When Greg finds a stick and draws a lion in the sand, his father says, "Don't go in the water, and don't leave Sandy." The little boy follows his father's advice. But he still manages to travel down the beach quite a way before realizing he can no longer see the blue umbrella where Dad is waiting. Greg's journey takes him past such landmarks as a jellyfish, a sand castle, a big pit in the sand, a ghost-crab hole, and more. Fortunately, he has his stick-and Sandy's tail-with him the whole way.

    It was unlike any other garden she knew. It had no flowers or vegetables. Instead, Ojiichan made it out of stones: “big ones, little ones and ones in-between.” Every summer, Mayumi visits her grandfather in Japan, and they tend the garden together. Raking the gravel is her favorite part. Afterward, the two of them sit on a bench and enjoy the results of their efforts in happy silence. But then one summer, everything changes. Ojiichan has grown too old to care for his home and the garden. He has to move. Will Mayumi find a way to keep the memory of the garden alive for both of them? This gentle picture book story will warm children's hearts as it explores a deep intergenerational bond and the passing of knowledge from grandparent to grandchild over time. The lyrical text by Chieri Uegaki and luminous watercolor illustrations by Genevieve Simms beautifully capture the emotional arc of the story, from Mayumi's contentment through her anger and disappointment to, finally, her acceptance. The story focuses on an important connection to nature, particularly as a place for quiet reflection. It contains character education lessons on caring, responsibility, perseverance and initiative. It's also a wonderful way to introduce social studies conversations about family, aging and multiculturalism. Mayumi lives in North America with her Japanese mother and Dutch father, and visits her grandfather in Japan. Some Japanese words are included.

    Stella has her Papa and Daddy who take care of her, and a whole gaggle of other loved ones who make her feel special and supported every day. She just doesn't have a mom to invite to the party. Fortunately, Stella finds a unique solution to her party problem in this sweet story about love, acceptance, and the true meaning of family.

    . . and they're not sure they want to. Irene Latham, who is white, and Charles Waters, who is black, use this fictional setup to delve into different experiences of race in a relatable way, exploring such topics as hair, hobbies, and family dinners. Accompanied by artwork from acclaimed illustrators Sean Qualls and Selina Alko, this remarkable collaboration invites readers of all ages to join the dialogue by putting their own words to their experiences.

    Aleja's grandfather is a fisherman. Bisou's grandmother is a dentist. But Zura's Nana, who is her favorite person in the world, looks a little different from other grandmas. Nana Akua was raised in Ghana, and, following an old West African tradition, has tribal markings on her face. Worried that her classmates will be scared of Nana--or worse, make fun of her--Zura is hesitant to bring her to school. Nana Akua knows what to do, though. With a quilt of traditional African symbols and a bit of face paint, Nana Akua is able to explain what makes her special, and to make all of Zura's classmates feel special, too.

    "Come with me," he says. Hand-in-hand, they walk to the subway, tipping their hats to those they meet. The next day, the girl asks her mama what she can do--her mama says, "Come with me," and together they set out for the grocery, because one person doesn't represent an entire race or the people of a land. After dinner that night, the little girl asks if she can do something of her own--walk the dog . . . and her parents let her go. "Come with me," the girl tells the boy across the hall. Walking together, one step at a time, the girl and the boy begin to see that as small and insignificant as their part may seem, it matters to the world.

    He danced up one avenue and down another and everyone danced along. The old ladies whistled and whirled. The old men hooted and hollered. The barbers, bead twirlers, and beignet bakers bounded behind that one-man parade. But then came the rising Mississippi—and a storm greater than anyone had seen before. In this heartwarming book about a real garbage man, Phil Bildner and John Parra tell the inspiring story of a humble man and the heroic difference he made in the aftermath of Hurricane Katrina. Plus, this is a fixed-format version of the book, which looks nearly identical to the print version.

    Some people are girls. Some people are both, neither, or somewhere in between.This sweet, straightforward exploration of gender identity will give children a fuller understanding of themselves and others. With child-friendly language and vibrant art, It Feels Good to Be Yourself provides young readers and parents alike with the vocabulary to discuss this important topic with sensitivity.

    . . nothing. But then . . . BANG! Stars caught fire and burned so long that they exploded, flinging stardust everywhere. And the ash of those stars turned into planets. Into our Earth. And into us. In a poetic text, Marion Dane Bauer takes readers from the trillionth of a second when our universe was born to the singularities that became each one of us, while vivid illustrations by Ekua Holmes capture the void before the Big Bang and the ensuing life that burst across galaxies. A seamless blend of science and art, this picture book reveals the composition of our world and beyond -- and how we are all the stuff of stars.

    As General Tubman she was a Union spy. As Moses she led hundreds to freedom on the Underground Railroad. As Minty she was a slave whose spirit could not be broken.

    His parents took him on a search for a bride. They travelled the land far and wide, but the prince was looking for something different in a partner…

    One day, Sally has had enough and decides to make herself heard. And when she takes a chance and stands up to the bullies, she finds that one small girl can make a big difference.Grammy-nominated children’s musician Justin Roberts, together with vibrant artwork from award-winning illustrator Christian Robinson, will have readers cheering for young Sally McCabe.

    For the young protagonist of this lyrical and hopeful picture book, that landing is something that inspires her to make one giant step toward all of the possibilities that life has to offer. Caldecott Honor– winning painter Jerry Pinkney and the poetic Dianna Hutts Aston create a moving tribute to the historic Apollo 11 Mission, just in time to commemorate its upcoming fortieth anniversary.

    Simple pairings of words, both expected (small/large) and unexpected (clear/blurry), are humorously illustrated with a graphic and lovable red hippopotamus. Bold colors and surprising die-cuts and textures spice up this elegantly engaging board book. Praise for Hippopposites "Nicely done and a perfect gift, your favorite little one will love this book." —KIWI Magazine "This is a marvelous introduction to linguistic nuance for the very young." —The Wall Street Journal "A distinctive offering stands out in the crowded field of concept contenders." —Kirkus Reviews STARRED REVIEW "French illustrator Coat blends a quirky sensibility with a slick visual aesthetic...it’s an excellent (and fun) vehicle through which to demonstrate the concept." —Publishers Weekly, starred review Award 2013 ALA/ALSC Notable Book

    Papa Rabbit traveled north two years ago to find work in the great carrot and lettuce fields to earn money for his family. When Papa does not return, Pancho sets out to find him. He packs Papa’s favorite meal—mole, rice and beans, a heap of warm tortillas, and a jug of aguamiel—and heads north. He meets a coyote, who offers to help Pancho in exchange for some of Papa’s food. They travel together until the food is gone and the coyote decides he is still hungry . . . for Pancho!Duncan Tonatiuh brings to light the hardship and struggles faced by thousands of families who seek to make better lives for themselves and their children by illegally crossing the border. Praise for Pancho Rabbit and the Coyote STARRED REVIEWS"Tonatiuh’s great strength is in the text. No word is wasted, as each emotion is clearly and poignantly expressed. The rabbits’ future is unknown, but their love and faith in each other sustains them through it all. Accessible for young readers, who may be drawn to it as they would a classic fable; perfect for mature readers and the classroom, where its layers of truth and meaning can be peeled back to be examined and discussed. An incandescent, humane and terribly necessary addition to the immigrant-story shelf."—Kirkus Reviews, starred review"In both prose and art, Tonatiuh expertly balances folkloric elements with stark, modern realities; Pancho Rabbit’s trip has the feel of a classic fable or fairy tale, with the untrustworthy coyote demanding more and more of him."—Publishers Weekly, starred review"The book shows the fragility of making a living, the desperation that many migrants experience, and the deep family ties that bind the characters. Classrooms studying the migrant experience will find plenty to discuss here."—School Library Journal“This will spark strong responses and needed discussion.”—Booklist"Tonatiuh is so careful in weaving his allegory that his empathetic contemporary tale feels like age-old folklore, with simple but compelling text and a step-by-step escalation of the story through gripping, kid-understandable challenges."—The Bulletin of the Center for Children's Books AwardsPura Belpré Author and Illustrator Honor book 2014New York Public Library’s annual Children’s Books list: 100 Titles for Reading and Sharing 2013Kirkus Best Books of 2013Best Multicultural Children's Books 2013 (Center for the Study of Multicultural Children's Literature)Notable Children's Books from ALSC 2014Notable Books for a Global Society Book Award 2014