She has been a girl who lived under the sea and a boy raised by wolves. She has had adventures in wonderland and visited the world of fairytales. She whispers to the dresses in her closet and talks to birds in the treetops. She has wings that take her anywhere she wants to go, but that always bring her home again. She likes to make things -- boats out of boxes and castles out of cushions. But more than anything Sadie likes stories, because you can make them from nothing at all. For Sadie, the world is so full of wonderful possibilities ... This is Sadie, and this is her story.

    Little Nutbrown Hare shows his daddy how much he loves him: as wide as he can reach and as far as he can hop. But Big Nutbrown Hare, who can reach farther and hop higher, loves him back just as much. Well then Little Nutbrown Hare loves him right up to the moon, but that's just halfway to Big Nutbrown Hare's love for him.

    Cunningham is coming for a visit, and she’s bringing her baby! While Buddy tries to explain the ins and outs of babydom to Earl, neither of them is prepared for the chaos the small and adorable creature brings with it.When the baby manages to escape from its cage — which Buddy gently suggests is really just a playpen — it’s up to our favorite odd couple to save the day.This third title in the critically acclaimed Buddy and Earl series follows a dog who likes to play by the rules and a hedgehog who knows no limits on another fun adventure in deductive reasoning and imaginative play.

    Sure, the brown mittens are warmer, but the red mitts make better snowballs. And the red boots aren't just for rain; they take bigger steps in any weather. And, yes, a red cup does make a difference... juice just doesn't taste as good in a green one. No doubt about it, red is best.Red is Best is the story of one toddler's obstinate color preference, an easily read aloud tale illustrated with simple child centered drawings and each page punctuated by red.

    Meg is a cute well-meaning witch who lives with Mog and her owl. In Meg and Mog, we are introduced to a witch wardrobe and a witch's breakfast. Later Meg flies off to meet her witch friends for some spell-making at a Halloween Party. Unfortunately the spell does not go exactly to plan... The illustration is simple and with very bold, deep colours. Designed specifically to appeal to very young children, Meg and Mog has short simple sentences on each page, allowing the illustration to play an important part in the storytelling. If you enjoy the first Meg and Mog, enjoy more adventures in Meg on the Moon and Mog at the Zoo. (Ages 1 to 3 years.) --Victoria MacKenzie

     When Chester (the cat) announces he's taking over for Mélanie Watt on this book due to some technical difficulties*, Mélanie begs to differ. She tells him that no one will want to publish his messy book. And she demands that he return her supplies so she can get to work. Chester insists he can create the best, most original story anyone has ever read in their entire nine lives. Only, his attempts don't quite work. Even with Mélanie's prodding, Chester struggles to find his own story to tell. Hmm ... will the real author and illustrator have the last laugh after all? *Mélanie's art supplies and computer mouse have mysteriously gone missing. Here's another hilarious Chester picture book from award-winning and bestselling author-illustrator Mélanie Watt. The story is told through the dialogue between Watt, who communicates on sticky notes, and Chester, whose comments are tucked around his creations, which sprawl across the spreads and include loads of tape, staples, and torn-out notebook paper. Chester himself, as drawn by Watt, and his trusty red marker dominate the action, and the pure silly fun makes this a popular read-aloud. Bits of humor can be found all over the pages - including running commentary from an actual mouse - encouraging visual literacy. With its wry take on the creative process and how good stories are constructed, this is also a perfect companion to lessons on the parts of story, including genre, setting, plot and characters.

    Lisa McCourt and Cyd Moore beautifully weave a reassuring tale of the love and affection of a parent. The imaginative son turns himself into a meat-eating dinosaur, a swamp creature and much, much more before being satisfied with the fact that no matter how stinky he is or how slimy of a creature he could possibly be, he is loved and nothing will change that.

    It's about a pirate, who also has a favorite book . . . about Goldilocks, who also has a favorite book . . . about a knight, who also has a favorite book . . . . This hilarious pattern continues throughout the story, right to the satisfying and surprising end.

    In the seaside village of Frip live three families: the Romos, the Ronsens, and a little girl named Capable and her father. The economy of Frip is based solely on goat’s milk, and this is a problem because the village is plagued by gappers: bright orange, many-eyed creatures the size of softballs that love to attach themselves to goats. When a gapper gets near a goat, it lets out a high-pitched shriek of joy that puts the goats off giving milk, which means that every few hours the children of Frip have to go outside, brush the gappers off their goats, and toss them into the sea. The gappers have always been everyone’s problem, until one day they get a little smarter, and instead of spreading out, they gang up: on Capable’s goats. Free at last of the tyranny of the gappers, will her neighbors rally to help her? Or will they turn their backs, forcing Capable to bear the misfortune alone? Featuring fifty-two haunting and hilarious illustrations by Lane Smith and a brilliant story by George Saunders that explores universal themes of community and kindness, The Very Persistent Gappers of Frip is a rich and resonant story for those that have all and those that have not.

    A gypsy girl who gets the opportunity to live in a palace as a princess finds she prefers her gypsy life after all.

    Now it's time to give some of the mountain of goodies away, but Spencer finds it hard. In the end, he fills a box, but decides the one toy he can't part with is the box!

    He's tired of bananas; today he'd like to eat a child. But he's smaller than he thinks, and the little girl he chooses for his first meal puts him in his place—she picks him up and tickles his tummy! The little crocodile is going to have to eat a lot of bananas and grow a lot bigger before he can add children to his menu! Simple yet hilarious artwork brings this droll story to life.

    Groups of ebullient mice narrate this humorous text as young children try in vain to get what they want, learning along the way that it is helpful to say "Please," "Thank you," "Excuse me," and "I'm sorry." Oh, and you have to mean it, too.

    She gives it a shape and a face, and encourages the reader to give it a name, all of which helps to demystify it and distinguish it from ourselves. She suggests activities to do with it, like sitting quietly, drawing, and going outside for a walk. The beauty of this approach is in the respect the book has for the feeling, and the absence of a narrative that encourages the reader to "get over" it or indicates that it's "bad," both of which are anxiety-producing notions.Simple illustrations that recall the classic style of Crockett Johnson (Harold and the Purple Crayon) invite readers to add their own impressions.Eva Eland's debut picture book is a great primer in mindfulness and emotional literacy, perfect for kids navigating these new feelings--and for adult readers tackling the feelings themselves!

    A turtle afraid of small dark places, and therefore of crawling into his shell, asks a variety of animals for advice, only to find out that each has a fear of its own.