Believe me. I don't know what's happened, but something has. He's changed. He . . . And I'm wondering if . . . To be absolutely honest with you . . . I'm even wondering if . . . Nicolas, just two years ago a smiling boy, is going through a difficult phase after his parents' divorce. He's listless, skipping classes, lying. He believes moving in with his father and his new family may help. And a different school, a fresh start. When he doesn't feel comfortable there, when he senses he isn't wanted, he decides that going back to his mother's may be the answer. But at some point, options are going to dry up. And then what?I'm telling you. I don't understand what's happening to me. Florian Zeller's The Son forms the final part in a trilogy with The Mother and The Father, all of which are translated by Christopher Hampton. The Son premieres at the Kiln Theatre, London, in February 2019.

    In The Oxford History of World Cinema, an international team of film historians traces the history of this enduringly popular entertainment medium. Covering all aspects of its development, stars, studios, and cultural impact, the book celebrates and chronicles over one hundred years of diverse achievement from westerns to the New Wave, from animation to the avant-garde, and from Hollywood to Hong Kong. The Oxford History of World Cinema tells the story of the major inventions and developments in the cinema business, its institutions, genres, and personnel, and they outline the evolution of national cinemas round the world--the varied and distinctive film traditions that have developed alongside Hollywood. A unique aspect of the book are the special inset features on the film-makers and personalities--Garbo and Godard, Keaton and Kurosawa, Bugs Bunny and Bergman--who have had an enduring impact in popular memory and cinematic lore. With over 280 illustrations, a full bibliography, and an extensive index, this is the buff's ultimate guide to cinema worldwide.

    Not least among the casualties is the notion that cinema and literature are two separate spheres. For in his screenplay, Nabokov married the structural and narrative felicities of great cinema to prose as sensuously entrancing as any he had ever written, resulting in a work that will delight cineasts and Nabokovians alike.

    That current is best identified by its catch-labels--Theater of the Absurd, Black Comedy, the Theater of Cruelty--which is to say the theater of alienation, of moral anarchy and despair. To the practitioners of those philosophies Man of La Mancha must seem hopelessly naive in its espousal of illusion as man's strongest spiritual need, the most meaningful function of his imagination. But I've no unhappiness about that. "Facts are the enemy of truth," says Cervantes-Don Quixote. And that is precisely what I felt and meant."--Dale Wasserman, from the Preface.

    Renew your faith and your joy with these stories of: prayer answered miraculously amazing coincidences and divine appointments guardian angels rediscovered faith the serenity that comes from believing in a greater power

    Pratt returns to the series that started it all. Five years have passed since the end of the Madoc/Empire war. When word of his exploits spreads, life at The Ranch grows intolerable as people seek him out for one reason or another. Assuming the moniker, The Dark Mage, he takes steps to ensure his privacy. Despite his best efforts, soldiers led by a mage of great power lay siege to his island. During the battle, one of James' unfinished experiments inadvertently activates, causing him, Jiron, and Jiron's daughter Jira, to be sent to Earth. James is soon to learn that magic is no longer at his beck and call. To make matters worse, their arrival upon Earth precipitates a fire blast, making them wanted men. Somehow, James must find a way back to Jiron's home world before running afoul of the authorities. But how can he, if he can't even perform the most basic of spells? Earth is truly a land barren of magic.

    D in neuroscience from Harvard University. Alice Howland, happily married with three grown children and a house on the Cape, is a celebrated Harvard professor at the height of her career when she notices a forgetfulness creeping into her life. As confusion starts to cloud her thinking and her memory begins to fail her, she receives a devastating diagnosis: early onset Alzheimer's disease. Fiercely independent, Alice struggles to maintain her lifestyle and live in the moment, even as her sense of self is being stripped away. In turns heartbreaking, inspiring and terrifying, Still Alice captures in remarkable detail what's it's like to literally lose your mind...

    Everyone in their small rural community in northern Florida thought that Meg and Carson would always be together. But at twenty-one, Meg was presented with a marriage proposal she could not refuse, forever changing the course of her life.Seventeen years later, Meg’s marriage has become routine, and she spends her time juggling the demands of her medical practice, the needs of her widowed father, and the whims of her rebellious teenage daughter, Savannah, who is confronting her burgeoning sexuality in a dangerous manner, and pushing her mother away just when she needs her most. Then, after a long absence, Carson returns home to prepare for his wedding to a younger woman. As Carson struggles to determine where his heart and future lie, Meg makes a shocking discovery that will upset the balance of everyone around her.Unfolding with warmth and passion, Therese Fowler’s vibrant and moving debut illuminates the possibility of second chances, the naïve choices of youth, the tensions within families, and the wondrous designs of fate. A searing yet redemptive novel, Souvenir is an unforgettable tale about the transforming power of love.

    Beginning with a helpful introduction that places each essay in context, specially commissioned chapters examine the following topics:philosophical issues surrounding love, friendship, affirmation and repetitionthe role of memory (and the emotions) in personal identity and decision-makingthe morality of imagination and ethical importance of memoryphilosophical questions about self-knowledge and knowing the minds of othersthe aesthetics of the film considered in relation to Gondry's other works and issues in the philosophy of perceptionIncluding a foreword by Michel Gondry and a list of further reading, this volume is essential reading for students interested in philosophy and film studies.

    The screenplay of the 1987 movie, as written by Charles Bukowski.From the title page: "An Original Screenplay By Charles Bukowski For A Film By Barbet Schroeder"

    Torn between his professed doctrine of poverty and chastity and the reality of his enormous wealth and thirteen children, Tolstoy dramatically flees his home, only to fall ill at a tiny nearby rail station. The famous (and famously troubled) writer believes he is dying alone, unaware that over a hundred newspapermen camp outside awaiting hourly reports on his condition. Jay Parini moves deftly between a colorful cast of characters to create a stunning portrait of one of the world’s most treasured authors. Dancing between fact and fiction, The Last Station is a brilliant and moving literary performance.

    A mixture of poetry, metaphysics, and common sense, they are ideal for the imaginative director and are easily adapted for radio or small acting areas.

    Rachel has always been the consummate good girl—until her thirtieth birthday, when her best friend, Darcy, throws her a party. That night, after too many drinks, Rachel ends up in bed with Darcy's fiancé. Although she wakes up determined to put the one-night fling behind her, Rachel is horrified to discover that she has genuine feelings for the one guy she should run from. As the September wedding date nears, Rachel knows she has to make a choice. In doing so, she discovers that the lines between right and wrong can be blurry, endings aren't always neat, and sometimes you have to risk all to win true happiness. Something Borrowed is a phenomenal debut novel that will have you laughing, crying, and calling your best friend.

    A medical crisis reveals a 30-year-old secret that turns everything she’s known and believed upside down, unraveling her dreams and her identity.In search of answers, she follows a trail from Minnesota to Colorado and discovers more unwelcome secrets even as she falls in love with the majestic beauty of the Rocky Mountains, and a wilderness camp leader who shares the greatest secret of all.Knowing her life can never go back to what it was, she must make decisions that will impact far more than just her future.

    Meet Ove. He's a curmudgeon, the kind of man who points at people he dislikes as if they were burglars caught outside his bedroom window. He has staunch principles, strict routines, and a short fuse. People call him the bitter neighbor from hell, but must Ove be bitter just because he doesn't walk around with a smile plastered to his face all the time?Behind the cranky exterior there is a story and a sadness. So when one November morning a chatty young couple with two chatty young daughters move in next door and accidentally flatten Ove's mailbox, it is the lead-in to a comical and heartwarming tale of unkempt cats, unexpected friendship, and the ancient art of backing up a U-Haul. All of which will change one cranky old man and a local residents' association to their very foundations.