If you knew you were going to die in two years, would you still have gone with the Volvo? So begins the first question of this interview between the recently deceased Linda and her Volvo’s Market Research representative. Over the course of the rest of the interview, listen in and roll down your window into not only a woman’s marriage but a psyche. This brilliantly woven tale shines a light on our collective idiosyncrasies, neuroses, and desires. In the tradition of Sally Rooney and Maria Semple, Alison Espach threads the needle between humor and devastation and emerges a master of observational satire and millennial voice.

    That's the best case scenario for a woman on the streets of Juárez, Mexico. Kate del Castillo (La Reina del Sur) delivers a stunning one-woman performance that transports listeners from a New York stage to the treacherous streets of Juárez, Mexico, where thousands of women have been murdered in an ongoing epidemic of violence. Written by Isaac Gomez (Steppenwolf's La Ruta) and based on his intimate interviews, the way she spoke is a raw and riveting exploration of responsibility and follows one playwright's journey to give voice to a city of women silenced by violence, fear, and a world that has turned a deaf ear to their stories. This poignant and unforgettable play is directed by Obie and Lucille Lortel-winner Jo Bonney.

    

    His job? Professional "cleaner." Nothing too violent, just disposing of bodies, doing a little cleanup if necessary. But in Brett Battles's electrifying debut novel, Quinn's latest assignment will change everything, igniting a harrowing journey of violence, betrayal, and revenge.The job seemed simple enough: investigating a suspicious case of arson. But when a dead body turns up where it doesn't belong, and Quinn's handlers at "the Office" turn strangely silent, he knows he's in over his head. With only a handful of clues, Quinn scrambles for cover, struggling to find out why someone wants him dead . . . and if it's linked to a larger attempt to wipe out the Office. Quinn's only hope may be Orlando, a woman from his past who's reluctant to help but who may hold the key to solving the case. Suddenly the two are prying into old crimes, crisscrossing continents, struggling to stay alive long enough to unbury the truth.But as the hunt intensifies, Quinn is stunned by what he uncovers: a chilling secret . . . and a brilliantly orchestrated conspiracy, with an almost unimaginable goal.Furiously paced, filled with superbly drawn characters and pitch-perfect dialogue, The Cleaner puts a powerful twist on all our expectations as it confirms Brett Battle's place as one of the most exciting new talents in suspense fiction today.

    Marriage is simultaneously the biggest blessing and the greatest challenge two people can ever take on. It is the joy of knowing there is someone to share in your joys and sorrows, and the challenge of living with someone who thinks it's a good idea to hang a giant antelope head on your living room wall. In The Antelope in the Living Room, New York Times best-selling author and blogger Melanie Shankle does for marriage what Sparkly Green Earrings did for motherhood--makes us laugh out loud and smile through tears as she shares the holy and the hilarity of that magical and mysterious union called marriage.

    Seven days. One big secret. The author of The Coincidence of Coconut Cake unfolds a mother-daughter story told by three women whose time to reckon with a life-altering secret is running out.Gina Zoberski wants to make it through one day without her fastidious mother, Lorraine, cataloguing all her faults, and her sullen teenage daughter, May, snubbing her. Too bad there’s no chance of that. Her relentlessly sunny disposition annoys them both, no matter how hard she tries. Instead, Gina finds order and comfort in obsessive list-making and her work at Grilled G’s, the gourmet grilled cheese food truck built by her late husband.But when Lorraine suffers a sudden stroke, Gina stumbles upon a family secret Lorraine's kept hidden for forty years. In the face of her mother’s failing health and her daughter’s rebellion, this optimist might find that piecing together the truth is the push she needs to let go...

    Graham Greene's first play (1953), dealing with sin and salvation, illustrates Shaw's line, "You can't make a man a Christian unless you first make him believe he is a sinner."

    Her Santa Monica house staff takes care of everything, leaving Agnes to focus on her trophy-wife responsibilities: look perfect, adore her older husband, and wear terribly expensive (if uncomfortable) underwear.When her husband disappears, leaving Agnes and their infant daughter with no money, no home, and no staff, she is forced to move across the country, where she lands a job teaching at an all-boys boarding school in the Bronx. So long, organic quinoa bowls and sunshine-filled California life. Hello, processed food, pest-infested house, and twelve-year-old-boy humor—all day, every day.But it’s in this place of second chances (and giant bugs), where Agnes is unexpectedly forced to take care of herself and her daughter, where she finds out the kind of woman she can be. Ultimately, she has to decide if she prefers the woman and mother she has become…or the trophy life she left behind.Authentic and sharply witty, Trophy Life is proof that granny panties and mom coats might not be the answer to everything; they’re simply comfortable (if slightly unattractive) reminders of what happens when one life ends…and real life begins.

    No one is sure how or why, but the evidence speaks for itself. Show after show has flopped and the theater is about to close. Enter twelve-year-old Monica Garcia, who has been cast to star in a Broadway musical revival of The Goonies, the theater’s last chance to produce a hit before it shutters its doors for good. The kids in the cast each have their own reasons for wanting to make the show a success, and all eyes in the theater world are on them. Will this show finally break the curse of the Ethel? The kids aren’t quite sure if the curse is even real, but when their first performance doesn’t quite go as planned, it certainly feels that way. Then they realize the ghost light—the light that is always kept on at every theater in order to appease the ghosts—wasn’t lit! When the kids rush to flick the switch back on, they find themselves locked in the theater—but that’s the least of their problems when the ghost of the Ethel makes her debut appearance! Can the cast overcome their fears and reverse the ghost’s curse before opening night so they can save the show—and their dreams?

    So when her fiancé, Max, breaks things off at their rehearsal dinner—to be with Kate’s close friend and coworker, no less—she goes straight to Facebook to share it with the world. But something’s changed. Suddenly, Kate’s real life starts to mirror whatever she writes in her Facebook status. With all the power at her fingertips, and heartbroken and confused over why Max left her, Kate goes back in time to rewrite their history.Kate's two best friends, Jules and Liam, are the only ones who know the truth. In order to convince them she’s really time traveled, Kate offers to use her Facebook status to help improve their lives. But her attempts to help them don’t go exactly as planned, and every effort to get Max back seems to only backfire, causing Kate to wonder if it’s really possible to change her fate.In The Status of All Things, Liz Fenton and Lisa Steinke combine the humor and heart of Sarah Pekkanen and Jennifer Weiner while exploring the pitfalls of posting your entire life on the Internet. They raise the questions: What if you could create your picture-perfect life? Would you be happy? Would you still be you? For anyone who’s ever attempted—or failed—to be their perfect self online, this is a story of wisdom and wit that will leave you with new appreciation for the true status of your life.

    So is Earl V. Pike. So is a smart, beautiful NYC detective named Casey Spandau. For Jack, it began when Earl asked for a little favor--one former soldier to another. With Jack’s son in serious trouble with the law and his shipping company, Black Water Transit, about to hit the big time, Jack saw a chance to be a good father, a good citizen, and a good CEO--by ratting out Earl V. Pike to the feds. It was a monumental mistake.Now Pike is mad. Bodies are piling up. And all the backstabbers are coming out of the woodwork in Jack’s rattled world. Jack’s only hope: detective Casey Spandau, who began her week hunting for a sex criminal and ended up with Earl V. Pike--a man using guile, skill, and one astounding long-range weapon to kill everyone who gets in his way. For Casey and Jack Vermillion, making Earl V. Pike angry has turned into a cross-country nightmare. But taking him down will be even worse.

    As they prepare for a wedding, outside their living room the Iranian Revolution simmers and threatens to alter the course of their lives. Set over the course of 14 years, Sanaz Toossi’s timely world premiere play, directed by Gaye Taylor Upchurch, shines a light on the daring potential of friendship amid the relentless aftershocks of political upheaval. Directed by Gaye Taylor Upchurch

     But now he works for Grey Fox, the super secret agency that takes care of business that the White House would prefer to keep under wraps. A vicious killer has been attacking schools in America, killing without mercy. And when it looks like the killer might be a former special forces soldier who has gone rogue, Yokely could be the only man who can stop him. Praise for Stephen Leather’s Dan "Spider" Shepherd series: Let Spider draw you into his web, you won't regret it. — The Sun The sheer impetus of his storytelling is damned hard to resist. — Daily Express A master of the thriller genre. — Irish Times

    With only six characters, she constructs a vivid weekend of crossed pasts and uncertain but optimistic futures. On Martha's Vineyard, an affluent African-American family gathers in their vacation home, joined by the housekeeper's daughter, who is filling in for her mother. The family patriarch is a philandering physician; one of his sons has followed in his footsteps, while the other, after numerous false starts in a variety of careers, is a struggling novelist. Both bring along their current girlfriends, to meet the family for the first time. With such highly--perhaps over--educated vacationers, the conversation and the barbs fly, on subjects ranging from race to economics to politics. But there is also more than enough human drama, which reaches its climax when an old family secret comes out. Through lively exchanges and simmering wit, the family tackles a history filled with complications both within the family and in the outer world.

    She’s six feet tall, self-conscious and posh. And is frequently mistaken for a man. She’s also invested her inheritance in a joke shop that she runs with her friend Stevie (Sarah Hadland) while trying to deal with her outrageously embarrassing mother (Patricia Hodge). Though surrounded by chocolate willies, Miranda is determined to suss out what it takes to be a girly girl and to not look a complete idiot every time she meets the gorgeous Gary (Tom Ellis). Miranda Hart’s Joke Shop – first broadcast on BBC Radio 2 – is written by Miranda Hart (Hyperdrive, Absolutely Fabulous, Lead Balloon), with James Carey (My Family, Think the Unthinkable) and Simon Dean (Not Going Out).2 CDs. 2 hrs.