No good can come of it . . .” When Clifford Fox QC receives a desperate letter from his estranged younger brother, Simon, he departs his comfortable Yorkshire home to locate him. The letter outlines the harrowing events that have led Simon to the very edge of sanity. Following a stint at the Brentwell Rehabilitation Unit, failed architect and recovering alcoholic, Simon, is invited by an old school-friend to Abbot’s Keep - a Tudor residence, nestled deep in remote Berkshire countryside. Soon after arriving he is left to explore the neighbouring monastery ruins and discover the house’s dark history. But the more he learns, the more certain he becomes that he is not alone at Abbot’s Keep, and that nothing is as it seems. But can he stop the house’s medieval past repeating itself one final time? And can his brother find him before it’s too late? Reviews ‘Abbot’s Keep is refreshing a hell. Finally, a ghost story that reminds you why the basement is so terrifying!’ Brett McNeill of Rue Morgue Magazine ‘Ashforth does Edgar Allen Poe and Bram Stoker proud delivering a solid contribution to the literary movement. It is time that the ghost story made a comeback. With writers like Benedict Ashforth writing Abbot’s Keep, a revival just might be at hand.’ Matthew J. Barbour of Horror Novel Reviews ‘A really entertaining read with a delightful frisson of fear.’ Simon Ball of Horror Hothouse ‘Ashforth builds on the tension and the feeling of unease with each page to revel in a wonderfully tense and unnerving finale.’ Jim Mcleod of Ginger Nuts of Horror ‘Reminiscent of Poe, Abbot's Keep by Benedict Ashforth is a haunting novella with unique form and beautiful prose.’ Michael Bailey (HWA Bram Stoker Award Nominee) ‘. . . an eerie, atmospheric ghost story . . . has a gentle eeriness that keeps the reader wanting to find out more.' Julie K Top 50 Reviewer ‘Perfect ghost story.’ Christine Waddington 'Ashforth successfully builds a dark and relentless dread that steadily creeps through the text. Extremely accomplished.’ L Sharif ‘A gripping read right from the beginning. Couldn't put it down.’ D Boydell ‘I just could not put this story down. I wanted to know what happened as soon as I picked up my kindle. Strongly recommend.’ Mr Tony Cordon ‘The actual writing is wonderful, beautifully descriptive.’ Fiona White ‘I could not stop reading! it was as though I was in a trance, the story is captivating and very original.’ Safa R ‘A fantastic read, lots of twists and turns. Would recommend this to all Mystery readers. A book that is hard to put down.' Ms P Frain ‘. . . great plot and a well developed storyline. It is elegantly told with well built atmosphere and tension . . . a well conceived idea and would make excellent viewing were it ever to be dramatized.’ Cate Hamilton Read over 170 more reviews on amazon.co.uk

    Everything she holds dear in life is taken away from her in an instant.Devastated and traumatised, Morgan tries to locate Bennett's parents to tell them about their son's death. Only then does she begin to discover layer after layer of deceit. Bennett is not the man she thought he was. And she is not the only woman now in immense danger ...

    In these stories, reminiscent of Shirley Jackson and Julio Cortázar, three young friends distract themselves with drugs and pain in the midst a government-enforced blackout; a girl with nothing to lose steps into an abandoned house and never comes back out; to protest a viral form of domestic violence, a group of women set themselves on fire. But alongside the black magic and disturbing disappearances, these stories are fueled by compassion for the frightened and the lost, ultimately bringing these characters—mothers and daughters, husbands and wives—into a surprisingly familiar reality. Written in hypnotic prose that gives grace to the grotesque, Things We Lost in the Fire is a powerful exploration of what happens when our darkest desires are left to roam unchecked, and signals the arrival of an astonishing and necessary voice in contemporary fiction.

    She also finds herself unexpectedly—and uncontrollably—falling in love with Hemingway, a man already on his way to becoming a legend. In the shadow of the impending Second World War, and set against the tumultuous backdrops of Madrid, Finland, China, Key West, and especially Cuba, where Martha and Ernest make their home, their relationship and professional careers ignite. But when Ernest publishes the biggest literary success of his career, For Whom the Bell Tolls, they are no longer equals, and Martha must make a choice: surrender to the confining demands of being a famous man's wife or risk losing Ernest by forging a path as her own woman and writer. It is a dilemma that will force her to break his heart, and her own.

    Every day he comes home from his dream job to a stale marriage. On the day he finally summons the courage to tell his wife, Eve, he wants a divorce she has exciting news for him – she’s pregnant. Nick is a spiteful man. He purchases his dream home in an ideal location far away from family, friends, and coworkers. It’s a life changing decision he’s chosen to make without Eve’s consultation. Nick is a terrified man. He quickly realizes the residents of his new hometown are a bit eccentric. After a trip to the local doctor’s office Eve begins to behave strangely. And once Nick finds out what’s really going on he’ll never be able to look at Eve the same way.

    Phillipsport, Maine is a quaint and peaceful seaside village. But when hundreds of creatures pour out of the ocean and attack, its residents must take up arms to drive the beasts back. They are the Clickers, giant venomous blood-thirsty crabs from the depths of the sea. The only warning to their rampage of dismemberment and death is the terrible clicking of their claws. But these monsters aren't merely here to ravage and pillage. They are being driven onto land by fear. Something is hunting the Clickers. Something ancient and without mercy. Deadite Press is proud to present the authors' preferred version of J. F. Gonzalez and Mark Williams' gore-soaked cult classic tribute to the giant monster B-movies of yesteryear.

    Now, based on the upcoming film, is a terrifying new novelization novel written by Jonathan Maberry, based on the screenplay by Andrew Kevin Walker and David Self Based on a motion picture screenplay by Curt SiodmakLawrence Talbot's childhood ended the night his mother died.  After he left the sleepy Victorian hamlet of Blackmoor, he spent decades recovering and trying to forget.  But when his brother's fiancée tracks him down to help find her missing love, Talbot returns home to join the search.  He learns that something with brute strength and insatiable bloodlust has been killing the villagers, and that a suspicious Scotland Yard inspector has come to investigate.As Talbot pieces together the gory puzzle, he hears of an ancient curse that turns the afflicted into werewolves when the moon is full.  Now, if he has any chance at ending the slaughter and protecting the woman he has grown to love, Talbot must destroy the vicious creature that stalks the woods surrounding Blackmoor.  But as he hunts for the nightmarish beast, a simple man with a tortured past will uncover a primal side to himself . . . one he never imagined existed.

    A place beyond time and space as we know it where psychopaths compete for perverse honour and status as they carry out their deathly duties. As Grim struggles to hold onto the memories of the life he’s lost, he discovers that the insane being who shaped him (and the course of existence itself) may have sinister plans for the one thing he values most.In Limbo, the end is only the beginning.

    In The Book of Jones, Steadman captures the special grace of cats and the strange power that they possess to enchant us. Line art throughout.

    The Headhunter is loose on the streets of Vancouver. The psycho’s victims are everywhere - floating in the Fraser River, buried in a shallow grave, nailed to a totem pole on the university campus. All are women. All are headless.Then the taunting photographs arrive. Carefully posed shots of the women’s heads stuck on poles. The Mounties of Special X are up against a unique brand of killer. A killer whose sexual psychosis stretches back through Ecuador’s steaming jungle and a scream-filled New Orleans dungeon to a dead-of-winter manhunt in the Rocky Mountains a century ago.

    A college student and aspiring writer, she devotes herself to a life of the mind--and to the beautiful and endlessly self-possessed Bobbi, her best friend and comrade-in-arms. Lovers at school, the two young women now perform spoken-word poetry together in Dublin, where a journalist named Melissa spots their potential. Drawn into Melissa's orbit, Frances is reluctantly impressed by the older woman's sophisticated home and tall, handsome husband. Private property, Frances believes, is a cultural evil--and Nick, a bored actor who never quite lived up to his potential, looks like patriarchy made flesh. But however amusing their flirtation seems at first, it gives way to a strange intimacy neither of them expect. As Frances tries to keep her life in check, her relationships increasingly resist her control: with Nick, with her difficult and unhappy father, and finally even with Bobbi. Desperate to reconcile herself to the desires and vulnerabilities of her body, Frances's intellectual certainties begin to yield to something new: a painful and disorienting way of living from moment to moment.Written with gem-like precision and probing intelligence, Conversations With Friends is wonderfully alive to the pleasures and dangers of youth."

    "Number Thirteen," "The Mezzotint," "Canon Alberic's Scrapbook," and more. Renowned for their wit, erudition and suspense, these stories are each masterfully constructed and represent a high achievement in the ghost genre. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

    In these haunting stories, two teenagers linked by an obsession with murder and torture explore the recesses of humanity's dark side.

    Since his mother’s disappearance and his father’s suicide, Thomas has cared for his three brothers—conjoined triplets with separate bodies but one shared brain—and the town’s only industry, the Mill.Because of his family’s prominence, Thomas is feared and respected by the superstitious swamp folk. Granny witches cast hexes while Thomas’s childhood sweetheart drifts through his life like a vengeful ghost and his best friend, a reverend suffering from the power of tongues, is overcome with this curse as he tries to warn of impending menace. All Thomas learns is that “the carnival is coming.”Torn by responsibility and rage, Thomas must face his tormented past as well as the mysterious forces surging toward the town he loves and despises.

    He comes to own it by the generosity of a brother-in-arms—a fellow soldier and confidante, Maynard Whittier, killed in action by a wayward mortar shell. The rugged landscape of Maine is an intoxicating blend of claustrophobic interiors and endless frozen wastelands. Little by little, the mysterious force in the house asserts itself until Austin isn't exactly sure what is in his mind and what is real. And just when our hero's had enough and is ready to quit the place, a blizzard arrives and the real haunting begins.