That is, until the doorbell rings. Standing on her front step is a young man who looks so much like Max; same smile, same eyes, same age, same adorable bump in his nose; he could be Max's long-lost relation. He introduces himself as Paolo, an Italian editor of American coffee table books, and shows Shelley some childhood photos. Paolo tells her that the man in the photos, the bearded man who Paolo says is his grandfather though he never seems to age, is Max. Her Max. And he is alive and well.As outrageous as Paolo's claims seem; how could her husband be alive? And if he is, why hasn't he looked her up? Shelley desperately wants to know the truth. She and Paolo jet across the globe to track Max down; if it is really Max and along the way, Shelley recounts the European package tour where they had met. As she relives Max's stories of bloody Parisian barricades, medieval Austrian kitchens, and buried Roman boathouses, Shelley begins to piece together the story of who her husband was and what these new revelations mean for her "happily ever after." And as she and Paolo get closer to the truth, Shelley discovers that not all stories end where they are supposed to.

    Her mother, who disappeared soon after they migrated from the Philippines to America, speaks to her in prophetic dreams. Stranger still is the old man who turns up at her house one day and claims to be her grandfather, even though Karina’s mother had told her he died a long time ago.Karina discovers that her mother is an engkanto princess who ran away from Engkantasia. Karina is now of age to take the throne and must do so to prevent a war between Engkantasia and the human world. She must learn to control her powers and fight a range of weird creatures trying to kill her and her family. To make matters worse, she finally meets a boy she likes and there’s something about him she can’t quite figure out.

    The table is the setting for pivotal moments in the lives of the main characters—who, as it seems, are quite the lovelorn bunch. First, there’s the long-time couple on the verge of calling it quits after college graduation. Then there’s the serial dater who accepts her younger brother’s challenge to go dateless for two months. There’s also a photographer who attempts to dissuade his best friend from getting married (and we’re curious to find out why). And finally, there are the two hopefuls: a young man who meets with the girl he never stopped loving, and a young lady who pores over romance novels, waiting for her turn to fall in love.

    Her uncle, Pol, who has offered her a fresh start and a place to stay in the Bay Area, knows not to ask about her past. And his younger wife, Paz, has learned enough about the might and secrecy of the De Vera family to keep her head down. Only their daughter, Roni, asks Hero why her hands seem to constantly ache.Illuminating the violent political history of the Philippines in the 1980s and 1990s and the insular immigrant communities that spring up in the suburban United States with an uncanny ear for the unspoken intimacies and pain that get buried by the duties of everyday life and family ritual, Castillo delivers a powerful, increasingly relevant novel about the promise of the American dream and the unshakable power of the past. In a voice as immediate and startling as those of Junot Díaz and NoViolet Bulawayo, America Is Not the Heart is a sprawling, soulful telenovela of a debut novel. With exuberance, muscularity, and tenderness, here is a family saga; an origin story; a romance; a narrative of two nations and the people who leave home to grasp at another, sometimes turning back.

    She doesn't even know what her real goals are, aside fro simultaneously pining for and getting over smart, hot, talented, charming Gabe, whose glassy perfection both dazzles and depresses her. Then the universe deals her a wake-up call in three sure steps:1.) She starts an internship at a preschool, where the kids are chaotic but cute;2.) She finds an intriguing, potentially life-changing stash of letters addressed to her grandmother from her namesake grandaunt; and3.) She falls into a weird friendship with Luis, the boy with an infectious smile who seems determined to rescue her from Gabe-and from herself.Will this wake-up call finally push her life forward or is Natividad, much like her old-fashioned name, doomed to forever live in the past?

    Marcelina's father comes home from a trip to Manila with beautiful hand-made sleeping mats for each member of his large family, including the three daughters who died when they were very young.

    Set in the exotic background of the little mining village of Nibucal in the southern Philippines, A Blade of Fern sketches a panoramic vista of rural life and problems of survival among miners prospecting for gold.The novel is in the tradition of the Romantic hero who runs away from a society he rejects to seek regeneration in a deeply natural environment.A Blade of Fern should be of interest to students of Philippine literature in English and the general reader.

    It never quite plays out as beautifully as I imagine this scene to be. I am still a normal girl, after all, and in my head I've blocked it perfectly: We wake up with a slow stretch, cuddle for a few minutes, conduct a short conversation with our husky sleepy voices..."Even for a struggling actress like 26-year-old Kach, love doesn't come easy. Especially if your timing is off and you miss your cue and forget to deliver the right lines at the right time...Beautiful, talented and starving, theater actress Kach, who has a real penchant for drama, lives off the refrigerators and affection of her childhood friends: Nats, a chef who has taken it upon herself to play mother to Kach, and Jorge, an overachieving research genius who balances off Kach when she starts overreacting and who gladly supplies much-needed warm hugs when her world - or her tiny Makati apartment - dramatically turns cold.Now Kach has finally landed a legitimate role costarring an intense, sexy and brooding young stage actor named Sanchez. Their onstage chemistry quickly reaches boiling point and overflows into real-life, and suddenly Kach finds herself in a super-kilig affair, complete with snatches of smooches behind closed stage curtains.But their romance takes a dramatic turn when Kach discovers that Sanchez isn't tailor-made for the role of her real-life leading man...and that someone else is ready and willing to audition!

    All of a sudden, she finds herself pretending—unwillingly at that—to be his girlfriend to make his ex jealous.Now, not only does she have to deal with dirty looks from the girls in school who want Kenji for themselves, but her supposed boyfriend is getting on her nerves. He's hotheaded, never seems to agree with her on anything—and everything about him screams gangster.Has Athena gotten herself into more trouble than she can handle? Or has she actually found herself a boy she can call hers—gangster be damned?

    But when he steps off the plane from the Philippines, she cannot believe her eyes. She hasn't seen him for ten years, but even so, how did he get to be EIGHT FOOT TALL? An eight-foot tall boy who is about to crash into her life with his size 22 feet.But Bernardo is not what he seems. Bernardo is a hero, Bernardo works miracles, and Bernardo has an amazing story to tell.A bittersweet story, funny, sad, and magical.

    It was not because of a comet, prophecy, natural disaster or whatever garbage foretold on the internet, but because every myth ever written turned out to be an account of historical fact. These monsters we’ve read about as children waged a war that lead to the human race’s downfall. And the unlucky who survived are hunted down or, worse, tortured.In these dark times, people could only turn to the Shepherd for help. I am one such Shepherd and I thought my only task was to protect the few humans who still thrived on this desolate world. But when I rescued Dorian from Dwende captivity, I discovered that not only is he the most dangerous thing to have around, but he could be our one hope for redemption. I now find myself protecting a born killer, but in doing so, I’m turning my back on everything human.

    Everything about her is so different from the rest of her family. She is big-haired, brown skinned, and clumsy in a family of cream-colored beauties who are all popular and Good At Sports. She closely resembles a father she has never known, and about whom her mother never speaks, and no one wants to tell her why. She turns to books and other things in her quest to find answers, and as a way to cope with her loneliness. When she learns the truth about her father, she must decide whether or not she will let the differences in her life define her forever.A unique coming-of-age story unfolding through dictionary-style chapters, What Things Mean takes a closer look at the things that define a life, and the many ways in which we find meaning.*Grand Prize Winner, Scholastic Asian Book Award 2014

    The older brother, Tomas, fashions himself into a Mexican gangster and breeds pricey attack dogs, which he trains in German and sells to Hollywood celebrities. The narrator is younger brother Gabe, who tries to avoid the tar pit of Tomas's waywardness, yet moves ever closer to embracing it. Their mother, who moved to America to escape the caste system of Manila and is now divorced from their American father, struggles to keep her sons in line while working two dead-end jobs. When Gabe runs away, he brings shame and unforeseen consequences to the family."--BOOK JACKET.

    The end of his journey turns out to be the beginning of an odyssey in his beloved city where he finds "an insidious lawlessness creeping upon the land."Set in Manila in the last beleaguered months before the politico-military takeover in 1972, Bamboo in the Wind tells of the last desperate efforts of a people fighting to stave off disaster. Amid the escalating madness of a regime gone berserk, an odd assortment of people—a senator, a young nationalist, a dispossessed farmer, a radical activist, a convent school girl, a Jesuit scholastic—make their way along the labyrinthine corridors of greed and power. Each is forced to examine his own commitment in the face of brutality and evil, as the book conjures up scene after scene of devastation: the massacre of the demonstrators, the demolition of Sapang Bato, the murder of the sugar plantation workers, the burning of the Laguardia rice fields. And, as a climax to the mounting violence, that final September day—the arrests, the torture, and finally, the darkness that overtakes the land.