With skillful prose, he enthralls even as he horrifies; with uncanny insight, he disturbs as profoundly as he reveals. Evoking revulsion and admiration, anticipation and dread, Barker's works explore the darkest contradictions of the human condition: our fear of life and our dreams of death.

    With a nervous energy and obsession to match his protagonists, Matt Bell’s prose burrows, forensically, into the layers of the brothers’ lives, employing a multilinear narrative structure and a frenetic plurality of perspectives to reach a core of despair that is both terrifyingly primal and distressingly familiar. Matt Bell's THE COLLECTORS was chosen by Brian Evenson as the runner-up manuscript in the 2008 Caketrain Chapbook Competition.

    Stranded in a valley teeming with enemy troops, Sol scrambles to survive and evade capture. Pararescueman Bo Bolick has been given just twenty-four hours to find Sol before a US carpet bombing destroys every living thing in the valley, friend or foe.As Bo’s search intensifies, Minh, a young Hanoi woman who entertains the fighters and travelers along the Ho Chi Minh Trail, becomes inextricably caught up in the raging battle between her North Vietnamese troops and the American forces sent to rescue Sol. In the midst of heavy combat, Minh tries to find and understand love for the first time in her life.But the clock is ticking. A curtain of fire is going to descend. The desperate realities of jungle warfare are about to collide with a warrior’s code that says no man will be left behind.

    They are surrounded by forests of birch and rowan; they make stew from foraged roots and hunted rabbit. The students are fulfilling their coursework; Silvie's father is fulfilling his lifelong obsession. He has raised her on stories of early man, taken her to witness rare artifacts, recounted time and again their rituals and beliefs—particularly their sacrifices to the bog. Mixing with the students, Silvie begins to see, hear, and imagine another kind of life, one that might include going to university, traveling beyond England, choosing her own clothes and food, speaking her mind.The ancient Britons built ghost walls to ward off enemy invaders, rude barricades of stakes topped with ancestral skulls. When the group builds one of their own, they find a spiritual connection to the past. What comes next but human sacrifice?A story at once mythic and strikingly timely, Sarah Moss's Ghost Wall urges us to wonder how far we have come from the "primitive minds" of our ancestors.

    The dreamer. The penitent. From war-torn Syria to small-town Ireland, three men, scarred by all they have loved and lost, are searching for some version of home. Each is drawn towards a powerful reckoning, one that will bring them together in the most unexpected of ways.

     "PAPERCLIP" by Kenneth Hite. "A Spider With Barbed-Wire Legs" by Davide Mana. "Le Pain Maudit" by Jeff C. Carter. "Cracks in the Door" by Jason Mical. "Ganzfeld Gate" by Cody Goodfellow. "Utopia" by David Farnell. "The Perplexing Demise of Stooge Wilson" by David J. Fielding. "Dark" by Daniel Harms."Morning in America" by James Lowder. "Boxes Inside Boxes" and "The Mirror Maze" by Dennis Detwiller. "A Question of Memory" by Greg Stolze. "Pluperfect" by Ray Winninger. "Friendly Advice" by Gareth Ryder-Hanrahan. "Passing the Torch" by Adam Scott Glancy. "The Lucky Ones" by John Scott Tynes. "Syndemic" and an introduction by Shane Ivey. These stories are recommended for mature readers. Excerpted from the introduction: We know a program called Delta Green really existed. You can find a couple of references to it in documents uncovered by Freedom of Information Act requests. Delta Green was a psychological operations unit in World War II, created to take advantage of the bizarre occult beliefs of Axis leaders. The public documents, which may have been released with the name unredacted by mistake, don’t say whether it had any success. The OSS was shut down after the war. Many of its people helped launch the CIA in 1947. We can only speculate whether the OSS’s lessons from Delta Green informed the CIA’s notorious psychological operations in the coming decades.  Conspiracy theorists have done more than speculate. Delta Green came back as a secret project to track down Nazis after the war, they say. Delta Green brought federal agents, spies, and special forces together for missions too secret even for the CIA. Delta Green was the precursor and rival to Majestic-12, the U.S. government conspiracy that allied itself with aliens after Roswell. Delta Green fights otherworldly monsters and evil sorcerers under the cover of the Global War on Terror. Once you climb into the rabbit hole, the fall never ends. In this book we turn up tales from the rabbit hole: Delta Green case histories rendered as short stories. They begin in the Dust Bowl, with a Naval intelligence unit supposedly called “P4” and memories of the abandoned New England town of Innsmouth (another bottomless well of conspiracy theories). They look at the days after World War II when secret agents pursued Nazis all over Europe, the early CIA attempted its first infamous schemes, and anticommunist witch-hunts seized on American terrors back home. They bring us through the Cold War desperation of the Seventies and Eighties, when America was shocked by its own crimes and Delta Green allegedly went underground again. And they come to the present day, and a Delta Green divided after it rebuilt itself in the secret government—but many old outlaws refused to trust the new order.

    Impeccably attired in either gender, hired assassin Glen becomes Glenda when it's time to work. But big trouble starts when Glenda decides to give up the murder racket, take up with a sugar daddy, and finance a sex change operation.

    Twice a day the Persian slave trader came in and taught her to be a whore. Otherwise there was nothing. One day she found a pencil stub and scrap of paper in a forgotten corner of the room. She began to write down her life, starting with "Parents stink" (her father, who is also her boyfriend, has fallen in love with another woman and is about to leave her). With Blood and Guts in High School, Kathy Acker, whose work has been labeled everything from post-punk porn to post-punk feminism, has created a brilliantly subversive narrative built from conversation, description, conjecture, and moments snatched from history and literature.~ groveatlantic.com

    Burroughs stated that the chapters are intended to be read in any order. The reader follows the narration of junkie William Lee, who takes on various aliases, from the U.S. to Mexico, eventually to Tangier and the dreamlike Interzone.The vignettes are drawn from Burroughs' own experiences in these places and his addiction to drugs (heroin, morphine, and while in Tangier, majoun [a strong hashish confection] as well as a German opioid, brand name Eukodol, of which he wrote frequently).[source wiki}

    Three books in one!With the atmosphere of urban decline and inner-city violence, these three murder mysteries are set in the metropolitan area of Salford, Manchester - one of the most deprived areas in England.Ex-rugby player turned social worker Gus Keane is a man who, faced with the disinterest of the Police, becomes a private investigator in order to find out who murdered his boss. Not surprisingly, law enforcement don't want someone meddling in the case, but increasingly they turn to Keane's local knowledge to bring the culprit to justice.Three related detective mysteries in one bumper volume on KindleAs reviewers have remarked, these books form a trilogy but each can be read on its own, without having read the others. This is partly because Gus Keane is an immediately likeable detective: he has his faults, and is always getting into trouble; but he has a way of getting the truth out of people and, hardened to the rough world of Salford, his local knowledge is key.THE THREE BOOKS IN THE TRILOGYTACKLING DEATH: A pacey pulp Private Eye thriller set in a northern English townEx-rugby football player turned social worker Gus Keane is getting ready for retirement when his boss gets murdered. Finding himself under suspicion, Keane turns private detective to find out the truth. But when he closes in on the killer will Keane come out on top or fall victim to the murderer’s desperate moves?DEAD CERTAINTY: Social worker turned Private Eye Gus Keane returns in this gripping murder mysteryIf something happens in Salford, Manchester, it is generally bad news and when two dead bodies turn up within a few hours of one another, it is no exception. With the local force stretched to the limits and firing blanks ex-rugby player Gus Keane is asked to step in to help find the culprits. What follows is an ever thickening plot as Keane gradually begins to unravel a mystery from Salford's shady past.FALLING FOUL: Private investigator Gus Keane is back with a difficult new case to solveWith his ex-wife appearing back on the scene and relations with his girlfriend Marti troubled, the murder of one of Gus Keane's colleagues comes at a really bad time. Yet when his friend Jimmy is accused of the murder, he really must step up to the plate. With his knowledge of the local area, and a healthy suspicion that nothing anyone says is true, private investigator Keane must find the killer before Jimmy is convicted.These books are also available as individual titles on Kindle and are FREE on Kindle Unlimited.

    The catastrophe is confined to Bellona, and most of the inhabitants have fled. But others are drawn to the devastated city, among them the Kid, a white/American Indian man who can't remember his own name. The Kid is emblematic of those who live in the new Bellona, who are the young, the poor, the mad, the violent, the outcast--the marginalized.

    But when he and his best friend, Bob, partake in "awful kid stuff", the experience forms Jim's ideal of spiritual completion. Defying his parents’ expectations, Jim strikes out on his own, hoping to find Bob and rekindle their amorous friendship. Along the way he struggles with what he feels is his unique bond with Bob and with his persistent attraction to other men. Upon finally encountering Bob years later, the force of his hopes for a life together leads to a devastating climax. The first novel of its kind to appear on the American literary landscape, The City and the Pillar remains a forthright and uncompromising portrayal of sexual relationships between men.

    Peter Bois is one of the wealthiest men on Nantucket but is far from successful; his business is being picketed for polluting the oceans, his wife wants a divorce, and his best friend is dead. But fate has plans for him.On a picnic at the beach with his alienated family, Peter is caught up in a riptide and transported back in time to the early 19th-century as a greenhand on a Nantucket whaleship, clueless to where he is and ignorant to what is expected of him. Struggling to accept his new reality, he must confront the man he is and come to grips with life nearly two hundred years in the past as the ship pursues whales and battles storms thousands of miles out to sea. His only help? A crewman who looks and acts just like his dead best friend.On a voyage bristling with danger and death, Peter must survive long enough to figure out how to get back to his own time and back to where he can right his many wrongs.Engaging and innovative, this fast-paced and uplifting novel is a must-read for audiences young and old.

    Lonely Christopher combines a striking emotional grammar, reminiscent of Gertrude Stein's Three Lives, with an unyielding imagination in the lovely/ugly architecture of his stories.Lonely Christopher is the author of several poetry chapbooks and is a contributor to the poetry volume Into (Seven Circles Press). His plays have been published, staged in New York City and internationally, and released in Mandarin translation. His fiction received Pratt Institute's 2009 Thesis Award. He is a founding member of the small press The Corresponding Society and an editor of its biannual journal Correspondence. He lives in Bed-Stuy, Brooklyn.

    Although fluent in the native language, she quickly finds herself on the outside of every experience. Things happen to her, events transpire, but it is as if the city itself, the performance of life there, eludes her. Setting out to uncover the source of the city’s erosion, she is beset by this other crisis—an ontological crisis—as she struggles to retain a sense of what is happening.Event Factory is the first in a series of novels (also available are the second, The Ravickians; the third, Ana Patova Crosses a Bridge; and the fourth, Houses of Ravicka) that Renee Gladman is writing about the invented city-state of Ravicka, a foreign “other” place fraught with the crises of American urban experience, not least the fundamental problem of how to move through the world at all.