Their view of themselves is not shared by people looking from outside in--visitors, and particularly relatives--for they have to see something pretty humdrum, even if, as in this case, the fecklessness they complain of is extreme.

    Courted long and hopelessly by young scientist, Ted Tice, she is to find that love brings passion, sorrow, betrayal and finally hope. The milder Grace seeks fulfilment in an apparently happy marriage. But as the decades pass and the characters weave in and out of each other's lives, love, death and two slow-burning secrets wait in ambush for them.

    She has resigned from her job, and is trying to survive as a writer. With no food left in her rooming-house attic, she sets out to buy provisions from the corner shop. On the way she collapses, and to her surprise wakes up in hospital... From there it's a bumpy ride to the tuberculosis sanatorium, where Isobel becomes a member of a self-contained society. The god-like doctors and an assorted, less than compatible, cast of patients help Isobel to gain hard insights about herself, and about human nature, on the slow path to recuperation. While many of the experiences recounted in this memorable novel are grim, Amy Witting manages at the same time to be continually and compassionately funny. From her humour emerges the profound, ironic wisdom by which all her writing is distiguished.

    . . until she meets Tim. A beautiful young man with the mind of a child; a gentle outcast in a cruel, unbending world - he illuminates the darkness of Mary's days with his boyish innocence. And he will shatter the lonely, middle-aged spinster's respectable, ordered life with a forbidden promise of a very special love.

    She spends her days helping others find happiness, but her own family relationships are tense and frayed. Estranged from both her sister, April, and her ex-husband, Lawrence, Ester wants to fall in love again. Meanwhile, April is struggling through her own directionless life; Lawrence's reckless past decisions are catching up with him; and Ester and April's mother, Hilary, is about to make a choice that will profoundly affect them all.Taking place largely over one rainy day in Sydney, and rendered with the evocative and powerful prose Blain is known for, Between a Wolf and a Dog is a celebration of the best in all of us -- our capacity to live in the face of ordinary sorrows, and to draw strength from the transformative power of art. Ultimately, it is a joyous tribute to the beauty of being alive.

    A onetime teacher, married to fellow teacher Eleanor, he has retrained and is now a second-year lawyer working at mega-firm Freely Savage Carter Blanche. Despite toiling around the clock to make budget, he’s in imminent danger of being downsized. And to make things worse, Eleanor, sick of single-parenting their two young children thanks to Stephen’s relentless work schedule, has asked him to move out. To keep the job he hates, pay the mortgage and salvage his marriage, he will have to do something strikingly daring, something he never thought himself capable of. But if he’s not careful, it might be the last job he ever has… Warm, dramatic, and at times laugh-out-loud funny, with the narrative pull of a thriller, Maybe the Horse Will Talk is a love story, a reflection on contemporary marriage, and on friendship. It is also an unflinching examination of sexual harassment in the workplace and an exposé of corporate corruption that taps directly into the pulse of our times. ‘Australia’s outstanding social novelist’ (Times Literary Supplement), Elliot Perlman ‘...has many things working in his favor as a novelist: curiosity, erudition, daring and a gift for seducing readers into going along with him for the ride. He’ll get you where you want to go…’ (Washington Post)

    In a riveting new novel of wartime Cambodia and Vietnam--part thriller, part mystery, part heroic epic--the author of The Year of Living Dangerously offers the story of a likeable, brave, but ultimately mysterious war photographer who has disappeared into the jungles of Cambodia.

    From this innocent collision of flesh begins a passion that takes them from the Wiltshire Downs to the most elemental choices of life and death in the Australian desert. Their intense romance is but part of the daring story that unfolds. Mingling history, myth and technology with a modern cinematic and poetic imagination, Robert Drewe presents a fable of European ambitions in an alien landscape, and a magnificently sustained metaphor of water as the life-and-death force.

    In the Iraq of a decade earlier, aspiring pianist Nasim falls from favour with Saddam Hussein and his psychopathic son Uday, triggering a perilous search for safety. In Melbourne as the millennium turns, Robbie, faced with her father’s dementia and the family silences that may never find voice, tests boundaries. And in the present day, Gerry seeks to escape his father Toohey’s tyranny and heal its wounds.These characters' worlds intertwine across time and place, in a brilliant story of fear and sacrifice, trauma and survival, and what people will do to outrun the shadows. Crossing the frontiers of war, protest and cultural reconciliation, Act of Grace is a meditation on inheritance: the damage that one generation bestows upon the next, and the potential for transformation.This is a searing, powerful and utterly original work by an exceptional Australian writer. It will leave you changed.

    Her routines are few and small. One day a stranger arrives at her door, looking as if she has been blown in from the sea. This woman—Frida—claims to be a care worker sent by the government. Ruth lets her in.Now that Frida is in her house, is Ruth right to fear the tiger she hears on the prowl at night, far from its jungle habitat? Why do memories of childhood in Fiji press upon her with increasing urgency? How far can she trust this mysterious woman, Frida, who seems to carry with her, her own troubled past? And how far can Ruth trust herself?

    We gathered around the bigger tree. No one asked Matty - he just reached up and put his right hand on the trunk with ours.Kieran cleared his throat. 'We swear, on these trees, to always be friends. To protect each other - and this place.'Finding those carved trees forged a bond between Jay and her four childhood friends and opened their eyes to a wider world. But their attempt to protect the grove ends in disaster, and that one day on the river changes their lives forever.Seventeen years later, Jay finally has her chance to make amends. But at what cost? Not every wrong can be put right, but sometimes looking the other way is no longer an option.

    But as the days tick by with no arrest, Chris's suspicion of those around her grows.

    Everyday their dad battles the unpredictable ocean to make a living. He is a hard man, a bitter drinker who harbours a devastating secret that is destroying him. Unlike Joe, Harry and Miles are too young to leave home and so are forced to live under the dark cloud of their father's mood, trying to stay as invisible as possible whenever he is home. Harry, the youngest, is the most vulnerable and it seems he bears the brunt of his father's anger...

    Two very different people. They were there, and then they were gone, as if through a crack in the sky. After that, in a small town like Goodwood, where we had what Nan called 'a high density of acquaintanceship', everything stopped. Or at least it felt that way. The normal feeling of things stopped.Goodwood is a small town where everyone knows everything about everyone. It's a place where it's impossible to keep a secret.In 1992, when Jean Brown is seventeen, a terrible thing happens. Two terrible things. Rosie White, the coolest girl in town, vanishes overnight. One week later, Goodwood's most popular resident, Bart McDonald, sets off on a fishing trip and never comes home.People die in Goodwood, of course, but never like this. They don't just disappear.As the intensity of speculation about the fates of Rosie and Bart heightens, Jean, who is keeping secrets of her own, and the rest of Goodwood are left reeling.Rich in character and complexity, its humour both droll and tender, Goodwood is a compelling ride into a small community, torn apart by dark rumours and mystery.

    So Karuna returns the favour. Eventually, Karuna can’t ignore the reality: she is pregnant. Incensed, her mother, already over-protective, confines her to their fourteenth-storey housing-commission flat for one hundred days, to protect her from the outside world – and make sure she can’t get into any more trouble. Stuck inside for endless hours, Karuna battles her mother and herself for a sense of power in her own life, as a new life forms and grows within her. One Hundred Days is a fractured fairytale exploring the fault lines between love and control. At times tense and claustrophobic, it also brims with humour, warmth and character. It is a magnificent new work from one of Australia’s most celebrated writers.