* Fasten Your Seatbelt: G'ma's never conventional, so this trip won't be either. * Use the Green Book: G'ma's most treasured possession. It holds history, memories, and, most important, the way home.What Not to Bring: * A Cell Phone: Avoid contact with Dad at all costs. Even when G'ma starts acting stranger than usual.Set against the backdrop of the segregation history of the American South, take a trip with New York Times bestselling Nic Stone and an eleven-year-old boy who is about to discover the world hasn't always been a welcoming place for kids like him, and things aren't always what they seem--his G'ma included.

    He loves to collect treasures, daydream, and write--pastimes his authoritarian father thinks are for fools. Against all odds, Neftali prevails against his father's cruelty and his own crippling shyness to become one of the most widely read poets in the world, Pablo Neruda. This moving story about the birth of an artist is also a celebration of childhood, imagination, & the strength of the creative spirit. Sure to inspire young writers & artists.

    Overnight, Yvonne, Annette, Cécile, Émilie, and Marie Dionne captivated the world, defying medical history with every breath they took.In an effort to protect them from hucksters and showmen, the Ontario government took custody of the five identical babies, sequestering them in a private, custom-built hospital across the road from their family — and then, in a stunning act of hypocrisy, proceeded to exploit them for the next nine years. The Dionne Quintuplets became a more popular attraction than Niagara Falls, ogled through one-way screens by sightseers as they splashed in their wading pool at the center of a tourist hotspot known as Quintland. Their faces sold everything from Baby Ruth candy bars to Colgate toothpaste.In this masterful work of narrative nonfiction, Sarah Miller examines the lives of five identical sisters forced to endure the most publicized childhood in history — and how they survived their turbulent teenage years to forge identities of their own. Impeccably researched, with photos of the Dionnes from birth through adulthood, this is an enthralling, heartbreaking portrait of a unique sisterhood, imbued with the astonishing resilience of the human spirit.

    The day Grace is called from the slave cabins to work in the Big House, Mama makes her promise to keep her eyes down. Uncle Jim warns her to keep her thoughts tucked private in her mind or they could bring a whole lot of trouble and pain.But the more Grace sees of the heartless Master and hateful Missus, the more a rightiness voice clamors in her head-asking how come white folks can own slaves, sell them on the auction block, and separate families forever. When that voice escapes without warning, it sets off a terrible chain of events that prove Uncle Jim's words true. Suddenly, Grace and her family must flee deep into the woods, where they brave deadly animals, slave patrollers, and the uncertainty of ever finding freedom.With candor and compassion, Ann E. Burg unearths a startling chapter of American history -- the remarkable story of runaways who sought sanctuary in the wilds of the Great Dismal Swamp -- and creates a powerful testament to the right of every human to be free.

     Eleven-year-old Maybelle Lane collects sounds. She records the Louisiana crickets chirping, Momma strumming her guitar, their broken trailer door squeaking. But the crown jewel of her collection is a sound she didn't collect herself: an old recording of her daddy's warm-sunshine laugh, saved on an old phone's voicemail. It's the only thing she has of his, and the only thing she knows about him.Until the day she hears that laugh--his laugh--pouring out of the car radio. Going against Momma's wishes, Maybelle starts listening to her radio DJ daddy's new show, drinking in every word like a plant leaning toward the sun. When he announces he'll be the judge of a singing contest in Nashville, she signs up. What better way to meet than to stand before him and sing with all her heart?But the road to Nashville is bumpy. Her starch-stiff neighbor Mrs. Boggs offers to drive her in her RV. And a bully of a boy from the trailer park hitches a ride too. These are not the people May would have chosen to help her, but it turns out they're searching for things too. And the journey will bond them into the best kind of family--the kind you choose for yourself.

    . . .Julian Twerski isn't a bully. He's just made a big mistake. So when he returns to school after a weeklong suspension, his English teacher offers him a deal: if he keeps a journal and writes about the terrible incident that got him and his friends suspended, he can get out of writing a report on Shakespeare. Julian jumps at the chance. And so begins his account of life in sixth grade--blowing up homemade fireworks, writing a love letter for his best friend (with disastrous results), and worrying whether he's still the fastest kid in school. Lurking in the background, though, is the one story he can't bring himself to tell, the one story his teacher most wants to hear.Inspired by Mark Goldblatt's own childhood growing up in 1960s Queens, Twerp shines with humor and heart. This remarkably powerful story will have readers laughing and crying right along with these flawed but unforgettable characters. Praise for Twerp:  A Bankstreet Best Book of the Year A Junior Library Guild Selection A Summer Top Ten Kids’ Indie Next List PickA Sunshine State Award Finalist   “Reminiscent of The Perks of Being a Wallflower. . . . You don’t have to be a twerp to read this book.” — New York Post   “A vivid, absorbing story about one boy’s misadventure, heartache, and hope for himself.” —Rebecca Stead, Newbery Award-winning author of When You Reach Me   “Mark Goldblatt is an amazingly wonderful writer.” —Chris Grabenstein, New York Times bestselling author of Escape from Mr. Lemoncello’s Library   “[Fans of] Jeff Kinney’s Diary of a Wimpy Kid who have matured beyond the scope and gravity of that series will find a kindred spirit in Julian.” — School Library Journal   “Reminiscent of movies like The Sandlot. . . . Well-written and funny.” — The Advocate   “Alternately poignant and comical. . . . A thought-provoking exploration of bullying, personal integrity and self-acceptance.” — Kirkus Reviews   “A timely book.” — New York Journal of Books   “Elegant in its simplicity and accessibility.” — The Bulletin of the Center for Children’s Books   “An empathetic and authentic glimpse into the mind of a sixth-grade boy.” — The Florida Times-Union   “Funny, poignant, and an effective commentary on bullying and its consequences.” — The Horn Book Magazine

    Strong females smack of the unfeminine. They have been called wicked, wanton, and willful. Sometimes that is a just designation, but just as often it is not. "Well-behaved women seldom make history," is the frequently quoted statement by historian and feminist Laurel Thatcher Ulrich. But what makes these misbehaving women "bad"? Are we idolizing the wicked or salvaging the strong?In BAD GIRLS, readers meet twenty-six of history’s most notorious women, each with a rotten reputation. But authors Jane Yolen and Heidi Stemple remind us that there are two sides to every story. Was Delilah a harlot or hero? Was Catherine the Great a great ruler, or just plain ruthless? At the end of each chapter, Yolen and Stemple appear as themselves in comic panels as they debate each girl’s badness—Heidi as the prosecution, Jane for context.This unique and sassy examination of famed, female historical figures will engage readers with its unusual presentation of the subject matter. Heidi and Jane’s strong arguments for the innocence and guilt of each bad girl promotes the practice of critical thinking as well as the idea that history is subjective. Rebecca Guay’s detailed illustrations provide a rich, stylized portrait of each woman, while the inclusion of comic panels will resonate with fans of graphic novels.

    Mama is ill. Father has taken a job abroad. Nanny Jane is too busy to pay any attention to Henrietta and the things she sees -- or thinks she sees -- in the shadows of their new home, Hope House.All alone, with only stories for company, Henry discovers that Hope House is full of strange secrets: a forgotten attic, ghostly figures, mysterious firelight that flickers in the trees beyond the garden.One night she ventures into the darkness of Nightingale Wood. What she finds there will change her whole world...

    Whenever Ruby “Red” Byrd is scared or angry, the wind picks up. And being placed in foster care, moving from family to family, tends to keep her skies stormy. Red knows she has to learn to control it, but can’t figure out how.This time, the wind blows Red into the home of the Grooves, a quirky couple who run a petting zoo, complete with a dancing donkey and a giant tortoise. With their own curious gifts, Celine and Jackson Groove seem to fit like a puzzle piece into Red’s heart.But just when Red starts to settle into her new life, a fresh storm rolls in, one she knows all too well: her mother. For so long, Red has longed to have her mom back in her life, and she’s quickly swept up in the vortex of her mother’s chaos. Now Red must discover the possible in the impossible if she wants to overcome her own tornadoes and find the family she needs.

    Adapted from a story that first appeared in Flying Lessons & Other Stories. Isaiah is now the big man of the house. But it's a lot harder than his dad made it look. His little sister, Charlie, asks too many questions, and Mama's gone totally silent. Good thing Isaiah can count on his best friend, Sneaky, who always has a scheme for getting around the rules. Plus, his classmate Angel has a few good ideas of her own--once she stops hassling Isaiah. And when things get really tough, there's Daddy's journal, filled with stories about the amazing Isaiah Dunn, a superhero who gets his powers from beans and rice. Isaiah wishes his dad's tales were real. He could use those powers right about now!

    So here's mine: My name is Fiona Loomis. I was born on August 11, 1977. I am recording this message on the morning of October 13, 1989. Today I am thirteen years old. Not a day older. Not a day younger."Fiona Loomis is Alice, back from Wonderland. She is Lucy, returned from Narnia. She is Coraline, home from the Other World. She is the girl we read about in storybooks, but here's the difference: She is real.Twelve-year-old Alistair Cleary is her neighbor in a town where everyone knows each other. One afternoon, Fiona shows up at Alistair's doorstep with a strange proposition. She wants him to write her biography. What begins as an odd vanity project gradually turns into a frightening glimpse into a clearly troubled mind. For Fiona tells Alistair a secret. In her basement there's a gateway and it leads to the magical world of Aquavania, the place where stories are born. In Aquavania, there's a creature called the Riverman and he's stealing the souls of children. Fiona's soul could be next.Alistair has a choice. He can believe her, or he can believe something else...something even more terrifying.

    Proper -talking, brainy Emma doesn't play baseball or fish too well, but she sure makes Dit think, especially about the differences between black and white. But soon Dit is thinking about a whole lot more when the town barber, who is black, is put on trial for a terrible crime. Together Dit and Emma come up with a daring plan to save him from the unthinkable. Set in 1917 and inspired by the author's true family history, this is the poignant story of a remarkable friendship and the perils of small-town justice.

    A little cobbled street in a smoky mill town in the North of England has haunted me for the greater part of my life. It was inevitable that I should write about it and the people who lived on both sides of its "Invisible Wall." The narrow street where Harry Bernstein grew up, in a small English mill town, was seemingly unremarkable. It was identical to countless other streets in countless other working-class neighborhoods of the early 1900s, except for the "invisible wall" that ran down its center, dividing Jewish families on one side from Christian families on the other. Only a few feet of cobblestones separated Jews from Gentiles, but socially, it they were miles apart.On the eve of World War I, Harry's family struggles to make ends meet. His father earns little money at the Jewish tailoring shop and brings home even less, preferring to spend his wages drinking and gambling. Harry's mother, devoted to her children and fiercely resilient, survives on her dreams: new shoes that might secure Harry's admission to a fancy school; that her daughter might marry the local rabbi; that the entire family might one day be whisked off to the paradise of America.Then Harry's older sister, Lily, does the unthinkable: She falls in love with Arthur, a Christian boy from across the street. When Harry unwittingly discovers their secret affair, he must choose between the morals he's been taught all his life, his loyalty to his selfless mother, and what he knows to be true in his own heart.A wonderfully charming memoir written when the author was ninety-three, The Invisible Wall vibrantly brings to life an all-but-forgotten time and place. It is a moving tale of working-class life, and of the boundaries that can be overcome by love.

    She blazed trails to the peaks of the male-centric worlds of education and law, where women had rarely risen before.Ruth Bader Ginsburg has often said that true and lasting change in society and law is accomplished slowly, one step at a time. This is how she has evolved, too. Step by step, the shy little girl became a child who questioned unfairness, who became a student who persisted despite obstacles, who became an advocate who resisted injustice, who became a judge who revered the rule of law, who became…RBG.

    Now, for the first time, she chronicles her groundbreaking tenure as editor in chief of Gourmet, during which she spearheaded a revolution in the way we think about food.When Condé Nast offered Ruth Reichl the top position at America's oldest epicurean magazine, she declined. She was a writer, not a manager, and had no inclination to be anyone's boss. And yet . . . Reichl had been reading Gourmet since she was eight; it had inspired her career. How could she say no?This is the story of a former Berkeley hippie entering the corporate world and worrying about losing her soul. It is the story of the moment restaurants became an important part of popular culture, a time when the rise of the farm-to-table movement changed, forever, the way we eat. Readers will meet legendary chefs like David Chang and Eric Ripert, idiosyncratic writers like David Foster Wallace, and a colorful group of editors and art directors who, under Reichl's leadership, transformed stately Gourmet into a cutting-edge publication. This was the golden age of print media—the last spendthrift gasp before the Internet turned the magazine world upside down.Complete with recipes, Save Me the Plums is a personal journey of a woman coming to terms with being in charge and making a mark, following a passion and holding on to her dreams—even when she ends up in a place she never expected to be.