With leaders bent on insane policies and too many citizens locked in crippling depression, normality seems elusive and questionable.Part travelogue, part indictment of mad medicine, 'Depresso' is Tom Freeman's hilarious journey through the vagaries of the system to emerge scathed but content with being 'bonkers'.The story unfolds over several years, in China and the UK, during which anti-depressants reduce Tom to a zombie and alternative therapies drive him to comic re-examinations of his life, his work and relationships.Throughout the adventure he is shadowed by the White Lizard, a familiar, a conscience, a pain in the arse who helps and hinders Tom's recovery, and is justly the butt of some wicked humour.'Depresso' is only semi-fictional.

    Experience the forces that shaped an American icon -- and America itself.Long before George Takei braved new frontiers in Star Trek, he woke up as a four-year-old boy to find his own birth country at war with his father's -- and their entire family forced from their home into an uncertain future.In 1942, at the order of President Franklin D. Roosevelt, every person of Japanese descent on the west coast was rounded up and shipped to one of ten "relocation centers," hundreds or thousands of miles from home, where they would be held for years under armed guard.They Called Us Enemy is Takei's firsthand account of those years behind barbed wire, the joys and terrors of growing up under legalized racism, his mother's hard choices, his father's faith in democracy, and the way those experiences planted the seeds for his astonishing future.

    With humor and heart, she tells of growing up one of the few Asian American kids at her school in Eugene, Oregon; of struggling with her mother's particular, high expectations of her; of a painful adolescence; of treasured months spent in her grandmother's tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food. As she grew up, moving to the East Coast for college, finding work in the restaurant industry, and performing gigs with her fledgling band--and meeting the man who would become her husband--her Koreanness began to feel ever more distant, even as she found the life she wanted to live. It was her mother's diagnosis of terminal cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her.Vivacious and plainspoken, lyrical and honest, Zauner's voice is as radiantly alive on the page as it is onstage. Rich with intimate anecdotes that will resonate widely, and complete with family photos, Crying in H Mart is a book to cherish, share, and reread.

    Probably a filmmaker. Possibly Steven Spielberg. Then in 1980 the movie Fame came out. Cecil wasn’t allowed to see that movie. It was rated R and she was ten. But she did watch the television show and would pretend with her friends that she was going to that school. Of course they were playing. She was not. She was destined to be an art school kid.Chronicling the life of award-winning young adult novelist, and Eisner-nominated comics scribe Cecil Castellucci (Shade the Changing Girl, Star Wars: Moving Target), Girl On Film follows a passionate aspiring artist from the youngest age through adulthood to deeply examine the arduous pursuit of filmmaking, while exploring the act of memory and how it recalls and reshapes what we think we truly know about ourselves.

    Until you read a lovesick e-mail to your husband . . . that didn’t come from you!Good Riddance is an honest and funny graphic memoir about suffering through and surviving divorce. Cynthia Copeland chronicles the deep pain, confusion, awkwardness, and breakthroughs she experiences in the “new normal” as a wife who’s been deceived, a mom who’s now single, a divorcée who’s dating, and a woman who’s on her own figuring out what she truly wants from her life. Copeland tells her story with an emotional candor and spot-on humor that makes Good Riddance poignant, painful, and hilarious all at once. Praise for Good Riddance: “Copeland’s light-hearted and comical artwork, reminiscent of Roz Chast’s, takes some of the sting out of her sorrows, allowing readers to nod in sympathy or chuckle at her missteps.”  —Publishers Weekly "Even as she tells a story that is sometimes heartbreaking, Copeland has a way of making you laugh out loud.  Full of insight about family, friendship, love, and resilience, Good Riddance is essential reading for anyone who has ever gone through a divorce." -- J. Courtney Sullivan, New York Times bestselling author of Maine and Commencement "Copeland takes us gently through a tough chronicle of divorce with wit, humor and more than a little hope." -- Phoebe Potts, author of Good Eggs "For anyone who's ever been dumped and had to start over, this charming book should be required reading. Grab a glass (ok, bottle) of wine and settle in. There's a light at the end of your tunnel and it starts with Good Riddance." -- Jill Smokler, New York Times bestselling author “Copeland has a charming art style . . . and because of her experience in the self-help/instructional publishing field, she brings a welcome specificity to the subject. Good Riddance isn’t a rant against cheating spouses; it’s more a step-by-step breakdown on how it feels to have a comfortable life upended overnight.” – The A.V. Club “I was struck by a page on which Copeland sends her youngest off for his first overnight in the home of T.J. and his new wife. The author-artist uses just a few words and images to convey an entire world of maternal despair. Copeland and other ‘graphic memoirists’ have me convinced that illustrated books—unlike Trix®—aren’t just for kids anymore.” —AARP.com“Works such as Copeland’s deserve your attention even if you aren’t married or divorced, because the human experience can be entertaining and moving.”—ComicMix

    No story is too painful to tell—like how much she enjoyed fat camp. Nor too off-limits—like her critique of R. Crumb. Nor too personal—like her stories of growing up Jewish in Florida. Using her sweet but biting wit, Davis effortlessly carves out a wholly original and refreshing niche in two well-worn territories: autobio comics and the Jewish identity.Davis draws strips from her daily diary, centering on her youth, mother, relationships with men, and eventually her longtime boyfriend. Her intimacy, self-deprecation, and candor have deservedly earned her many accolades and awards. Her deft comedic touch, lush color, and immediacy will set Davis apart not only as one of the premier cartoonists, but as one of the leading humorists for her generation, too.

    In the rapidly converging landscape of the 21st century Major Kusanagi is charged to track down the craftiest and most dangerous terrorists and cybercriminals, including ghost hackers When he track the trail of one hacker, her quest leads her to a world she could never have imagined.