The seventeen-year-old, new to everything around her—college, the East Coast, bodies of literature, and the sexual flurries of student life—is shocked by her desire to follow this wherever it will take her. When Flannery finds herself enrolled in a class with the remote, brilliant older woman, she is intimidated at first, but gradually becomes Anne Arden's student—Baudelaire, lipstick colors, or how to travel with a lover—Flannery proves an eager pupil, until one day learns more about Anne than she ever wanted to know.

    . . Thirteen year old Ephraim Wright suffers the depredations of war along with the white family who reared him. Raised with the family since he was two years old, he is never once required to call Jonathan Wright, his benevolent owner, "master." His speech, manners and outlook on life are more akin to his white "siblings than the other slaves in the community who chide him for being a "pet" and "talkin' like white folk." He is stranded between two worlds; that of free whites, and of enslaved blacks. His life is irreversibly changed when Confederate conscript officers take the family's oldest son at gun point and a bushwhacker gang guns down Jonathan Wright. The law forbids a slave to touch a firearm, because a “negro with a gun is a nervous thing to white folks.” But where his family is concerned, Ep is never one to care about what the slave laws say. By seeking to send men to hell, will Ephraim send himself there as well?Advance Praise for The Secret of Wattensaw BayouWhile reading the book my feelings of anger and resentment toward the institution of slavery and those who fought to protect such rights were sometimes overwhelming and required me to take a deep breath. Nevertheless, the story from a historical perspective, although it was a work of fiction, was masterly woven and I found myself with the urge to continue reading. . . The book is well written and the author provides a fascinating glimpse into the everyday existence of many Southern families during the Civil War. Commander Harold Barnes (US Navy, retired)

    His parents did, and so did his sister, but he survived.Now he lives in the hospital. He serves food in the cafeteria, he hangs out with the nurses, and he sleeps in a forgotten supply closet. Drew blends in to near invisibility, hiding from his past, his guilt, and those who are trying to find him.Then one night Rusty is wheeled into the ER, burned on half his body by hateful classmates. His agony calls out to Drew like a beacon, pulling them both together through all their pain and grief. In Rusty, Drew sees hope, happiness, and a future for both of them. A future outside the hospital, and away from their pasts.But Drew knows that life is never that simple. Death roams the hospital, searching for Drew, and now Rusty. Drew lost his family, but he refuses to lose Rusty, too, so he’s determined to make things right. He’s determined to bargain, and to settle his debts once and for all.But Death is not easily placated, and Drew’s life will have to get worse before there is any chance for things to get better.A partly graphic novel.

    Born into a stern farming family on the island of Keos, Simonides escapes his harsh childhood through a lucky apprenticeship with a renowned Ionian singer. As they travel through 5th century B.C. Greece, Simonides learns not only how to play the kithara and compose poetry, but also how to navigate the shifting alliances surrounding his rich patrons. He is witness to the Persian invasion of Ionia, to the decadent reign of the Samian pirate king Polykrates, and to the fall of the Pisistratids in the Athenian court. Along the way, he encounters artists, statesmen, athletes, thinkers, and lovers, including the likes of Pythagoras and Aischylos. Using the singer's unique perspective, Renault combines her vibrant imagination and her formidable knowledge of history to establish a sweeping, resilient vision of a golden century.

    Michael⁠⁠--with a ponytail down his back and a septum piercing⁠--lives with his aunt in the cramped stucco cottage next door. When Bunny catches Michael smoking in her yard, he discovers that her life is not as perfect as it seems. At six foot three, Bunny towers over their classmates. Even as she dreams of standing out and competing in the Olympics, she is desperate to fit in, to seem normal, and to get a boyfriend, all while hiding her father's escalating alcoholism. Michael has secrets of his own. At home and at school Michael pretends to be straight, but at night he tries to understand himself by meeting men online for anonymous encounters that both thrill and scare him. When Michael falls in love for the first time, a vicious strain of gossip circulates and a terrible, brutal act becomes the defining feature of both his and Bunny's futures⁠⁠--and of their friendship. With storytelling as intoxicating as it is intelligent, Rufi Thorpe has created a tragic and unflinching portrait of identity, a fascinating examination of our struggles to exist in our bodies, and an excruciatingly beautiful story of two humans aching for connection.

    Ready for a change, he buys a one-way ticket to New Orleans. The year is 1978 and the rambunctious city beckons with its famous promise of bright lights, excitement, and men everywhere. Newell makes his way, finding a job in a pornographic bookstore and renting a room in the French Quarter. His good nature, good looks, and a daring stunt in a popular bar make him a quick favorite of the town. Soon he has friends. Some are harmless, like Henry, a pudgy sidekick who's a frequent denizen of the porn shop's movie booths. Others prove more dangerous, like party-boy Mark, Newell's first beau, who has a penchant for recreational drugs. Finally, Newell encounters the volatile Jack, who shows Newell the blackest heart of the city.Boulevard, Jim Grimsley's fifth novel, reminds us that Grimsley is what Publishers Weekly calls "an accomplished stylist and a complex moralist." He takes one character's dream and reveals what can happen when dreams are fulfilled.

    Some families are torn apart forever by one small act, one solitary mistake. In my family it was a series of small explosions; consistent, passionate, pathetic. Cruel words, crude threats... We spurred each other on till we reached a crescendo of pain and we retired exhaused to our rooms, in tears or in fury.Ari is nineteen, unemployed and a poofter who doesn't want to be gay. He is looking for something - anything - to take him away from his aimless existence in suburban Melbourne. He doesn't believe in anyone or anything, except the power of music. All he wants to do is dance, take drugs, have sex and change the world.For Ari, all the orthodoxies of family, sex, politics and work have collapsed. Caught between the traditional Greek world of his parents and friends and the alluring, destructive world of clubs, chemicals and anonymous sex, all Ari can do is ease his pain in the only ways he knows how.Written in stark, uncompromising prose, Loaded is a first novel of great passion and power.

    Seventeen-year-old Edward Zanni, a feckless Ferris Bueller–type, is Peter Panning his way through a carefree summer of magic and mischief. The fun comes to a halt, however, when Edward’s father remarries and refuses to pay for Edward to study acting at Juilliard.Edward’s truly in a bind. He’s ineligible for scholarships because his father earns too much. He’s unable to contact his mother because she’s somewhere in Peru trying to commune with Incan spirits. And, as a sure sign he’s destined for a life in the arts, Edward’s incapable of holding down a job. So he turns to his loyal (but immoral) misfit friends to help him steal the tuition money from his father, all the while practicing for his high school performance of Grease. Disguising themselves as nuns and priests, they merrily scheme their way through embezzlement, money laundering, identity theft, forgery, and blackmail. But, along the way, Edward also learns the value of friendship, hard work, and how you’re not really a man until you can beat up your father—metaphorically, that is.How I Paid for College is a farcical coming-of-age story that combines the first-person tone of David Sedaris with the byzantine plot twists of Armistead Maupin. It is a novel for anyone who has ever had a dream or a scheme, and it marks the introduction to an original and audacious talent.

    Jody is in his forties and runs a map store. Not one for the outside world, he stays in his store all the time. His friend, Carl is in his late thirties and has been bringing chairs of dead friends into Jody's store and leaving them there. When Jody needs to take an AIDS test, Carl tries to convince him it is not only okay to leave the store, but also that he must take responsibility for his life. If he doesn't, he will join the set of chairs that Carl has taken great pains to place in the right spots around the store. Jody finally leaves the map store to take his HIV test and return to find Carl sitting in a chair of his own. With this gesture, we know that Carl has joined the many of their friends who have died, but now Jody must take Carl's place as the caretaker.

    Within minutes, she and her family hastily pack up their belongings and abandon their home. Where did the family go and why? Det. Roberta Hobbs has been assigned to uncover the family's whereabouts. Hobbs is a confident, intelligent police veteran. However, each passing day brings her closer to her unresolved past. When Hobbs digs deeper into the mystery, all leads point to her own longtime ex-boyfriend - a former drug dealer turned philanthropist named Steven Vance -- as the primary suspect. This riveting dual-timeline suspense novel takes us back to 2004 -- the year Greta Carpenter first realizes something is wrong with her young son, John. Over the course of his childhood, John's learning disabilities become apparent. Greta's unfaltering advocacy on his behalf puts her at odds with the school system and strains her relationship with her husband Griffin. Eventually Greta and Griffin's marriage falls apart, and during the divorce trial, Greta reveals that she was a teenage runaway, and a local entrepreneur named Steven Vance rescued her from the streets. Vance is certainly a man of many shades - a local celebrity for his philanthropy, a cunning CEO who sits atop a questionable mini-empire, a benevolent former father figure to Greta and a lying, evasive former companion to Hobbs. It seems that only Vance has the power to make people disappear in this small town and he emerges as the most obvious suspect...but Hobbs remains uncertain of his role. While her colleagues question whether she can truly be impartial, Hobbs realizes she has a reason to suspect them as well. Nothing is obvious in this thrilling mystery...except that Hobbs must race to solve the mystery before it's too late.

    Her roommate has a boyfriend—and their sex noises are audible through the walls, maybe even throughout the neighborhood. Not to mention, she’s treading water in a dead-end job, her know-it-all therapist gives her advice she doesn’t ask for, and the men she is surrounded by are, to be polite, subpar. Enough is enough.So when Julia gets invited to a warehouse party in a part of town where “trendy people who have lots of sex might go on a Friday night”—she readily accepts. Whom she meets there, however, is surprising: a conceptual artist, also a woman.Julia’s sexual awakening begins; her new lesbian life, as she coins it, is exhilarating. She finds her tribe at queer swing dancing classes, and guided by her new lover Sam, she soon discovers London’s gay bars and BDSM clubs, and . . . the complexities of polyamory. Soon it becomes clear that Sam needs to call the shots, and Julia’s newfound liberation comes to bear a suspicious resemblance to entrapment . . . In at the Deep End is an unforgettably frank, funny, and racy odyssey through the pitfalls and seductions we encounter on the treacherous—and more often, absurd—path to love and self.

    Over the course of a single evening, an extraordinary range of characters passes through the Rushes, creating an unforgettable mosaic of individuals and constructing an ephemeral community. The descent into the depths of a sexual world culminates with one of the most shattering experiences in recent fiction. Out of the lives he explores, Rechy distills a moving human experience that will leave few readers untouched" -- Page 4 of cover.

    But when she finds among his belongings evidence that there had been another woman in his life, Hattie is unable to mourn Ben as she thinks she should. In an attempt to make peace with her discovery, and against the advice of her friends, Hattie decides to find the other woman and confront her. At the heart of this unusual book is the unexpected intertwining of the lives of the two women.

    Jerked from a life of isolation with her mother, Willow learns what alone really means when she finds her mother still in her bed, never to awaken again in this life. From the moment Willow arrives in the police station with her startling announcement, Chad Tesdall fights the friendship he knows he can't avoid. This collection includes episodes fifteen through eighteen of Past Forward. In this volume, Chad and Willow start their life together. A surprise attack, Willow's first vacation, and a slow, gradual expansion of the farm brings more changes to Walden Farm. Follow as Willow's story unfolds past forward.

    They are even better at keeping them from each other. Max Walker is a golden boy, with a secret that the world may not be ready for. This novel is a riveting tale of a family in crisis, a fascinating exploration of identity, and a coming-of-age story like no other.