What's hiding behind those curtains on the stage? How does a huge set appear so quickly between scenes? Just two of the many questions answered in this visual compendium.

    It was to be an age of post-Impressionistic color, form and wonderment that the art world discovered only after the master's death. Bouts of anxiety, mental illness and epilepsy may have tormented him and brought about his suicide at the age of 37. But they may also have been catalysts for emotionality and vibrance in his art that reveal a turbulent search for grace.The compilation of Vincent Van Gogh's 500 finest color paintings in this online volume comes to you in a digitally restored state: the eye-popping brilliance and vitality are just as on the day Van Gogh finished them. Unless noted otherwise, all of them were originally oil paintings on canvas or wood (the few exceptions are watercolors). The arrangement is by genre (see the list below) and is chronological within each genre section. There are a few duplicates, that is, some paintings from one genre are also shown within the scope of another genre in order to emphasize their "dual nature." This is especially true for the images in "Skyscapes," many of which are reprised from "Landscapes" or other relevant genres to afford you, the viewer, with a fresh perspective on a different aspect of the composition.Technical Note: All 500 images are in color -- they render beautifully in optimized gray-scale tones for black-and-white e-book readers, but exhibit even more stunningly in full color with color readers and inside Kindle apps for color-enabled computers and portable or hand-held devices.The masterpieces are organized into the following genres (with the tally of images in each):PORTRAITS (24)SELF-PORTRAITS (18)CHARACTER AND ACTION STUDIES (31)LABORERS (37)TOWNSCAPES: FROM A DISTANCE (17)TOWNSCAPES: FROM INSIDE THE TOWN (30)BUILDINGS: FROM AN EXTERIOR PERSPECTIVE (35)BUILDINGS: INTERIOR DESIGN (17)BIRDS (2)ANIMALS (7)FLOWERS AND GARDENS: LIVING AND GROWING (20)FLOWERS: FLORAL ARRANGEMENTS (29)STILL LIFE (45)TREES (50)LANDSCAPES (50)WATERSCAPES: THE SEA (6)WATERSCAPES: RIVERS, CANALS AND BRIDGES (23)SKYSCAPES (38)NIGHTSCAPES: AT SUNSET (14)NIGHTSCAPES: BY MOONLIGHT (3)NIGHTSCAPES: STARRY NIGHTS (5)NIGHTSCAPES: AT SUNRISE (1)

    It is a book profoundly enriched by the author s two loves, love for the theater and love for his partner of fifty-two years, Tom Hatcher, who shared and inspired every aspect of his life and his work. Laurents writes about the musicals he directed, I Can Get It for You Wholesale, its producer David Merrick (the Abominable Showman ), and its (very young) stars Barbra Streisand and Elliott Gould . . . He writes about Stephen Sondheim s Anyone Can Whistle, which starred Angela Lansbury and Lee Remick, marking the debut for each in musical theater. He summons up the challenges and surprises that came with the making of La Cage aux Folles, the first big Broadway musical that was gay and glad to be. He writes in rich detail about his most recent production of Gypsy, how it began as an act of love, a love that spread through the entire company and resulted in a Gypsy unlike any other. And about his new bilingual production of West Side Story. And he talks, as well, about the works of other directors Fiddler on the Roof; Kiss Me, Kate; Spring Awakening; Street Scene; The Phantom of the Opera; LoveMusik; Sweeney Todd. Moving, exhilarating, provocative a portrait of an artist working with other artists; a unique close-up look at today s American musical theater by a man who s been at its red-hot center for more than five decades."

    'Mother lies prone on an ironing board under a basket of fruit suspended from the ceiling, while a young couple - the girl in a ball dress, the man stripped to the waist in waders - are frantically changing light bulbs; through a street window at the back a policeman spies on this domestic scene in a posture of frozen astonishment...You see the author at full stretch when the police burst in and embark on a lunatic investigation involving four characters who all see the facts in a totally different light, and pounce on every ambiguous word to shoot off in their own direction: the dialogue operates like a railway junction with a madman switching over the points.' Irving Wardle in The Times.

    Join Lydia, Levi, and Bethany as they discover their purpose, find love, and try to keep the Land hidden.The Land Uncharted (Uncharted, #1)Lydia Colburn is a young physician dedicated to serving her village in the Land, an undetectable island in the South Atlantic Ocean. When Lt. Connor Bradshaw’s parachute carries him from the war engulfing the 2025 world to Lydia's hidden land, his mission could expose her simple society. As Connor searches for a way to return to his squadron, his fascination with life in the Land makes him protective of Lydia and her peaceful homeland, and Lydia’s attraction to Connor stirs desires she never anticipated. But will they be able to keep the Land hidden?Uncharted Redemption (Uncharted, #2)Breaking from the Land’s tradition, Levi Colburn begins to build his own house outside the village—across the road from Mandy Foster to be exact. Though he hopes to marry Mandy someday, she rejected him once and has been unattainable to every man in the village ever since. When rebels tear through Good Springs and abduct Mandy, it’s up to Levi to find her.Driven to avoid the hour of hollow discontent that routinely plagues her at sundown, Mandy Foster has made choices she regrets. If anyone found out her secret, tradition dictates she would be shunned. She’s learned how to guard her heart, until she accepts the tender care of the one man who truly loves her. But if she admits her love for Levi, her secret could be exposed.Uncharted Inheritance (Uncharted, #3)Bethany Colburn is finally allowed to court and Everett Foster is ready to confess his love for her. As the outside world closes in on the Land, a new man arrives in the village of Good Springs. He brings charm Bethany has never encountered and illness the Land has never known. While the medicinal power of the gray leaf tree is put to the test and the Colburn family’s strength is stretched thin, Bethany must choose between the love of her life and the intriguing new man. But nothing will matter if the Land is invaded.

    Many kids don't understand the big words written in the Bible. Having a book that is Bible based but puts words on their levels would be great. Children can watch the pages of the Bible come to life through illustrations and words they can understand. There's no reason why ever child wouldn't want a book about a man being eaten by a fish or a little boy killing a giant.

    She was lonely and unsettled - her parents had been killed in a car accident, her boyfriend had decided to go back to his wife, and as a painter she led a solitary life in her North Yorkshire home town. But she felt immediately at home in the gracious stone house that had been bequeathed to her, and was made welcome by the local residents - in particular, by the members of the Mindon Amateur Dramatic Society (somewhat appropriately known as MADS) presided over by the formidable Ursula. Ursula liked to run things her way, and brooked no opposition when the ambitious decision was made (largely by herself) to put on A Midsummer Night's Dream as their next production. Petra , to her surprise and pleasure, was put in charge of the wardrobe. Rivalries, squabbles, love affairs and seething resentments threatened to scupper the production, and all Ursula's managerial skills were needed to prevent disaster. But Petra had more pressing things on her mind than the costumes for the cast. A mystery from her past began to haunt her - and the answer to that mystery might solve the puzzle of why she had been left such a beautiful house by a total stranger.

    A series of scenes that gradually tell the story of how the financial collapse affects a British couple and how fiscal worry, stress, and fear can strain mankind's greatest emotion.

    It doesn't last long, but its power can stand your hair on end. This splendid anthology contains enough wattage to light up a small city. For in its pages, thirty-two of our finest playwrights hone their skills on a form that has been called the haiku of the American stage. The plays that Nina Shengold and Eric Lane have collected in this volume range from monologues to an eight-character farce. Eminently producible, ideally suited for the classroom and audition, Take Ten is a marvelous resource for teachers and students of drama, as well as a stimulating read for lovers of the theatre. Contributors include: John Augustine, Cathy Celesia, Laura Cunningham, Joe Pintauro, Mary Sue Price, Megan Terry, Jose Rivera, Romulus Linney, David Mamet, Jane Martin, David Ives, and many others.

    Then a chance meeting with an influential gossip columnist sparks romance – but can he be trusted? As opening night nears, Scarlett finds herself at the center of the storm as everything she thought she knew about the business of Broadway begins to unravel."Think of it as Twilight for the theater geek or Smash in literary form. Ruby Preston’s new novel Showbiz is an undeniable page-turner." - Stage & CinemaRuby Preston is a young Broadway producer currently working on several new musicals on the Great White Way. She couldn’t be more thrilled to be living her dreams in the Times Square trenches of Manhattan.

    The newest Broadway musical by Pulitzer Prize-winning collaborators Stephen Sondheim and James Lapine, winner of the Tony Award for Best Musical, 1994.

    In its fifth edition, THE WADSWORTH ANTHOLOGY OF DRAMA broadens its scope to offer even more plays than ever before.

    The writings include text from the infamous performances that brought her to the Supreme Court in Finley vs. NEA, a battle that became a mainstay of the culture wars and which has made Finley an icon in the struggle for freedom of speech. Included in this volume will be the never before published, Obie Award-winning The American Chestnut for which she received a Guggenheim; such works as We Keep Our Victims Ready, A Certain Level of Denial, The Return of the Chocolate Smeared Woman, and an excerpt from her forthcoming film Shut Up and Love Me. Also appearing will be previously unpublished short stories, photos, artwork, and an essay on censorship. In 1998 Finley was named Woman of the Year by MS. magazine; she posed for Playboy the following year. She has appeared in numerous films including Philadelphia, and will soon be directing her own first feature film, Shut Up and Love Me, produced by Forensic Films. She has recorded albums including a collaboration with Sinead O'Connor. Finley is a regular on Politically Incorrect and can be seen giving her opinions on Exhale, a new show hosted by Candace Bergen on Oxygen. She will be hosting The Naked Players, a "nude Candid Camera" as well as Shock Video, both on HBO. Finley has written four books: Shock Treatment, Enough Is Enough, Living It Up, and Pooh Unplugged. "We need Finley: she doesn't duck the bullets, she keeps her eyes peeled on the artillery aimed at women, and she continues to push against her own boundaries as an artist" -- MS. Magazine

    Their love for the hit show (whose reclusive author has never been named) is nothing short of an obsession. Thanks to a secret loan from Emily’s grandma Rose, seeing the Saturday matinee has become a weekly ritual that makes real life seem dull and drab by comparison. But when the theater chat rooms start buzzing with crazy rumors that Aurora might close, Emily and Philip find themselves grappling with some truly show-stopping questions. What, exactly, is the “one sure thing” in show business? How will they pay back the money they owe Grandma Rose? And why hasn’t Philip asked Emily out on a real date? As they go to hilarious lengths to indulge their passion for Aurora, Emily and Philip must face the fact that all shows close sooner or later. But first they’ll put their friendship to the ultimate test, solve Broadway’s biggest mystery–and spend one unforgettable night at the theater.From the Hardcover edition.

    He has two manuscripts but lacks the funds to publish both. His difficult decision--whether to publish his lover's memoir or the novel written by his best friend--is further complicated by the arrival of a mysterious machine that produces pages predicting the future of the play's protagonists, affecting their lives and relationships in haunting and unexpected ways. "The Violet Hour" opened on Broadway on November 6, 2003, starring Robert Sean Leonard.