Within hours of their birth, their mother threw herself from the cliffs, the au pair fled, and the village thrilled with whispers of dark cloaks, changelings, and the aloof couple who drew a young nanny into their inner circle.Now an adult, Seraphine mourns the recent death of her father. While going through his belongings, she uncovers a family photograph that raises dangerous questions. It was taken on the day the twins were born, and in the photo, their mother, surrounded by her husband and her young son, is beautifully dressed, smiling serenely, and holding just one baby.Who is the child and what really happened that day?One person knows the truth, if only Seraphine can find her.

    Six years ago Justin's life was ripped apart when he discovered his mother's bludgeoned corpse. Now Justin's father is serving a life sentence and Justin drowns his emotions in a pool of inner peace. But when Birdie claims he murdered Justin's mother for cash, Justin is hurled back to the emotions, back to the past, and, most frightening of all, back to the father he tried to leave behind. WHO HIRED BIRDIE GRACKLE TO KILL JUSTIN?S MOTHER? As Justin pieces together the truth, a killing machine stalks Justin, leaving a trail of dead in his wake. Someone wants to bury the truth, and maybe Justin, too. Justin had better find some answers quick, because murder is just not Zen.

    She's disturbed to discover the culprit is a raven, and tries to shoo it away. Which is when the killer strikes.DS Nathan Cody, still bearing the scars of an undercover mission that went horrifyingly wrong, is put on the case. But the police have no leads, except the body of the bird - and the victim's missing eyes.As flashbacks from his past begin to intrude, Cody realises he is battling not just a murderer, but his own inner demons too.And then the killer strikes again, and Cody realises the threat isn't to the people of Liverpool after all - it's to the police.Following the success and acclaim of the Callum Doyle novels, A Tapping at My Door is the first instalment of David Jackson's new Nathan Cody series.From the bestselling author of Cry Baby, the beginning of a brilliant and gripping police procedural series set in Liverpool, perfect for fans of Peter James and Mark Billingham"Recalls Harlan Coben - though for my money Jackson is the better writer." Guardian

    Now the police are relying on Adam as the only witness to an appalling crime. But he can't tell the police what he saw—or what he heard. Barely verbal on the best of days, Adam has retreated into a silent world that Cara, his mother, knows only too well.A young girl has been murdered and the only witness is a child who cannot tell what he saw. In the woods of a small town, Adam, a nine-year-old autistic boy, is discovered hiding near to the body of his classmate. They both wandered off from the school playground several hours earlier, and now the police are relying on Adam as the only witness to an appalling crime. But he can't tell the police what he saw—or what he heard. Barely verbal on the best of days, Adam has retreated into a silent world that Cara, his mother, knows only too well. With her community in shock and her son unable to help with the police investigation, Cara tries to decode the puzzling events. Adam has never broken the rules before, so why did he disappear with the little girl during recess? As a single mother, Cara has devoted her life to opening paths of communication between her son and the outside world. Now, she must interpret the changes in Adam's behavior not only to help him through the trauma, but to help the police catch a killer. Cammie McGovern brings her own experience as the mother of an autistic child to articulate the struggles—and the victories—that consume the lives of parents raising children with special needs. A powerful story of the tangled emotional bond between mother and son, and a thrilling novel of psychological suspense, Eye Contact won't let you go. Lovers of Mystic River will be captivated by this fresh and fascinating journey into the world of a child in crisis and a mother who longs to bring him through unscathed.

    We first meet ex-policeman Bernie Gunther in 1936, in March Violets (a term of derision which original Nazis used to describe late converts.) The Olympic Games are about to start; some of Bernie's Jewish friends are beginning to realize that they should have left while they could; and Gunther himself has been hired to look into two murders that reach high into the Nazi Party. In The Pale Criminal, it's 1938, and Gunther has been blackmailed into rejoining the police by Heydrich himself. And in A German Requiem, the saddest and most disturbing of the three books, it's 1947 as Gunther stumbles across a nightmare landscape that conceals even more death than he imagines. (For a review of Kerr's latest novel, The Grid, see our Thrillers section.)

    Hospitals and lakes. When Ian drinks vodka in the basement. ISIS. When Ian gets angry... That something is really, really wrong with me.Maddie and Ian's romance began with a chance encounter at a party overseas; he was serving in the British army and she was a travel writer visiting her best friend, Jo. Now almost two decades later, married with a beautiful son, Charlie, they are living the perfect suburban life in Middle America. But when a camping accident leaves Maddie badly scarred, she begins attending writing therapy, where she gradually reveals her fears about Ian's PTSD; her concerns for the safety of their young son, Charlie; and the couple's tangled and tumultuous past with Jo.From the Balkans to England, Iraq to Manhattan, and finally to an ordinary family home in Kansas, sixteen years of love and fear, adventure and suspicion culminate in The Day of the Killing, when a frantic 911 call summons the police to the scene of a shocking crime.