Yet the two are drawn powerfully together even when it is clear they are bound to bring each other grief. Their difficult marriage leads them and their children to a house made of glass in the Connecticut countryside, to the avenues of  Manhattan , and to the blue waters of Long Island Sound. Glass breaks, love hurts, and families make their own rules. Ultimately, it falls to their grandson, Will, to solve the emotional puzzle of his family and of his own identity.

    Concerned something has happened to her husband, Jill follows a string of clues to try and find out the secret Charles was keeping from her.

    These “seven stories” lead to a charming and surprising ending.Cast of 2 women and 3 men.

    Three women--burdened with small children, unwieldy straw hats, and some obvious emotional issues--tumble onto the Nantucket airport tarmac one hot June day. Vicki is trying to sort through the news that she has a serious illness. Her sister, Brenda, has just left her job after being caught in an affair with a student. And their friend Melanie, after seven failed in vitro attempts, is pregnant at last--but only after learning that her husband is having an affair. They have come to escape, enjoy the sun, and relax in Nantucket's calming air. But into the house, into their world, steps twenty-two-year-old Josh Flynn.Barefoot weaves these four lives together in a story with enthralling sweep and scope--a novel that is as fun and memorable and bittersweet as that one perfect day of summer.

    The 07:44 train. Carriages packed with commuters. A woman applies her make-up. Another occupies her time observing the people around her. A husband and wife share an affectionate gesture. Further along, a woman flicks through a glossy magazine. Then, abruptly, everything changes: a man has a heart attack, and can't be resuscitated; the train is stopped, an ambulance called. For at least three passengers on the 07:44 on that particular morning, life will never be the same again. Lou witnesses the man's final moments. Anna and Lou share a cab when they realise the train is going nowhere fast. Anna is Karen's best friend. And Karen? Karen's husband is the man who dies. Telling the story of the week following that fateful train journey, One Moment, One Morning is a stunning novel about love and loss, about family and - above all - friendship. A stark reminder that, sometimes, one moment is all it takes, it also reminds us that somehow, and despite everything, life can and does go on.

    But when she receives a call from the coroner, asking her to identify her lover's body, her bright dreams all turn to black. As Josie struggles to understand Michael's death and to hold onto the world they shared, she is both attracted to and repelled by his pianist mother, Meredith, who blames Josie for her son's torment. Soon the two women are drawn into a twisted relationship that reflects equal parts distrust and blind need.With the luxurious prose and fever pitch intensity that are her hallmarks, Janet Fitch weaves a spellbinding tale of love, betrayal, and the possibility of transcendence.

    . . . Lynn Nottage’s beautiful, hideous and unpretentiously important play [is] a shattering, intimate journey into faraway news reports.”—Linda Winer, Newsday“An intense and gripping new drama . . . the kind of new play we desperately need: well-informed and unafraid of the world’s brutalities. Nottage is one of our finest playwrights, a smart, empathetic and daring storyteller who tells a story an audience won’t expect.”—David Cote, Time Out New YorkA rain forest bar and brothel in the brutally war-torn Congo is the setting for Lynn Nottage’s extraordinary new play. The establishment’s shrewd matriarch, Mama Nadi, keeps peace between customers from both sides of the civil war, as government soldiers and rebel forces alike choose from her inventory of women, many already “ruined” by rape and torture when they were pressed into prostitution. Inspired by interviews she conducted in Africa with Congo refugees, Nottage has crafted an engrossing and uncommonly human story with humor and song served alongside its postcolonial and feminist politics in the rich theatrical tradition of Bertolt Brecht’s Mother Courage.Lynn Nottage’s plays include Crumbs from the Table of Joy, Fabulation, and Intimate Apparel, winner of the American Theatre Critics’ Steinberg New Play Award and the Francesca Primus Prize. Her plays have been widely produced, with Intimate Apparel receiving more productions than any other play in America during the 2005-2006 season.

    Searching Manchester in desperation, she finds all roads lead to Pomona - an abandoned concrete island at the heart of the city.Here at the centre of everything, journeys end and nightmares are born.A sinister and surreal thriller from Alistair McDowall, Pomona received its world premiere at the Orange Tree Theatre, London, on 12 November 2014.

     Mozelle did not want to get married and, for certain, she did not want twelve children. She didn't even want one child. Mozelle dreamed of getting a good job, of buying herself a car, and of traveling across country a carefree woman---nobody and nothing hanging onto her skirt tail. That is until tall, dark, handsome Randell Tate, twenty-two years Mozelle's senior, showed up in church that fateful Sunday morning, winked at her and threw Mozelle's world off balance. She fell under Randell's spell and her once imagined dreams for her future were no more. Three months later they wed and Randell carried Mozelle across the threshold into The Great Depression. As one child became four Mozelle saw that Randell was not the man she thought she married. Against all odds, Mozelle set her sights on buying a piece of land and building a house to put a roof over their heads. To realize that dream, Mozelle was going to have to squirrel away her pennies and in the end, build her house with her own two hands---husband or not. l Abiding by her parents' teachings, Mozelle stays loyal and faithful in her marriage to Randell, although Randell holds no vow sacred. The hard bed that Mozelle's father had warned that she had made for herself by marrying Randell, became less and less comfortable to sleep in, but Mozelle found comfort in turning to the Lord to see her through the storm. Mozelle is every woman who squares her shoulders and vows to rise above a bad marriage and the excruciating poverty that binds her. Blessed with true grit and a strong backbone, Mozelle stands her ground and sways with the breeze of disappointment and the winds of deprivation. Mozelle's determination and her unshakeable faith in God, like the supple branches of the weeping willow tree are strong and unbreakable, thereby proving that Weeping Willows Dance.

    Born to poverty and limited opportunities, they're able nonetheless to enjoy the largely innocent pleasures of childhood, but the adult world around them inevitably impinges. The narrator's elder sister falls pregnant and is sent to Ireland to have and give up the child; newcomer Tony and his mum are in danger of real violence at the hands of Tony's violent Polish stepfather; and no child who plays the part of altar boy at the chapel wants to be left alone with the local priest. Observant, clear-sighted in its portrayal of the darker side of life yet utterly warm-hearted, Spit Against the Wind reminds us of the wonders of childhood without sentimentality but with gentle humor and great charm.

    As things spiral out of control, Kennedi works hard at keeping her dark past hidden, but there's nothing that can protect her from the mark an unsuspected person has put on her life.

    Taking his inspiration from Dylan Thomas' Under Milk Wood, Louis de Bernières chose to celebrate his ten years of life in the south London suburb, living above a small shop that had been by turns an outlet for oversized naughty clothes for transvestites, a West Indian hairdressers and a junk shop, by writing of the people that he had known and come to love in his time there.Brilliantly capturing the myriad voices of modern Britain, with their different rhythms of speech and accents, their humour and their tragedy, jokes and gossip, de Bernières' tour de force takes us to the heart of a community and its spirit - the lives and loves, the tears and the laughter of its people.

    That they eat, sleep, and work side by side in the gossip-ridden mill town of Shirley Falls—a location fans of Strout will recognize from her critically acclaimed novel, The Burgess Boys—only increases the tension. And just when it appears things can't get any worse, Amy's sexuality begins to unfold, causing a vast and icy rift between mother and daughter that will remain unbridgeable unless Isabelle examines her own secretive and shameful past.A Reader's Guide is included in the paperback edition of this powerful first novel by the author who brought Olive Kitteridge to millions of readers.

    Here the father—a former high school teacher—is demeaned by the only job he can get: gravedigger and cemetery caretaker. When local prejudice and the family's own emotional frailty give rise to an unthinkable tragedy, the gravedigger's daughter, Rebecca heads out into America. Embarking upon an extraordinary odyssey of erotic risk and ingenious self-invention, she seeks renewal, redemption, and peace—on the road to a bittersweet and distinctly “American” triumph.

    She doesn’t go to school and never leaves the flat by day. Sensing in each other a kindred spirit, the two become devoted friends. What Oskar doesn’t know is that Eli has been a teenager for a very long time…Jack Thorne's adaptation of Let The Right One In premiered in June 2013 at the Dundee Rep Theatre in a production by the National Theatre of Scotland, before transferring to London's Royal Court Theatre in November 2013.