Generations of fans have longed to plumb that first romance, hinted at so captivatingly on the pages of "Little Women," Alcott's autobiographical classic. Now, after nearly one hundred fifty years spent among archived family documents, Louisa May Alcott's debut novel finally reaches its eager public. Set in an English country manor, the story follows the turbulent fortunes of Edith Adelon, an impoverished Italian orphan whose loyalty and beauty win her the patronage of wealthy friends until a jealous rival contrives to rob her of her position. In the locket around her neck, she carries a deep secret about her natural birthright. But an even greater truth lies hidden in Edith's heart - her deep reverence for the kind and noble Lord Percy, the only friend who can save her from the deceitful, envious machinations of Lady Ida. Reminiscent of Jane Austen in its charms, this chaste but stirringly passionate novel affirms the conquering power of both love and courtesy.Written by Louisa in 1849, when she was only 17, this book demonstrates virtue and values in a beautiful way.

    With the smart and sexy Cassiopeia Vitt by his side, Malone faces down the world’s deadliest terrorists, assassins, and con men—and unravels some of history’s most legendary and iconic mysteries along the way.Now in one exclusive eBook bundle are the first seven novels of Steve Berry’s extraordinary series:The Templar LegacyThe Alexandria LinkThe Venetian BetrayalThe Charlemagne PursuitThe Paris VendettaThe Emperor's TombThe Jefferson Key

    She was there to photograph the relics and artifacts collected by a highly secretive organization. And her employer, Mr. Gabriel Jones, had the eyes of a sorcerer… Venetia is shattered when, shortly after their night together, she reads of Jones’s death in the papers. As a private tribute, she adopts the name “Mrs. Jones”. But her romantic whim causes unexpected trouble. Mr. Jones is about to stride, living and breathing, back into her life.The River Knows:The first kiss occurred in a dimly lit hallway on the upper floor of Elwin Hastings’s grand house. Louisa never saw it coming. . . . Of course, Anthony Stalbridge couldn’t possibly have had romantic intentions. The kiss was an act of desperation, meant to distract the armed guard who was about to catch the pair in a place they most definitely did not belong.Third Circle:Leona Hewitt has secretly made her way into Lord Delbridge’s private museum to recover a relic stolen from her family years ago. But someone else is there in the dimly lit gallery, on the same errand: a tall, black-cloaked man whose very voice is enough to put her in a trance. Thaddeus Ware, a mesmerist with powerful psychic energy, is accustomed to fearful reactions from others. But Leona shows no trace of hysteria in his presence. She exerts a rather hypnotic power over the hypnotist himself.

    In the end, Myshkin’s honesty, goodness, and integrity are shown to be unequal to the moral emptiness of those around him. In her revision of the Garnett translation, Anna Brailovsky has corrected inaccuracies wrought by Garnett’s drastic anglicization of the novel, restoring as much as possible the syntactical structure of the original story.

    Flora Poste, a recently orphaned socialite, moves in with her country relatives, the gloomy Starkadders of Cold Comfort Farm, and becomes enmeshed in a web of violent emotions, despair, and scheming, until Flora manages to set things right.

    Its sequel, Dear Enemy (1915), also told in letters, follows the progress of Judy's former orphanage now run by her friend Sallie McBride, who struggles to give her young charges hope and a new life. Full of irrepressible female characters that both recall Alcott's Jo March and anticipate the popular heroines of contemporary literature, Webster's novels are witty, heartfelt, and delightfully modern.

    Among her characters are some of the most remarkable portraits in English literature: Dorothea Brooke, the heroine, idealistic but naive; Rosamond Vincy, beautiful and egoistic: Edward Casaubon, the dry-as-dust scholar: Tertius Lydgate, the brilliant but morally-flawed physician: the passionate artist Will Ladislaw: and Fred Vincey and Mary Garth, childhood sweethearts whose charming courtship is one of the many humorous elements in the novel's rich comic vein.

    Scarlett O'Hara has to work hard to build up her life again, but she has no money. The handsome Rhett Butler is rich, but he is soon to be hanged for murder. Then there is Ashley Wilkes. He is married now, but Scarlett still loves him. Does he love her?

    Social climber Alroy Kear is flattered when he is selected by Edward Driffield's wife to pen the official biography of her lionized novelist husband, and determined to write a bestseller. But then Kear discovers the great novelist's voluptuous muse (and unlikely first wife), Rosie. The lively, loving heroine once gave Driffield enough material to last a lifetime, but now her memory casts an embarrissing shadow over his career and respectable image. Wise, witty, deeply satisfying, Cakes and Ale is Maugham at his best.

    When his father's business partner Thomas Regan suggests that Francis take a holiday in Central America, ostensibly to search for the treasure of the Morgans' legendary ancestor, Francis thinks it's a splendid idea. But he never suspects what adventures await across the border...Meanwhile, back in New York, a cunning enemy is positioning himself to destroy the Morgan fortune. Francis must get back in time to thwart the takeover and save his family's business.

    Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster.Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.

    M. Forster about social conventions, codes of conduct and relationships in turn-of-the-century England. A strong-willed and intelligent woman refuses to allow the pretensions of her husband's smug English family to ruin her life. Howards End is considered by some to be Forster's masterpiece.

    

    Short extracts from the original book focus on key scenes and important themes.--back cover

    Dumas transforms minor historical figures into larger- than-life characters: the Comte d’Artagnan, an impetuous young man in pursuit of glory; the beguilingly evil seductress “Milady”; the powerful and devious Cardinal Richelieu; the weak King Louis XIII and his unhappy queen—and, of course, the three musketeers themselves, Athos, Porthos, and Aramis, whose motto “all for one, one for all” has come to epitomize devoted friendship. With a plot that delivers stolen diamonds, masked balls, purloined letters, and, of course, great bouts of swordplay, The Three Musketeers is eternally entertaining.