But you'll want to read it most for Karen's own words: 'I can walk, I can talk. I can read. I can write. I can do anything."- The New York Times Yes, these are Karen's own words. The words of a small, pig-tailed, freckle-faced child. Yet, no truer words were ever spoken, for Karen had just lived a miracle. "Extraordinary is the word to be used first, last, and repeatedly about this book. Anyone who meets Karen, even on paper, will postpone resigning from the human race." The Saturday Review.

     Playing with Fire What do you get when you mix gorgons, an incubus, and the Calamity Queen? Trouble, and lots of it.  For Bailey, catering to the magical is a tough gig on a good day, but she has few other options. She can either keep spiking drinks with pixie dust to keep the locals happy, or spend the rest of her life cleaning up some of the world’s nastiest magical substances.  Years after helping Police Chief Samuel Quinn escape an unhappy marriage, Bailey is once again entangled in his personal affairs. To make matters worse, Quinn’s ex-wife is angling for revenge, tossing Bailey into the deep end along with her sexiest enemy. Hoofin' It All Shane wanted was to get away from the wreckage of his career for a while. He picked New York City to provide him with a distraction from his early, unwanted retirement from the police force. New York City delivered, distracting him with three corpses and a miniature llama with a spitting problem and an attitude. If he wants to return to a normal life, he’ll have to face off against a sex trafficking ring targeting the woman of his dreams, ancient vampires, murderous criminals, his parents, and an FBI agent with a hidden agenda. Some days, it isn’t easy being an ex-cop. Serial Killer Princess Why would anyone put a mermaid and a gorgon in the same room together? While Tulip enjoys being alive, her lineage brings her nothing but trouble. Snakes eat fish, and the mer love tearing apart their serpentine nemeses with their hands and teeth. As for the gorgons… she’d rather not think about them at all. The last thing Tulip wants is to rule the mer kingdom. First, she can barely swim. Second, she’s packing more than her fair share of her father’s genes. Third, what is a landlocked princess supposed to do with an aquatic kingdom? If she gets her way, nothing. Add in her dirty little serial killing secret, and she’s an international disaster waiting to happen. Whatever for Hire Fetching a cat out of a tree should’ve been a quick, easy fifty bucks in Kanika’s pocket. Instead, following one stray thought, the devil pays her a visit and leaves her with a debt to repay.  Hearth, Home, and Havoc Dakota never intended to become the single mother of a goddess. To make matters worse, her daughter hadn’t quite figured out her role in the grand scheme of things. Havoc isn’t supposed to be part of Hestia’s portfolio, but where the young goddess of the hearth and home goes, trouble surely follows. When Dakota’s ex-husband barrels his way back into her life, a heavy dose of havoc is just what the doctor ordered. She just never expected to find love in the midst of murder. Owl Be Yours After a wildfire took everything from her, Emily Hall made do surviving as a homeless human by day and as an owl at night. When one of the men responsible for infecting her with lycanthropy comes winging his way back into her life, she must choose between revenge or resuming a normal life. Until Daniel’s return, she never dreamed she might be able to have both. Fowl Play Instead of a quiet dance retreat where she could escape the insanity of being the daughter of an angel, a succubus, and a lycanthrope, Emma Sansaul plummets into t

    Vacationing in the Italian Alps, Scotland Yard Inspector Henry Tibbett and his wife, Emmy, discover an international smuggling ring and an unexpected murder

    It is rich in historical narrative. King Kalakaua relates the stories of certain great events with such verve that one can readily imagine he was an eyewitness. No doubt he had heard the same tales from the sons and daughters of those who had been present on occasions such as the death of Captain Cook. Since the momentous Hawaiian rejection of the ancient gods took place only two decades before his birth, many of the people about him as he grew to manhood had lived under the old system. His sources of knowledge were direct indeed.

    Barnum embodied all that was grand and fraudulent in American mass culture. Over the course of a life that spanned the nineteenth century (1810-91), he inflicted himself upon a surprisingly willing public in a variety of guises, from newspaper editor (or libeler) to traveling showman (or charlatan) and distinguished public benefactor (or shameless hypocrite).   Barnum deliberately cultivated his ambiguous public image through a lifelong advertising campaign, shrewdly exploiting the cultural and technological capabilities of the new publishing industry. While running his numerous shows and exhibitions, Barnum managed to publish newspaper articles, exposés of fraud (not his own), self-help tracts, and a series of best-selling autobiographies, each promising to give "the true history of my many adventures."   Updated editions of The Life of P. T. Barnum appeared regularly, allowing Barnum to keep up with demand and prune the narrative of details that might offend posterity. The present volume is the first modern edition of Barnum's original and outrageous autobiography, published in 1855 and unavailable for more than a century. Brazen, confessional, and immensely entertaining, it immortalizes the showman who hoodwinked customers into paying to hear the reminiscences of a woman presented as George Washington's 161-year-old nurse, the impresario who brought Jenny Lind to America and toured Europe with General Tom Thumb, and the grand entrepreneur of the American Museum of New York. Above all, it ensures that Barnum would be properly remembered . . . exactly as he created himself.

    But far from being deserted, Thale's Folly, as Andrew discovers, is fully inhabited--by a quartet of charming squatters, former "guests" of kindhearted Harriet. There is elegant Miss L'Hommedieu, Gussie the witch, Leo the bibliophile, and beautiful Tarragon, who is unlike any girl Andrew has ever met in Manhattan.Andrew is entranced by these unworldly creatures and their simple life. Yet all is not well in Thale's Folly. A thief breaks into the farmhouse, an old friend of the "family" disappears, and Andrew and Tarragon are drawn into mysteries they cannot fathom. . . .

    Winner of the Pulitzer Prize for Drama in 1943.The Matchmaker—Wilder's brilliant 1954 farce about money and love starring that irrepressible busybody Dolly Gallagher Levi. This play inspired the Broadway musical Hello, Dolly!.

    (j.g.) "Dusty" Kleiss burst out of the clouds and piloted his SBD Dauntless into a near-vertical dive aimed at the heart of Japan’s Imperial Navy, which six months earlier had ruthlessly struck Pearl Harbor. The greatest naval battle in history raged around him, its outcome hanging in the balance as the U.S. desperately searched for its first major victory of the Second World War. Then, in a matter of seconds, Dusty Kleiss’s daring 20,000-foot dive helped forever alter the war’s trajectory.Plummeting through the air at 240 knots amid blistering anti-aircraft fire, the twenty-six-year-old pilot from USS Enterprise’s elite Scouting Squadron Six fixed on an invaluable target—the aircraft carrier Kaga, one of Japan’s most important capital ships. He released three bombs at the last possible instant, then desperately pulled out of his gut-wrenching 9-g dive. As his plane leveled out just above the roiling Pacific Ocean, Dusty’s perfectly placed bombs struck the carrier’s deck, and Kaga erupted into an inferno from which it would never recover.Arriving safely back at Enterprise, Dusty was met with heartbreaking news: his best friend was missing and presumed dead along with two dozen of their fellow naval aviators. Unbowed, Dusty returned to the air that same afternoon and, remarkably, would fatally strike another enemy carrier, Hiryu. Two days later, his deadeye aim contributed to the destruction of a third Japanese warship, the cruiser Mikuma, thereby making Dusty the only pilot from either side to land hits on three different ships, all of which sank—losses that crippled the once-fearsome Japanese fleet.By battle’s end, the humble young sailor from Kansas had earned his place in history—and yet he stayed silent for decades, living quietly with his children and his wife, Jean, whom he married less than a month after Midway. Now his extraordinary and long-awaited memoir, Never Call Me a Hero, tells the Navy Cross recipient’s full story for the first time, offering an unprecedentedly intimate look at the "the decisive contest for control of the Pacific in World War II" (New York Times)—and one man’s essential role in helping secure its outcome.Dusty worked on this book for years with naval historians Timothy and Laura Orr, aiming to publish Never Call Me a Hero for Midway’s seventy-fifth anniversary in June 2017. Sadly, as the book neared completion in 2016, Dusty Kleiss passed away at age 100, one of the last surviving dive-bomber pilots to have fought at Midway. And yet the publication of Never Call Me a Hero is a cause for celebration: these pages are Dusty’s remarkable legacy, providing a riveting eyewitness account of the Battle of Midway, and an inspiring testimony to the brave men who fought, died, and shaped history during those four extraordinary days in June, seventy-five years ago.

    In this paradigm-shifting book, celebrated historian Tiya Miles reveals that slavery was at the heart of the Midwest's iconic city: Detroit.In this richly researched and eye-opening book, Miles has pieced together the experience of the unfree--both native and African American--in the frontier outpost of Detroit, a place wildly remote yet at the center of national and international conflict. Skillfully assembling fragments of a distant historical record, Miles introduces new historical figures and unearths struggles that remained hidden from view until now. The result is fascinating history, little explored and eloquently told, of the limits of freedom in early America, one that adds new layers of complexity to the story of a place that exerts a strong fascination in the media and among public intellectuals, artists, and activists.A book that opens the door on a completely hidden past, The Dawn of Detroit is a powerful and elegantly written history, one that completely changes our understanding of slavery's American legacy.

    In this classic work, now back in print, Olsen broke open the study of literature and discovered a lost continent—the writing of women and working-class people. From the excavated testimony of authors’ letters and diaries we learn the many ways the creative spirit, especially in those disadvantaged by gender, class and race, can be silenced. Olsen recounts the torments of Melville, the crushing weight of criticism on Thomas Hardy, the shame that brought Willa Cather to a dead halt, and struggles of Virginia Woolf, Olsen’s heroine and greatest exemplar of a writer who confronted the forces that would silence her. This 25th-anniversary edition includes Olsen’s now infamous reading lists of forgotten authors and a new introduction and author preface.

    D. (1843-1928) was an American orientalist, author and Congregational preacher. In September 1870 Griffis was invited to Japan for the purpose of organizing schools along Western lines. He prepared the New Japan Series of reading and spelling books and primers for Japanese students in the English language. He published 18 books on Japan and Japanese culture, wrote several hundred articles, and made numerous public lectures. It wasn't just Japan and the Orient he was interested in, in his lifetime Griffis travelled to Europe 11 times, mainly to the Netherlands. He was a member of the committee of the Boston Congregational Club to erect a Pilgrim memorial at Delfshaven, the Netherlands in 1909. In 1926 he returned to Japan to receive the Order of the Rising Sun. He died in 1928. His works include The Religions of Japan (1895), Charles Carleton Coffin (1898), Dutch Fairy Tales for Young Folks (1918) and Welsh Fairy Tales (1921).

    Numerous newspaper reports in the United States and abroad told of how the two -- fair-skinned Ellen disguised as a white slave master and William posing as a servant -- negotiated heart-pounding brushes with discovery while fleeing Macon, Georgia, for Philadelphia and eventually Boston.No account, though, conveyed the ingenuity, daring, good fortune, and love that characterized their flight for freedom better than the couple's own version. Published in 1860, it is a remarkable authorial accomplishment written only twelve years after the Crafts learned to read. Now their stirring first-person narrative and Richard Blackett's excellent interpretive pieces are brought together in one volume to tell the complete story of the Crafts.

    The Gothic commander was Alaric, a Roman general and barbarian chieftain. Leading an army that was short of food and potentially mutinous, sacking Rome was his only way forward. The old heart of Rome's empire fell to a conqueror's sword for the first time in eight hundred years. For three days, Alaric's Goths sacked the eternal city. In the words of a contemporary, the mother of the world had been murdered. Alaric's story is the culmination of a long historical journey by which the Goths came to be a part of the Roman world. Whether as friends or foes of the Roman empire, the Goths and their history are entwined with the larger history of Rome in the third and fourth centuries. Rome's Gothic Wars explains how the Goths came into existence on the margins of the Roman world, how different Gothic groups dealt with the enormous power of Rome just beyond their lands, and how, in two traumatic years, thousands of Goths entered the imperial provinces and destroyed the army that was sent to suppress them, leaving the emperor of the eternal city dead on the field of battle. Unlike other histories of the barbarians, Rome's Gothic Wars shows exactly how and why modern historians understand the Goths the way they do - and why our understanding is so controversial. Michael Kulikowski is associate professor of history at the University of Tennessee-Knoxville. A recipient of the Solmsen Fellowship at the Institute for Research in the Humanities at the University of Wisconsin, Madison, he is the author of Late Roman Spain and Its Cities, which was awarded an Honorable Mention in Classics and Archaeology from the Association of American University Presses. His scholarly articles have appeared in Early Medieval Europe, Britannia, Phoenix, and Byzantium, and he has appeared on the History Channel's Barbarians series.

    A practical young woman, she leaves the spotlight to her beautiful younger sister and prefers quiet pursuits such as reading. But all that changes the moment she learns of her mother’s very excellent scheme to keep the family out of debtors’ prison. The scatter-brained Lady Fellingham has been selling commissions in the king’s army, and Catherine must shake off her indifference in order to save her family from a potentially ruinous scandal. Lady Arabella, her mother’s partner-in-crime, readily agrees to abandon the plan but only because she finds a more absorbing project: nabbing a husband for Catherine. Catherine pays no head to her ladyship’s lavish claim that she’ll have her engaged by the end of the season, but that’s before she overhears Arabella instructing the handsome nonpareil, the Marquess of Deverill, to flirt outrageously with her and bring her into fashion. Mortified, Catherine resolves not to be taken in by the charming marquess's cruel game—and even implements a very excellent scheme of her own. This sensible young lady seems to have everything well in hand. Or is she about to learn that her heart is a great deal less practical than her head?

    Using the memories of those at the forefront of the battle, Michael Smith reveals a gripping story.