Set amid the museums and cathedrals of Europe, the book purports to identify the Holy Grail and describes mysterious rituals and secret religious beliefs that have been kept hidden from the world by an ancient conspiracy. The most sensational claim made in the book is that Jesus was married and that his bloodline has been perpetuated in a princely line of unidentified descendents. That premise has captured the imagination of readers of all faiths and caused Latter-day Saints to wonder how much of the book is factual and how much is the product of the author's imagination. In this lively conversation, three Latter-day Saint scholars discuss The Da Vinci Code, examining the plausibility of the "facts" presented by the author and comparing those to the teachings of the scriptures. Whether you have read the book or just been caught up in the world's current fascination with Christ, you'll find these informed opinions both interesting and faith promoting.

    After a year of captivity, and a violent rescue that resulted in Martin's death, the world watched Gracia Burnham return home in June 2002 with a bullet wound in the leg and amazing composure.In this riveting personal account, Burnham tells the real story behind the news about their harrowing ordeal, about how it affected their relationship with each other and with God, about the terrorists who held them, about the actions of the U.S. and Philippine governments, and about how they were affected by the prayers of thousands of Christians throughout the world.

    A captivating blend of personal biography and public drama, The Wise Men introduces the original best and brightest, leaders whose outsized personalities and actions brought order to postwar chaos: Averell Harriman, the freewheeling diplomat and Roosevelt's special envoy to Churchill and Stalin; Dean Acheson, the secretary of state who was more responsible for the Truman Doctrine than Truman and for the Marshall Plan than General Marshall; George Kennan, self-cast outsider and intellectual darling of the Washington elite; Robert Lovett, assistant secretary of war, undersecretary of state, and secretary of defense throughout the formative years of the Cold War; John McCloy, one of the nation's most influential private citizens; and Charles Bohlen, adroit diplomat and ambassador to the Soviet Union.

    Freeman offers a new and dramatically rendered portrait of American politics in its rowdiest years. Drawing on an extraordinary range of sources, she shows that today's hyperpolarized environment cannot compare with the turbulent atmosphere of the decades before the Civil War, when the U.S. Congress itself was rife with conflict. Legislative sessions were routinely punctuated by mortal threats, canings, flipped desks, and all-out slug-fests. Congressmen drew pistols and waved bowie knives at rivals. One representative even killed another in a duel. Many were bullied in an attempt to intimidate them into compliance or silence, particularly on the issue of slavery. These fights didn't happen in a vacuum. Freeman's accounts of fistfights and threats tell a larger story of how bullying, brawling, and the press - and the powerful emotions they elicited - raised tensions between North and South and fueled the coming of the war. In the process, she brings the antebellum Congress to life, revealing its rough realities - the feel, sense, and sound of it - as well as its nation-shaping import. Funny, tragic, and rivetingly told, The Field of Blood offers a front-row view of congressional mayhem and sheds new light on the careers of luminaries such as John Quincy Adams and Thomas Hart Benton, as well as introducing a host of lesser-known but no less fascinating characters. We see slaveholders silence Northerners with threats and violence. We learn how newspapers promoted conspiracy theories that helped polarize the nation. And we witness an entire legislative chamber erupt into a massive fist-throwing, spittoon-tossing battle royal. By 1860, armed congressmen, some carrying pistols sent by their constituents, fully expected bloody combat in the House. In effect, the first battles of the Civil War were fought in Congress itself. The Field of Blood demonstrates how a country can come apart as conflicts over personal honor, party loyalty, and moral principle combine and escalate. The result is a fresh understanding of the workings of American democracy and the bonds of Union on the eve of their greatest peril.