Yes, that seemed normal enough---but what was this talk about "death trauma"?Thus was Thomas Blaine introduced to the year 2110, where science had discovered the technique of transferring a man's consciousness from one body to another. Where a man's mind could be snatched from the past, when his body was at the point of death, and brought forward into a "host body" in this fantastic future world. But that was only a small part of it. For the future had proved the reality of life after death, and discovered worlds beyond or simultaneous with our own---worlds where, through scientific techniques, a man could live again, in another body, when he died here. And in the process, the reality of ghosts, poltergeists, and zombies was also established. What did it all mean? How had this discovery of what they called the "hereafter" shaped the world of 2110? Thomas Blaine found himself living in a future where the discoveries and techniques imagined by people of his time, while having come about, were completely overwhelmed by discoveries no one had ever dreamed of.

    The new Thanatos is superbly competent, ends pain when he ends lives. But Satan is forging a trap for Luna, the woman Death loves.

    He found a precarious balance as a con man, but when a client offers him untold wealth to move a squadron of warships across an enemy wormhole, he must embrace his birthright to even try. In fact, the job is so big that he'll need a crew built from all the new sub-branches of humanity. If he succeeds, he might trigger an interstellar war, but success might also point the way to the next step of Homo quantus evolution.

    The best players are celebrities, adored and worshiped by countless fans. Zack is a superstar among players.His final play may change the world, forever...

    In New York, a man sensing patterns in the stock market racks up $300 billion. In Chicago, a woman can go invisible by being where no one is looking. They’re called "brilliants," and since 1980, one percent of people have been born this way. Nick Cooper is among them; a federal agent, Cooper has gifts rendering him exceptional at hunting terrorists. His latest target may be the most dangerous man alive, a brilliant drenched in blood and intent on provoking civil war. But to catch him, Cooper will have to violate everything he believes in - and betray his own kind.From Marcus Sakey, "a modern master of suspense" (Chicago Sun-Times) and "one of our best storytellers" (Michael Connelly), comes an adventure that’s at once breakneck thriller and shrewd social commentary; a gripping tale of a world fundamentally different and yet horrifyingly similar to our own, where being born gifted can be a terrible curse.

    This is the story of my three deaths, and my life between. My name is Khemri.Taken from his parents as a child and equipped with biological and technological improvements, Khemri is now an enhanced human being, trained and prepared for the glory of becoming a Prince of the Empire. Not to mention the ultimate glory: should he die, and be deemed worthy, he will be reborn...Which is just as well, because no sooner has Prince Khemri graduated to full Princehood than he learns the terrible truth behind the Empire: there are ten million princes, and all of them want each other dead.

    Every day, she provides customers with personalized recommendations for greater contentment. She's good at her job, her office manager tells her, successful. But how does one measure an emotion?Meanwhile, there's Pearl's teenage son, Rhett. A sensitive kid who has forged an unconventional path through adolescence, Rhett seems to find greater satisfaction in being unhappy. The very rejection of joy is his own kind of "pursuit of happiness." As his mother, Pearl wants nothing more than to help Rhett—but is it for his sake or for hers? Certainly it would make Pearl happier. Regardless, her son is one person whose emotional life does not fall under the parameters of her job—not as happiness technician, and not as mother, either.Told from an alternating cast of endearing characters from within Pearl and Rhett's world, Tell the Machine Goodnight delivers a smartly moving and entertaining story about relationships and the ways that they can most surprise and define us. Along the way, Katie Williams playfully illuminates our national obsession with positive psychology, our reliance on quick fixes and technology. What happens when these obsessions begin to overlap? With warmth, humor, and a clever touch, Williams taps into our collective unease about the modern world and allows us see it a little more clearly.

    A notorious anti-patent scientist who has styled herself as a Robin Hood heroine fighting to bring cheap drugs to the poor, Jack’s latest drug is leaving a trail of lethal overdoses across what used to be North America—a drug that compels people to become addicted to their work.On Jack’s trail are an unlikely pair: an emotionally shut-down military agent and his partner, Paladin, a young military robot, who fall in love against all expectations. Autonomous alternates between the activities of Jack and her co-conspirators, and Elias and Paladin, as they all race to stop a bizarre drug epidemic that is tearing apart lives, causing trains to crash, and flooding New York City.

    Now its fleet is crippled and stranded in enemy territory. Their only hope is a man who's emerged from a century-long hibernation to find he has been heroically idealized, beyond belief...Captain John "Black Jack" Geary's legendary exploits are known to every schoolchild. Revered for his heroic "last stand" in the early days of the war, he was presumed dead. But a century later, Geary miraculously returns from survival hibernation and reluctantly takes command of the Alliance fleet as it faces annihilation by the Syndics.Appalled by the hero-worship around him, Geary is nevertheless a man who will do his duty. And he knows that bringing the stolen Syndic hypernet key safely home is the Alliance's one chance to win the war. But to do that, Geary will have to live up to the impossibly heroic "Black Jack" legend...

    The keys to this empire belong to the powerful North family - composed of successive generations of clones. Yet these clones are not identical. For one thing, genetic errors have crept in with each generation. For another, the original three clone "brothers" have gone their separate ways, and the branches of the family are now friendly rivals more than allies. Or maybe not so friendly. At least that's what the murder of a North clone in the English city of Newcastle suggests to Detective Sidney Hurst. Sid is a solid investigator who'd like nothing better than to hand off this hot potato of a case. The way he figures it, whether he solves the crime or not, he'll make enough enemies to ruin his career. Yet Sid's case is about to take an unexpected turn: Because the circumstances of the murder bear an uncanny resemblance to a killing that took place years ago on the planet St. Libra, where a North clone and his entire household were slaughtered in cold blood.The convicted slayer, Angela Tramelo, has always claimed her innocence. And now it seems she may have been right. Because only the St. Libra killer could have committed the Newcastle crime. Problem is, Angela also claims that the murderer was an alien monster. Now Sid must navigate through a Byzantine minefield of competing interests within the police department and the world's political and economic elite...all the while hunting down a brutal killer poised to strike again. And on St. Libra, Angela, newly released from prison, joins a mission to hunt down the elusive alien, only to learn that the line between hunter and hunted is a thin one.

    It's a secret that he's sworn to his parents to keep, and never tell. Griffin is a Jumper: a person who can teleport to any place he has ever been.  The first time was when he was five, and his parents crossed an ocean to protect the secret. The most important time was when he was nine. That was the day that the men came to his house and murdered his parents. Griffin knows that the men were looking for him, and he must never let them find him. Griffin grows up with only two goals: to survive, and to kill the people who want him dead. And a Jumper bent on revenge is not going to let anything stand in his way. Jumper, based on Steven Gould's earlier novel of the same name, will be a  major motion picture scheduled for release by 20th Century Fox starring Hayden Christensen, Jamie Bell and Samuel L. Jackson, and directed by Doug Limon.  Jumper: Griffin's Story features the character played by Jamie Bell in the film.

    In this charming and sweet solo show, Wally investigates a hiccup in the spacetime fabric of his neighborhood which is causing a number of strange events and occurrences. Part science fiction and part coming-of-age story, Wally Roux charts one boy's journey of self-discovery and identity.

    When he and his crew stumble upon a derelict ship, the Scopuli, they find themselves in possession of a secret they never wanted. A secret that someone is willing to kill for—and kill on a scale unfathomable to Jim and his crew. War is brewing in the system unless he can find out who left the ship and why.Detective Miller is looking for a girl. One girl in a system of billions, but her parents have money and money talks. When the trail leads him to the Scopuli and rebel sympathizer Holden, he realizes that this girl may be the key to everything.Holden and Miller must thread the needle between the Earth government, the Outer Planet revolutionaries, and secretive corporations—and the odds are against them. But out in the Belt, the rules are different, and one small ship can change the fate of the universe.

    Cavor soon succeeds in his experiments, only to tell a stunned Bedford the invention makes possible one of the oldest dreams of humanity: a journey to the moon. With Bedford motivated by money, and Cavor by the desire for knowledge, the two embark on the expedition. But neither are prepared for what they find - a world of freezing nights, boiling days and sinister alien life, on which they may be trapped forever.

    Harry August is on his deathbed. Again. No matter what he does or the decisions he makes, when death comes, Harry always returns to where he began, a child with all the knowledge of a life he has already lived a dozen times before. Nothing ever changes. Until now. As Harry nears the end of his eleventh life, a little girl appears at his bedside. "I nearly missed you, Doctor August," she says. "I need to send a message." This is the story of what Harry does next, and what he did before, and how he tries to save a past he cannot change and a future he cannot allow.