Tyrant shows that Shakespeare’s work remains vitally relevant today, not least in its probing of the unquenchable, narcissistic appetites of demagogues and the self-destructive willingness of collaborators who indulge their appetites.

    It's okay. She's fine. She just wants to sign papers with dignity and end it all civilly.Dev is pissed. For five years, he worshiped the ground Jiya walked on. And what did he get for it? Loneliness and heartache. And while he wants to punch the wall, his beautiful wife is sitting demurely signing papers.Fate intervenes in the form of two best friends, by locking them in the very room in which they signed their divorce. What happens when two people who never stopped loving each other are forced to confront their mistakes?

     A little girl dressed in a Snow White costume walks into a store and steals an apple . . . then the store blows up. One of the staff, Maggie Rogers, is conveniently out of the store when all this happens. Maggie turns out to have a past full of secrets and betrayal, and attracts the attention of the police as well as more sinister forces. Maggie and the little girl end up on the run, not knowing who’s on their side or even what their pursuers really want. Then they seem to have reached the end of the line. Nowhere else to run, nowhere else to hide. Maggie and the little girl face a desperate struggle for survival. Find out the answers in this beautifully written novel which will take you on a darkly gripping journey to a surprising end. Great for fans of Gillian Flynn, Ian McEwan or Paula Hawkins who love fast-paced suspense thrillers Also by Peter Tickler: DEAD IN THE WATER.

    But she has, and here is the record of that change in the decade since the publication of her last nonfiction collection, The Language of the Night. And what a mind — strong, supple, disciplined, playful, ranging over the whole field of its concerns, from modern literature to menopause, from utopian thought to rodeos, with an eloquence, wit, and precision that makes for exhilarating reading.

    Commentary. Interviews. Translated from the French by Alison Ardron. There are several reasons for this book. The principle one is pleasure--the pure joy of returning to Charles Bukowski and to the Beats, by dipping into their legend--particularly since the Beat movement is now enjoying a lively revival of attention through new editions, appearances of previously unpublished material, exhibitions, and other events. There is also the pleasure of rediscovering Charles Bukowski, cult author whose reputation continues to grow steadily all over the world. The full drama of his humor, of his angers, memories, frustrations, and distinctive grace come to life during Jean-Fran�ois Duval's long interview with Buk: An Evening at Buk's Place. The pleasure also consists of having a close look at the links and contradictions between Bukowski and the Beat constellation.

    

    Employing examples of world literature from ancient times to the present, he provides a conceptual framework for the examination of literature. In four brilliant essays on historical, ethical, archetypical, and rhetorical criticism, he applies "scientific" method in an effort to change the character of criticism from the casual to the causal, from the random and intuitive to the systematic.Harold Bloom contributes a fascinating and highly personal preface that examines Frye's mode of criticism and thought (as opposed to Frye's criticism itself) as being indispensable in the modern literary world.

    The social function of the creative personality is a recurrent theme with Henry Miller, and this book is perhaps his most poignant and concentrated analysis of the artist's dilemma.

    Starting with the band's origins in Oxford, journalist Martin Clarke covers the essential points: Radiohead's breakout single "Creep," the pivotal album OK Computer, Thom Yorke's continuing political and artistic evolution, and the band's future. This revised edition includes a close look at how the band escaped the rock straightjacket with Kid A and Amnesiac , as well as their most recent album, Hail to the Thief . Clark also offers an in-depth examination of the outspoken, mysterious Yorke, offering insight into the personal demons the vocalist has battled throughout his career as Radiohead's frontman. An incisive look at one of the world's most beloved, followed musical acts, Radiohead: Hysterical and Useless provides stimulating coverage of a provocative group.

    Sandeep Jatwa. Shekhar Kapoor is a successful businessman who has never done a decent thing in his entire life. For him it is all about what he can get and how fast he can get it. He goes through life cheating and insulting people, even after he receives a mysterious telephone call from what is called the City of Justice. Ignoring the cryptic warnings, Shekhar continues to live his life as he pleases, until one day, shortly after insulting a beggar in the street, Shekhar crashes his car and is KILLED. And it is only when he is standing before the Bookkeeper, and being shown where his life had gone wrong, that Shekhar finally understands what life is all about. But is it too late for him? Can he be given another chance, to undo all the wrongs he has done? Or is there a chance that Shekhar Kapoor can find redemption where there had previously been no hope?

    Since then, it has continued to be read and taught, and it continues to shape the way Canadians look at themselves. Distinguished, provocative, and written in effervescent, compulsively readable prose, Survival is simultaneously a book of criticism, a manifesto, and a collection of personal and subversive remarks. Margaret Atwood begins by asking: “What have been the central preoccupations of our poetry and fiction?” Her answer is “survival and victims.”Atwood applies this thesis in twelve brilliant, witty, and impassioned chapters; from Moodie to MacLennan to Blais, from Pratt to Purdy to Gibson, she lights up familiar books in wholly new perspectives.

    A VINTAGE ORIGINAL.What do we see when we read? Did Tolstoy really describe Anna Karenina? Did Melville ever really tell us what, exactly, Ishmael looked like? The collection of fragmented images on a page - a graceful ear there, a stray curl, a hat positioned just so - and other clues and signifiers helps us to create an image of a character. But in fact our sense that we know a character intimately has little to do with our ability to concretely picture our beloved - or reviled - literary figures.In this remarkable work of nonfiction, Knopf's Associate Art Director Peter Mendelsund combines his profession, as an award-winning designer; his first career, as a classically trained pianist; and his first love, literature - he thinks of himself first, and foremost, as a reader - into what is sure to be one of the most provocative and unusual investigations into how we understand the act of reading.

    Tolkien's imagination and the breadth of his talent as a creator of fantastic fiction.

    Beginning with: "It was Sappho who first called eros 'bittersweet.' No one who has been in love disputes her. What does the word mean?", Carson examines her subject from numerous points of view and styles, transcending the constraints of the scholarly exercise for an evocative and lyrical meditation in the tradition of William Carlos William's Spring and All and William H. Gass's On Being Blue.

    It will then be about them only. It will be all about the one they loved like thunder, about the one they struggled hard to keep, about the one who had left them in the middle of their 'forever', about their world shattering into pieces, about them gluing together every piece, and about them falling in love one more time.And if you still think it is about you and me, you haven't loved someone like thunder, yet.