Smith quickly realizes that Ellie's presence may solve his own problems--both the rearing of his young boys and the scandal that surrounds his first marriage.When a marriage of convenience is offered, Ellie is initially humiliated. Though she is past the age most women marry, she has more pride than to agree to his outlandish suggestion. Yet what options does she have? To marry would mean a home and stability. So despite the rumors circling Jackson and his first wife, Ellie accepts this unlikely proposal...

    Now, with his brilliant portrait of Luce, a young woman who inherits her murdered sister's troubled twins, Frazier has created his most memorable heroine.Before the children, Luce was content with the reimbursements of the rich Appalachian landscape, choosing to live apart from the small community around her. But the coming of the children changes everything, cracking open her solitary life in difficult, hopeful, dangerous ways.Charles Frazier is known for his historical literary odysseys, and for making figures in the past come vividly to life. Set in the twentieth century, Nightwoods resonates with the timelessness of a great work of art.

    It begins in 1973 when the Erickson family of Grenada, Iowa, gathers for the wedding of their eldest daughter, Anita. Even as they celebrate, the fault lines in the family emerge. The bride wants nothing more than to raise a family in her hometown, while her brother Ryan watches restlessly from the sidelines, planning his escape. He is joined by their cousin Chip, an unpredictable, war-damaged loner who will show Ryan both the appeal and the perils of freedom. Torrie, the Ericksons' youngest daughter, is another rebel intent on escape, but the choices she makes will bring about a tragedy that leaves the entire family changed forever.Stretching from the early 1970s in the Iowa farmlands to suburban Chicago to the coast of contemporary Italy—and moving through the Vietnam War's aftermath, the farm crisis, the numerous economic booms and busts—The Year We Left Home follows the Erickson siblings as they confront prosperity and heartbreak, setbacks and triumphs, and seek their place in a country whose only constant seems to be breathtaking change. Ambitious, richly told, and fiercely American, this is a vivid and moving meditation on our continual pursuit of happiness and an incisive exploration of the national character.

    It was a Wednesday, early in September 1952. The Cardinals were five games behind the Dodgers with three weeks to go, and the season looked hopeless. The cotton, however, was waist-high to my father, over my head, and he and my grandfather could be heard before supper whispering words that were seldom heard. It could be a "good crop."Thus begins the new novel from John Grisham, a story inspired by his own childhood in rural Arkansas. The narrator is a farm boy named Luke Chandler, age seven, who lives in the cotton fields with his parents and grandparents in a little house that's never been painted. The Chandlers farm eighty acres that they rent, not own, and when the cotton is ready they hire a truckload of Mexicans and a family from the Ozarks to help harvest it.For six weeks they pick cotton, battling the heat, the rain, the fatigue, and sometimes each other. As the weeks pass Luke sees and hears things no seven-year-old could possibly be prepared for, and he finds himself keeping secrets that not only threaten the crop but will change the lives of the Chandlers forever. ©2000, 2001 Belfry Holdings, Inc. (P)2001 Random House, Inc. Bantam Doubleday Dell Audio Publishing, a Division of Random House, Inc.

    As outside forces conspire to steal the palace out from under them, Agnes struggles to save her family and finds bravery, love, and loyalty in the most unexpected places. The Moonlight Palace is a coming-of-age tale rich with historical detail and unforgettable characters set against the backdrop of dazzling 1920s Singapore.

    Years after Patrick’s death, ninety-year-old Emma still has the painting hanging over her bed at their country home as a testament to their love.To Emma’s granddaughter, Laura, the portrait is also a symbol of so much to come. The masterpiece is serving as collateral to pay Laura’s tuition at a prestigious music school. Then the impossible happens when an appraiser claims the painting is a fraud. For Laura, the accusation jeopardizes her future. For Emma, it casts doubt on everything she believed about her relationship with Patrick. Laura is determined to prove that Patrick did indeed paint the portrait. Both her grandmother’s and Patrick’s legacies are worth fighting for.As the stories of two women entwine, it’s time for Emma to summon up the past—even at the risk of revealing its unspoken secrets.