Sometimes, these lessons are learned on the job. A successful New York architect, Thomas Elkin almost has it all. Coming out as gay and ending his marriage before his fortieth birthday, he needed to start living his life. Now, four years later, with his relationship with his son back on track, and after a few short-lived romances, this esteemed traditional draftsman thought he knew everything about architecture, about life.Cooper Jones, twenty-two years old, is about to take the architect world by storm. Talented, professional, driven, and completely infuriating, Cooper is the definition of Generation Y.Starting an internship working with Thomas, Cooper is about to knock Tom’s world off its axis. Tom can teach Cooper about the industry, but Cooper is about to teach Tom a few things about life.

    Now go deeper into Matt's world in this FLAT-OUT MATT novella. Live his side of the story, break when his heart breaks, and fall for the unlikely hero all over again.Take an emotional skydive for two prequel chapters and seven FLAT-OUT LOVE chapters retold from his perspective, and then land with a brand-new steamy finale chapter from Julie.Author's Note: Two chapters, The Sleepover and Keep Going, contain more mature content than Flat-Out Love (Keep Going, in particular), and were written based on reader demand. They wouldn't have fit in well with the original Flat-Out Love, but given that this is a fan-driven companion piece, I think they work. While the content here is upped a bit, the scenes are tastefully done. (So, you know sorry to those who wanted lewd and graphic.)

    As they move from a cramped, ant-infested shack to a larger house on the other side of Bangalore, and try to adjust to a new way of life, the family dynamic begins to shift. Allegiances realign; marriages are arranged and begin to falter; and conflict brews ominously in the background. Things become “ghachar ghochar”—a nonsense phrase uttered by one meaning something tangled beyond repair, a knot that can't be untied. Elegantly written and punctuated by moments of unexpected warmth and humor, Ghachar Ghochar is a quietly enthralling, deeply unsettling novel about the shifting meanings—and consequences—of financial gain in contemporary India.

    Set in the wilds of Africa, Larger Than Life introduces Alice, the unforgettable character at the center of Picoult’s anticipated new novel, Leaving Time.   A researcher studying memory in elephants, Alice is fascinated by the bonds between mother and calf—the mother’s powerful protective instincts and her newborn’s unwavering loyalty. Living on a game reserve in Botswana, Alice is able to view the animals in their natural habitat—while following an important rule: She must only observe and never interfere. Then she finds an orphaned young elephant in the bush and cannot bear to leave the helpless baby behind. Thinking back on her own childhood, and on her shifting relationship with her mother, Alice risks her career to care for the calf. Yet what she comes to understand is the depth of a parent’s love.

    In Moral Disorder she has created a series of interconnected stories that trace the course of a life and also the lives intertwined with it--those of parents, of siblings, of children, of friends, of enemies, of teachers, and even of animals. As in a photograph album, time is measured in sharp, clearly observed moments. The '30s, the '40s, the '50s, the '60s, the '70s, the '80s, the '90s, and the present --all are here. The settings vary: large cities, suburbs, farms, northern forests. The first story, "The Bad News," is set in the present, as a couple no longer young situate themselves in a larger world no longer safe. The narrative then switches time as the central character moves through childhood and adolescence in "The Art of Cooking and Serving," "The Headless Horseman," and "My Last Duchess." We follow her into young adulthood in "The Other Place" and then through a complex relationship, traced in four of the stories: "Monopoly," "Moral Disorder," "White Horse," and "The Entities." The last two stories, "The Labrador Fiasco" and "The Boys at the Lab," deal with the heartbreaking old age of parents but circle back again to childhood, to complete the cycle. By turns funny, lyrical, incisive, tragic, earthy, shocking, and deeply personal, Moral Disorder displays Atwood's celebrated storytelling gifts and unmistakable style to their best advantage. As the New York Times has said: "The reader has the sense that Atwood has complete access to her people's emotional histories, complete understanding of their hearts and imaginations."

    By 2016, their four radically different daughters are each in a state of unrest: Wendy, widowed young, soothes herself with booze and younger men; Violet, a litigator-turned-stay-at-home-mom, battles anxiety and self-doubt when the darkest part of her past resurfaces; Liza, a neurotic and newly tenured professor, finds herself pregnant with a baby she's not sure she wants by a man she's not sure she loves; and Grace, the dawdling youngest daughter, begins living a lie that no one in her family even suspects. Above it all, the daughters share the lingering fear that they will never find a love quite like their parents'.As the novel moves through the tumultuous year following the arrival of Jonah Bendt--given up by one of the daughters in a closed adoption fifteen years before--we are shown the rich and varied tapestry of the Sorensons' past: years marred by adolescence, infidelity, and resentment, but also the transcendent moments of joy that make everything else worthwhile.

    He’d only been part of my life for five short weeks two years ago. But now he was back. Walking into a deal I’d worked hard to close. And God, he was magnificent. His eyes were a brown so dark they were nearly black. Thickly lashed, they were relentless in their intensity. Had I really thought they were soft and warm? There was nothing soft about Jackson Rutledge. He was a hard and jaded man, cut from a ruthless cloth.In that moment I understood how badly I wanted to unravel the mystery of Jax. Bad enough that I didn’t mind how much it was going to cost me...

    You will know it’s coming, and it will hurt. But you’ll be able to prepare.Someone found him in a laundry basket at the Quick Wash, wrapped in a towel, a few hours old and close to death. They called him Baby Moses when they shared his story on the ten o’clock news – the little baby left in a basket at a dingy Laundromat, born to a crack addict and expected to have all sorts of problems. I imagined the crack baby, Moses, having a giant crack that ran down his body, like he’d been broken at birth. I knew that wasn’t what the term meant, but the image stuck in my mind. Maybe the fact that he was broken drew me to him from the start.It all happened before I was born, and by the time I met Moses and my mom told me all about him, the story was old news and nobody wanted anything to do with him. People love babies, even sick babies. Even crack babies. But babies grow up to be kids, and kids grow up to be teenagers. Nobody wants a messed up teenager.And Moses was messed up. Moses was a law unto himself. But he was also strange and exotic and beautiful. To be with him would change my life in ways I could never have imagined. Maybe I should have stayed away. Maybe I should have listened. My mother warned me. Even Moses warned me. But I didn’t stay away.And so begins a story of pain and promise, of heartache and healing, of life and death. A story of before and after, of new beginnings and never-endings. But most of all...a love story.

    Suspended between worlds, she watches helplessly as those she loves struggle to survive.Impossible choices are made, decisions that leave the survivors tormented with grief and regret. Unable to let go, Finn keeps vigil as they struggle to reclaim their shattered lives. Jack, her father, who seeks vengeance against the one person he can blame other than himself; her best friend, Mo, who bravely searches for the truth as the story of their survival is rewritten; her sister Chloe, who knows Finn lingers and yearns to join her; and her mother, Ann, who saved them all but is haunted by her decisions. Finn needs to move on, but how can she with her family still in pieces?Heartrending yet ultimately redemptive, In an Instant is a story about the power of love, the meaning of family, and carrying on…even when it seems impossible.

    With great sensitivity, Gibran describes his passion as a youth for Selma Karamy, the girl of Beirut who first unfolded to him the secrets of love. But it is a love that is doomed by a social convention which forces Selma into marriage with another man. Portraying the happiness and infinite sorrow of his relationship with Selma, Gibran at the same time probes the spiritual meaning of human existence with profound compassion. **Lightning Print On Demand Title

    Trust me when I say, it's a breathtaking sight to see. You burn as bright as the sun."When Aubrey Miller begins her education at Titan University, she is no longer the beautiful, blonde-haired, blue-eyed girl of her youth. In fact, she's no longer even Aubrey Miller. Overcome with guilt and unable to cope with the loss of her beloved family, she has long since buried eight-year old Aubrey along with them and transformed herself into Raven Miller. Now with jet-black hair, multiple sets of eccentric contact lenses, and several facial piercings, she's veiled herself in complete darkness as a form of protection for herself, as well as others. As she enters her first year of college, her goal is simple: Earn a degree with the least amount of social interaction as possible. What she never anticipates is the formation of very unlikely relationships with two people who will change her life in ways she never believed possible: Quinn Matthews, the overtly cheerful pageant queen, and Kaeleb McMadden, a childhood friend who never really let her go. Over the years, as their connections intertwine and strengthen, a seemingly indestructible bond is formed between the three. And eventually, the ties of friendship and discovery of first love begin to coax her from her darkened path as they slowly bring Aubrey back to life. But when faced with the possibility of yet another death, one from which she may never recover, Aubrey finds herself lost again, burying herself deeper than ever before beneath the familiar abyss of her fears. Spanning the course of four years, this is the story of a young woman's plight to finally reemerge, finding strength within unbreakable bonds as she delivers herself from her own manufactured darkness and safely back . . . Into the Light. ****WARNING - Due to the graphic nature of some scenes, this book is not recommended for those who are particularly sensitive to the death of a child and/or suicide and is intended for mature audiences only. Contains adult language and themes.****

    He is ruthless, manipulative, and unforgiving. Most will say that he is an a**hole and he is to those that cross him or cross his loved ones. However, he does not want to be who he is. He does not enjoy hurting others, but there is no limit to the lengths he will go to protect himself and his brother.This is the story of how he came to be and this is why so many love Mason Kade.

    Ingeniously plotted, with richly drawn characters and Jeffrey Archer's trademark of deliciously unexpected conclusions, this new collection has the added bonus of thirteen charming illustrations by the internationally acclaimed artist Ronald Searle. Some of these twelve stories were inspired by the two years Jeffrey Archer spent in prison, including the story of a company chairman who tries to poison his wife while on a trip to St. Petersburg---with unexpected consequences. "The Red King" is a tale about a con man who discovers that an English lord requires one more chess piece to complete a set that would be worth a fortune. In another tale of deception, "The Commissioner," a Bombay con artist ends up in the morgue after he uses the police chief as bait in his latest scam. "The Perfect Murder" reveals how a convict manages to remove an old enemy while he's locked up in jail, and then set up two prison officers as his alibi. In "Charity Begins at Home," an accountant realizes he has achieved nothing in his life, and sets out to make a fortune before he retires. And then there is Archer's favorite, "In the Eye of the Beholder," in which a handsome star athlete falls in love with a three-hundred-pound woman . . . who happens to be the ninth-richest woman in Italy. Jeffrey Archer is the only author to have topped international bestseller lists with his fiction, nonfiction, and short stories. "Cat o'Nine Tales" is Archer at his best: witty, poignant, sad, surprising, and unforgettable.

    Andrews, author of the phenomenally successful Dollanganger series, has created a fascinating new cast of characters in this haunting story of love and deceit, innocence and betrayal, and the suffocating power of parental love. Audrina Adare wanted so to be as good as her sister. She knew her father could not love her as he loved her sister. Her sister was so special, so perfect -- and dead. Now she will come face to face with the dangerous, terrifying secret that everyone knows. Everyone except... My Sweet Audrina

    You made it. I didn’t. Get off the guilt train, because I know if there was any chance you could have saved me, you would have.I need one thing from you: get out of the army and get to Telluride.My little sister Ella’s raising the twins alone. She’s too independent and won’t accept help easily, but she has lost our grandmother, our parents, and now me. It’s too much for anyone to endure. It’s not fair.And here’s the kicker: there’s something else you don’t know that’s tearing her family apart. She’s going to need help.So if I’m gone, that means I can’t be there for Ella. I can’t help them through this. But you can. So I’m begging you, as my best friend, go take care of my sister, my family.Please don’t make her go through it alone.Ryan