He has amassed millions and now wants someone to pass them on to, the next in the family line. But he has no heir as his wife has been unable to have children. Refusing to let this stand in his way, Jamison pleads for a divorce but his wife, a devout Catholic, refuses to give into his demands. If she will not agree, she will have to be removed. Jamison hires a professional killer to do the deed but this is only the beginning of a thrilling and electrifying story of revenge, betrayal and murder.

    Sallis combines murder, treachery and payback in a sinister plot with resonances of 1940s pulp fiction and film noir. Told through a cinematic narrative that weaves back and forth through time and place, the story explores Driver's near existential moral foundations, intercut with moments of bloody violence.

    Casino owner Joe Martin faces down a Syndicate-backed gambler in a marathon craps game, with millions of dollarsand possibly even his lifeat stake.

    Worse, Alex wasn’t an innocent bystander but part of the gang that raided the vault and left behind numerous bodies.Simmering with rage over his loss, Will tries to let the police handle the matter. But as Alex’s killers remain at large, Will decides that it’s up to him—and a few old friends—to enact revenge in a most brutal manner.Now he’s calling on dangerous connections that have been buried for years—and should’ve stayed that way. But Will vows to do whatever it takes to see Alex’s killers repay their sins in blood, even if it means his own damnation.

    

    He's a shootist, lightning quick and totally lethal with his Tranter pistols.Jenny Blaylock has always been nervous around Tucker because she knows he's a stone cold killer. Something's broken inside Tucker, and she's afraid that he's going to get her family hurt.But when her husband Sam is out of town and her daughter is kidnapped by a ruthless gang, Jenny has no choice but to saddle up and ride with Tucker. The trail is long and hard, and she knows its going to end in sudden death, hellfire and gunsmoke.

    Emily, now in her 30s, is living in Los Angeles with a husband and a career as an image consultant—a career that is suddenly floundering—when she gets a desperate summons to Greenwich, Connecticut, from her old friend Miriam. Miriam’s pal Karolina is all over the media with a bogus drunk driving change, and this senator’s wife and former Victoria’s Secret model needs an image makeover, fast. The narrative is split between the three women as they uncover a major betrayal and in doing so form an enviable bond. The doings of the Greenwich housewives who are now shunning Karolina is uproariously funny, and even jaded Emily is shocked by the scandalous behavior going on behind oversized doors. It feels like Weisberger wrote her novel yesterday, peppering the story with real-life celebrity misconduct. When Life Gives You Lululemons is a laugh-out-loud funny look at rich people behaving badly and the steel bonds of true female friendship. —Seira Wilson, Amazon Book Review

    Notoriously cunning and ruthless, Gloria shows her eager young protégée the ropes, ushering her into a glittering demimonde of late-night casinos, racetracks, betting parlors, inside heists, and big, big money. Suddenly, the world is at her feet--as long as she doesn't take any chances, like falling for the wrong guy. As the roulette wheel turns, both mentor and protégée scramble to stay one step ahead of their bosses and each other.

    Red dress, black hair, body like a knife. He takes her back to his room and wakes the next morning in a bathtub full of blood and ice, missing a kidney.Dragging himself from a hospital bed, Phineas discovers he wants to be with Jude like a hunger -- and he wants to find her and kill her. Falling for her is the start of a twisted love story that takes him from the snowy streets of Denver to the high plains of Texas where the boundaries between torturer and victim, killer and accomplice, become nightmarishly distorted.

    A prequel and sequel to the 1933 novel that introduced King Kong blends the talents of a renowned fantasy artist with those of a top science fiction writer to create a worthy and long-awaited successor to the Depression-era fantasy that spawned numerous feature-length films.

    She was never successful in this, but her Chandler-influenced novel No Good From a Corpse was so impressive in its hard-boiled dialogue that Howard Hawks insisted its author, unseen, be brought in to work on the screenplay adaption of The Big Sleep (together with a fella by the name of Faulkner.) Though Hawks was stunned to discover that Leigh was a woman, she got the job, and worked on what was probably the best film adaptation of a Chandler novel. No Good From a Corpse offers hard-boiled private eye Ed Clive, who gets involved with a dead girl, and suspects every one of her boyfriends--an ex-husband, a playboy, a blackmailer and a brute. There's a woman suspect as well, and a long chase through Sunset Strip.

    Meanwhile, an L.A. playboy beds a gorgeous redhead and wakes up with a psychopath trying to kill him. Neither Val nor Kilo know it yet, but they are on a collision course with a sexy marine biologist and one lethally dysfunctional family in this "dark, comic tour de force" (James Ellroy).

    There they will confront madness, murder, and the ultimate evil so that their billionaire host might find the key to life beyond the grave. But as they learn, dead souls dwell in The Pines. And death is just the beginning...

    But when for the first time in Doc's long criminal career, his shot doesn't hit the mark, everything begins to fall apart. And Doc begins to realize that the perfect bank robbery isn't complete without the perfect getaway to back it up.THE GETAWAY is the classic story of a bank robbery gone horribly wrong, where the smallest mistakes have catastrophic consequences, and shifting loyalties lead to betrayals and chaos. The basis for the classic Steve McQueen film of the same name, as well as a 1994 remake with Alec Baldwin, Thompson's novel set the bar for every heist story that followed--but as Thompson's proved time and again, nobody's ever done it better than the master.

    And The Mystic Arts of Erasing All Signs of Death is the type of story–swift, twisted, hilarious, somehow hopeful—that only he could dream up.The fact is, whether it’s a dog hit by a train or an old lady who had a heart attack on the can, someone has to clean up the nasty mess. And that someone is Webster Fillmore Goodhue, who just may be the least likely person in Los Angeles County to hold down such a gig. With his teaching career derailed by tragedy, Web hasn’t done much for the last year except some heavy slacking. But when his only friend in the world lets him know that his freeloading days are over, and he tires of taking cash from his spaced-out mom and refuses to take any more from his embittered father, Web joins Clean Team—and soon finds himself sponging a Malibu suicide’s brains from a bathroom mirror, and flirting with the man’s bereaved and beautiful daughter.Then things get weird: The dead man’s daughter asks a favor. Her brother’s in need of somebody who can clean up a mess. Every cell in Web’s brain tells him to turn her down, but something else makes him hit the Harbor Freeway at midnight to help her however he can. Is it her laugh? Her desperate tone of voice? The chance that this might be history’s strangest booty call? Whatever it is, soon enough it’s Web who needs the help when gun-toting California cowboys start showing up on his doorstep. What’s the deal? Is it something to do with what he cleaned up in that motel room in Carson? Or is it all about the brewing war between rival trauma cleaners? Web doesn’t have a clue, but he’ll need to get one if he’s going to keep from getting his face kicked in. Again. And again. And again.Full of black humor, stunning violence, singular characters, and neon dialogue, The Mystic Arts of Erasing All Signs of Death is classic Charlie Huston: a wild ride that’ll leave you breathless and shaken, grinning and begging for more.